This may be the oddest film I plug on the Brew:Next week at the REDCAT they are showing a feature film psuedo documentary called TICKET TO JERUSALEM. Here’s the plot: A Palestinian 16mm film collector running a mobile cinema from his old truck throughout the West Bank (mainly showing Heckle & Jeckle cartoons!) tries to get into forbidden Jerusalem to do a special outdoor screening.It sounds like something I’d like to see. It screens in L.A. next Wednesday night at 9:30pm at the Walt Disney Concert Hall Redcat Theater. The trailer is here.

Dreamworks Animation trailer for SHARK TALE is here.

This upcoming Saturday, May 22nd at 3:00pm, ASIFA-Hollywood presents Part Two of a demonstration and discussion of animated film preservation and restoration, this time focusing on sound films from the late 1920s through
1940s.
UCLA archivist Jere Guldin will lecture and screen rare restored prints of cartoons from the golden age of animation. Topics covered will include sound restoration techniques; early sound formats; recovery of original titles; and comparisons of Technicolor shorts preserved from original successive exposure negatives and sole-surviving nitrate prints.
Preserved films to be shown include the Toby the Pup cartoon, CIRCUS TIME (1930); the Ub Iwerks ComiColor Cartoon, BALLOON LAND (1935), and Flip the Frog short, FLYING FISTS (1931); the Fleischer short subject explaining sound-on-film, FINDING HIS VOICE (1929); and many others.

Saturday May 22nd, 2004 • 3:00pm
THE AMERICAN FILM INSTITUTE
TED ASHLEY/WARNER BROS. SCREENING ROOM
2021 N. Western Ave.
Hollywood, CA
ASIFA MEMBERS: FREE! Non-Members: $10.00

I posted this a while ago on my Cartoon Research site, but since the date is coming up soon, I thought I’d repost this info here on the Brew:

The Los Angeles Chamber Orchestra will be performing the score to PLANE CRAZY live, at UCLA’s Royce Hall on June 5, 2004, preceeding a screening of Buster Keaton’s STEAMBOAT BILL JR.
Alexander Rannie will be reconstructing the music and sound-effects exactly as they were recorded, utilizing rare extant material. Rannie, who has worked on numerous projects in film and television (including THE REN & STIMPY SHOW), has previously composed scores for several of the Alice comedies shown on the Disney Channel.
Rannie says, “As far as I know, this will be the first performance of “Plane Crazy” with the reconstructed original Carl Stalling score.”
PLANE CRAZY premiered on May15, 1928 as a silent, but was never widely released. Carl Stalling provided a pastiche of popular and traditional tunes (a compiled score) for the sound version released as a result of the immense popularity of “Steamboat Willie.”

With the plethora of sketchbooks being published by animation artists nowadays, it takes a little extra effort to stand out from the pack. Designer Stephen Silver has managed to do just that with his newly published sketchbook THE ART OF SILVER, a ful-color 160-page hardcover book. I’d enjoyed his first sketchbook from a couple years back, which was printed in a far more humble 32-page b-&-w comic book format, but I hardly expected such an ambitious follow-up. This book redefines what it means for an artist to self-publish a collection of their work, with page after page of handsomely printed sketchbook drawings, illustration work and caricatures drawn in an impressive variety of media including gouache, Prismacolor, brush pen and ink. The lush printing gives the reader the added bonus of being able to see Stephen’s light blue and red pencil roughs under his clean-ups.

Also included is Stephen’s professional work from animated projects he’s designed: CLERKS: THE ANIMATED SERIES, DANNY PHANTOM and CRASH NEBULA. His design work from DISNEY’S KIM POSSIBLE is missing, most likely due to legal reasons, and while it would have been nice to see, the huge variety of art already in the book more than makes up for the absence of those designs.

Like many of the most original and creative animation artists, Stephen is predominantly self-taught. He’s developed his own distinctive way of drawing, in which he places an emphasis on rhythm and flow, combined with a strong sense of personality, which perhaps owes to his artistic training as a theme park caricaturist where the goal is to capture a person’s likeness. Another throwback to his caricature days is his affinity for drawing heads, which he explains is one of his favorite drawing subjects.

Throughout the book, Stephen shares ideas about drawing, such as how he likes to draw multiple characters on a page to see their shape contrasts and his “figure eight” design technique. The greatest insight can be gained though by simply flipping through the pages and studying the impressive range of one artist’s work. The binding of the book indicates that this is Volume 1, and hopefully in the future we’ll be seeing many more volumes of Stephen Silver’s work. THE ART OF SILVER also has a foreword by film director Kevin Smith and a backword by MAD artist Tom Richmond. For ordering info, visit Silvertoons.com.

Airing on NBC tonight is THE ADVENTURES OF SEINFELD & SUPERMAN from 8:44-9 pm. The live-action/animated combo will be hawking American Express in this odd sweeps month programming stunt. The special will be comprised of the first Seinfeld/Superman webisode “A Uniform Used To Mean Something,” which premiered online a couple months ago, as well as the premiere of the second installment called “Hindsight.”

Mo Willems (SHEEP IN THE BIG CITY) tells us he will be attending the Chicago BOOKEXPO:

“I’ll be at the Disney/Hyperion tables plugging my new kids books THE PIGEON FINDS A HOT DOG! (sequel to the Caldecott honored DON’T LET THE PIGEON DRIVE THE BUS!) and KNUFFLE BUNNY: A CAUTIONARY TALE (which utilizes cartoon characters over black and white photos). I’ll be giving the lunch address at the ABC (children’s booksellers org) and discuss how I use animation production techniques for books while at BookExpo, where one of my originals will be awarded to an “outstanding” bookseller (the Pannel award).
I’ll also be signing for the public at Chicago’s printers row on that Saturday.”

More info at www.mowillems.com

Two big industry events are right around the corner - BOOKEXPO AMERICA June 3-6 in Chicago and LICENSING INTERNATIONAL June 8-10 in New York.These are the two biggies for people in the trade - and its the place to be to see what will appear in bookstores and toystores for the next 12 months. I’m not planning to attend either show this time around, but I’ve been to each in recent years and they are quite extensive. For example, this year MGM plans to unveil a “Baby Pink Panther” line (see image above right) at the Licensing Show, and Disney licencees will show off their INCREDIBLES tie-in books (see left) at BookExpo.And here’s a clue for loyal BREW readers attending the BookExpo: seek out the Chronicle Books display for information on Amid’s upcoming projects… and locate Harper Collins Design for an upcoming top-secret Jerry project.