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Looks like I owe a little more than I thought this year – so it’s time to check the archives and put some of my excess materials on ebay.Check my 
Here’s a heads-up on an event I’m doing which I’m really looking forward to — “The Art of Animation Timing: A Master Session with Fred Crippen.” It’ll take place on Saturday, May 21st, so it’s still a few weeks away. Basically the way it’ll work is we’ll be showing different examples of Fred’s work from throughout his career, and inbetween the films there’ll be a discussion/Q&A about his distinctive approach to animating and filmmaking.
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POSTS FOR “April, 2005“Cartoon Brew's home for up-to-the-minute, unedited announcements and press releases direct from industry sources.
April 13, 2005 10:33 pm
No Comments » posted in Old Brew 
April 13, 2005 1:18 am
Fred is certainly one of the most unique animators in the biz. During the 1950s, while he was working at the legendary UPA Studios, he animated seventeen films entirely by himself (4 Columbia theatricals and 13 shorts for THE BOING BOING SHOW). No assistants, nothing. As experimental as UPA was, I’m fairly certain that no other person at the studio in the 50s animated a film entirely by themselves; there were typically multiple animators on each film and those animators each had assistants. And here’s Crippen animating film after film, all by himself, in the short span of two years. In later years, he created ROGER RAMJET, made over 100 SESAME STREET and ELECTRIC COMPANY spots and worked on numerous Saul Bass film projects. He continues animating and directing today. One of the great things about living in LA is that we can learn from the cartoon masters who live amongst us. Fred is one of those living legends who has over fifty years of experience in the animation biz, and yet unlike most, has managed to retain a highly independent and personal approach to the art form. I hope everybody takes advantage of the opportunity on May 21st to pick up a few animation tips from Fred. There’s more details on the event at the ASIFA-Hollywood website (bottom of the page). No Comments » posted in Old Brew
April 12, 2005 6:36 pm
 Two weeks ago we posted the early 30s Oswald business card of Steve Bosustow. Brew reader (and fellow Mindrot contributor) Tom Bertino sent in this similiar rarity (above) from a year or so earlier.One wonders: Was Walter Lantz the only animation producer to give business cards to his animators? No Comments » posted in Old Brew
April 12, 2005 9:07 am
 Anne D. Bernstein sent me notice of a current Fanzine Exhibition at Phildelphia University. Now that websites have all but taken the place of personal ‘zines, it’s nice that this original form of self-expression is being recognized.Of course the exhibit I want to see is already online – Toonhub’s magazine page devoted to all animation publications. There have been so few zines devoted to the history, industry and art of animation that they can easily compiled onto this humble page.I got my start writing a regular column for MINDROT back in 1976. At that time it seemed as if EVERYONE who loved classic cartoons either wrote for or subscribed to this fanzine. There was nothing else – at the time – for us who appreciated animation history (FUNNYWORLD preceeded Mindrot, but had practically dissapeared by 1980).I would hope Mindrot, Animato, Get Animated, fps and Animation Blast are preserved and displayed in some Fanzine Hall of Fame someday – and accessible in an archive/library for reference. I value my hard copies of these zines. They still contain valuable research and opinions unavailable anywhere online, and were pioneers in creating a community of enthusiasts, historians and animation artists.P.S. Amid reminds me that a new ANIMATION BLAST (#9) will be available later this year. No Comments » posted in Old Brew
April 12, 2005 12:30 am
Cartoonist pal Scott Shaw! has written a lovely remembrance of his friend and mentor, Gene Hazelton. It’s posted HERE and well worth a read. No Comments » posted in Old Brew
April 12, 2005 12:23 am
I thought it’d be nice to remember Gene Hazelton with a few examples of his short-lived syndicated panel ANGEL FACE from 1957. 
1 Comment » posted in Old Brew
April 10, 2005 7:56 pm
 I don’t know if anyone else noticed today’s OPUS strip by Berkeley Breathed – but it certainly caught my eye. (If anyone can lead me to an online link for it, I’d appreciate it). Breathed has his characters pondering the male dominance of cartoon characters. Spongebob, Mighty Mouse, Mickey, Bugs, Daffy, Porky, Yogi, Huck and Felix (nice to see Felix back in the Sunday pages, but I digress) – 22 in all – appear without copyright notice in the color section today. (Outside of Snoopy, Garfield, Pogo and Hobbes all the rest pictured are of animated origin)Of course the question posed – has there been a single female animal character? (not counting adjunct girlfriends) – is an interesting one. I think Breathed forgets Krazy Kat and Molly Moo-Cow (not to mention the fact that Betty Boop started out as a dog). And, as Brew reader Wayne Daigrepont points out, “the grandmammy of all toondom was female: Gertie the Dinosaur!”And there are plenty of star “human” female cartoon characters – from Tex Avery’s Red and Little Lulu to Angelica – but we won’t go there… for now. No Comments » posted in Old Brew
April 10, 2005 11:42 am
 Animation designer/comic strip artist Gene Hazelton passed away last Wednesday at age 85. For a thoughtful account of Gene’s work, see Mark Evanier’s blog. The only major part of Gene’s career which isn’t mentioned in Mark’s obit is his work as art director at Grantray-Lawrence Productions, where he designed hundreds of animated TV commercials between the mid-’50s and early-’60s. I mention this because back in 1999, when I interviewed Gene for ANIMATION BLAST #4, one of the nicest treats of our meetings was when he showed me the designs he’d created for the Grantray commercials. Seeing Gene’s incredible drawings certainly played a large role in sparking my fascination with 50s animation design and inspiring my journey to discover other great designers of that era. I’m saddened to hear that Gene won’t be around to see the results of what he started when my book on 50s animation design comes out next year, but I’m certain his work will continue to inspire many others in the future just as it inspired me. |
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