Once again this Thursday night - and every first Thursday of the each month - Jerry Beck will be the opening act for Janet Klein & Her Parlor Boys at the Steve Allen Theatre in Hollywood.Janet and her boys play authentic 20s jazz music live, and I start the proceedings by providing about 45 minutes of vintage musical shorts and cartoons in glorious 16mm monophonic movie projection. It’s a lot of fun - and if you are in the area, I highly recommend you check out the program. This month I’m showing Fleischer, Terrytoons and Harman-Ising goodies along with some zany live action rareties. Janet and her band are amazing! Here’s a clip of her singing Yiddish Hula Boy in the style of a Max Fleischer Screen Song! Join us!THURSDAY, DECEMBER 2nd, 2004, 8:00 pm
The STEVE ALLEN THEATRE
4773 Hollywood Blvd., Hollywood
(West of Vermont, across from Barnsdale Park)
$15 323-666-4268 for reservations
More info at www.janetklien.com

Good day. Here is day two of our contest (which ends tomorrow). The first two people with the correct answer (or what I think is the correct answer) to this question arriving in my email-box wins the dvd prize - 2003 Academy Award Winner HARVIE KRUMPET - courtesy of our friends at StudioWorks Entertainment. Today’s question is:

In 1990, two clay animated shorts by Aardman’s Nick Park were nominated for the Oscar. What was the name of the film that won?

The Contest is now OVER. Today’s winners were Michael Nusair and Todd Jacobsen. The answer was : Creature Comforts

Cartoon Brew reader Marc Crisafulli responded to my recent post about cartoon murals with an additional mural (see above) that he saw offered for auction at eBay. This one included cartoon work by Milt Gross, Percy Crosby, George McManus, and others, along with some pin-up art. Sadly for us, it was created for a popular speakeasy, so it’s a few decades too late to see it in its original location.

On the other hand, New York’s the Palm Restaurant, which I need to get to someday, is alive and thriving–and its walls feature work by everyone from Billy De Beck to Carmine Infantino. (The Palm’s other branches have walls festooned with cartoons, too, although at the Boston location, at least, some beloved characters are seriously off-model.) Here’s the Palm’s page on its wall art, with a short article by R.C. Harvey.

Willoughby’s Magic
Hat (1943)The family of cartoonist Sam Cobean have just set up a new website, Sam Cobean’s World, featuring many of his cartoons, biographical information, photos, articles and obituaries. Included in the site are over 200 photos of Cobean’s original drawings from the collection owned by his estate. They have been organized into a browseable photo gallery. Family member Dan Loomis says:

“We hope to make Sam Cobean as well known by current generations as he was in the 1940s-50s. His untimely death in July, 1951, was a sad loss to the world of humorous cartooning.”

Cobean became a successful magazine panel cartoonist after World War II. Prior to the war Cobean had been an inbetweener and storyman at Disney, then joined Screen Gems in the early forties writing some of the best cartoons that studio ever produced - including the lengendary WILLOUGHBY’S MAGIC HAT, WAY DOWN YONDER IN THE CORN plus several other classic Fox & Crow shorts.

Funniest thing I’ve seen in weeks!Camp Chaos imagines Popeye going anime - a hallucinatory cross between Dragonball Z, Star Blazers and the one-eyed, spinach packin’ sailor man. Hilarious!Check it out HERE before someone gets wise.(Thanks to reader Christopher Merrit for the link)

The NY TIMES posted this sad news today:

John Parr Miller, an early animator for Walt Disney whose later art adorned best-selling children’s books, including those in the popular Little Golden Books series, died on Oct. 29 on Long Island. He was 91 and lived in Manhasset, N.Y.

Best known as J.P. Miller, the illustrator of several incredible Little Golden Books, Miller’s art is still influential to a new generation of animators artists. His “Little Red Hen” is still in print and considered a classic. “Lucky Mrs. Ticklefeather,” “Little Pee Wee” “The Little Golden Funny Book”, “The Marvelous Merry-Go-Round”, “Tommy’s Wonderful Rides”, “The Circus ABC” and many others, define the Little Golden Book style. These books, all done in the late 1940s and early 50s, are prime examples of the stylized modern commercial art of the era - and a huge influence on many of today’s best animators (including Spumco), leading cartoonists and commercial designers.According to the Times obit:

John Parr Miller found himself in Hollywood during the Depression, with a widowed mother, need of a job and a portfolio from Grand Central Art School, which he had attended for a little more than two years. He found work in the story department at Disney Studio in 1934… In 1937 he was one of only three artists asked to start the studio’s character model department. According to studio archives, he helped create characters for Disney “Pinocchio,” “Fantasia” and “Dumbo.” He left Disney for military service in World War II, when he made training films for the Navy. After the war, Golden Books recruited him and several other Disney veterans to enliven children’s books for a mass market, to go beyond the bland Dick and Jane primers of yore. Mr. Miller continued his work as a freelance artist until about 10 years ago.

Our new contest (for today through Wednesday). The first two people with correct answer (or what I think is the correct answer) to this question arriving in my email-box wins the dvd prize - 2003 Academy Award Winner HARVIE KRUMPET - courtesy of our friends at High Fidelity Media. Today’s question is:

In 1974, a clay animated short won the Oscar. What was the name of that film?

The Contest is now OVER. The winners were Robert J. Reynolds and Alan Hershey. The answer is: CLOSED MONDAYS by Will Vinton and Bob Gardiner.

WORKING DOLLARS is a John Sutherland industrial film from the mid-’50s that can be downloaded for free at Archive.org. Unfortunately the film print is awful - scratched up, spliced and faded - and one can only imagine how much cooler a clean print of this film would be. The film’s super-appealing designs and layouts are by Bernie Gruver (1923-1985) and the solid animation is by Emery Hawkins, George Cannata and Jim Pabian. I don’t know much about Gruver, but his design sense is terrific. At Playhouse Pictures, where he worked from the late-’50s through the mid-’60s, he designed the very distinctive Friskie Puppies spots, and then Gruver worked with Bill Melendez for many years on the PEANUTS specials including the classics like A CHARLIE BROWN CHRISTMAS and IT’S THE GREAT PUMPKIN, CHARLIE BROWN. Here’s a look at Gruver’s Friskies designs:

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