FPS magazine began an excellent series of lectures last summer called the Animation Innovator series. Their first guest was animation legend Ray Harryhausen, and the series continues next Wednesday, October 26, with a presentation by CORPSE BRIDE director Mike Johnson. The event takes place in Montreal at Concordia University (Hall Alumni Auditorium, 1455 de Maisonneuve Blvd. West, Montreal, Quebec). Johnson, who has also worked on THE NIGHTMARE BEFORE CHRISTMAS, JAMES AND THE GIANT PEACH and THE PJS, will discuss the making of CORPSE BRIDE and show puppets from the production. The presentation will also include a screening of Johnson’s short film THE DEVIL WENT DOWN TO GEORGIA. Ticket info and further details are at the FPS website.

This is a pretty cool CG/live-action commercial for Guinness helmed by Danny Kleinman, director of the title sequences of the past five Bond movies. Watch it HERE or read more about the commercial at the BBC.

Craig Harris is a talented newcomer working at James Baxter Animation by day, blogging and illustrating books at night.

Most Brew readers have likely seen Chuck Jones’s ONE FROGGY EVENING (1955) more times than they can count, but do you know the answers to the following questions:

Were the songs “real” songs or were they written especially for ONE FROGGY EVENING?
Who wrote them and when?
Are these all turn-of-the-century songs?
What are the songs really about - what are the rest of the lyrics?

This neat little WEBSITE answered all those questions and told me more about the classic Jones short than I ever wanted to know.

Sunday night I’ll be moderating a Q&A at the Hollywood Film Festival closing night World Premiere for Disney’s dub of MY NEIGHBOR TOTORO. Hayao Miyazaki’s 1988 animated classic has been re-dubbed by an all-star cast including Dakota Fanning, Timothy Daly and Pat Carroll. It’s one of Miyazaki’s best, and it’s currently getting hard-to-find on dvd. October 23rd at 7pm at the Arclight Cinema on Sunset Blvd. More info HERE.

She was Josie, Judy Jetson and Penelope Pitstop…. to name but a few. Women In Animation is hosting a luncheon with voice actress Janet Waldo, at the Smoke House in Burbank, on Saturday November 19th.

The latest in WIA’s series of “Where The Bodies Are Buried” Salons will feature the legendary Ms. Waldo, who’ll tell us what it was like working in cartoons in the early, non-corporate days. If you want to hear the unauthorized version of the Golden years of Animation, reserve a place for yourself on Saturday. November 19, at The Smoke House (one of the last remaining Old Industry watering holes), from 12 noon to around 3-ish. $23.00 per person.Menu: Choice of chicken teriyaki, caesar salad with blackened salmon or caesar salad with chicken. Coffee or tea included. No-host bar (they offer a martini cited by the Los Angeles Times as legendary). Pre-pay recommended, as seating is limited.

Please RSVP to (310) 535-3838 by November 16th. The price of the event is $23.00, Send your check to: WIA/Waldo Salon P.O. Box 251, Topanga, CA 90290. Please specify your food preference. The Smoke House is at 4420 Lakeside Drive, in Burbank, across from the Warner Bros. lot. Valet parking available.

ASIFA-Hollywood will be screening a dozen extremely rare KRAZY KAT cartoons on Saturday October 29th at 3pm - at the AFI in Hollywood.Columbia Pictures KRAZY KAT cartoons are hard enough to see as they are. Originally made for theatres (1929-1939) and later released to TV in the 1950s, the series has been unavailable for viewing for the last 40 years. Though based on the George Herriman comic strip, the Columbia cartoons were the end of a continous line of shorts that began in 1916. By 1929, producer Charles Mintz (the man who took Oswald Rabbit - and the entire animation staff - away from Walt Disney, forcing him & Ub Iwerks to invent Mickey Mouse) had evolved the character from Herriman’s neurotic female into a happy-go-lucky song & dance man - not so different from such early 30s characters such as Bosko, Oswald, Mickey Mouse and Flip the Frog.The twelve cartoons being screened by Asifa next week were never part of the 50s television package, never distributed in 16mm and have not been seen since their original release in the late 20s and early 30s. They contain various characters drinking liquour, vicious ethnic stereotyping and hints of pre-code sex! Several have surreal Fleischer-like imagery and extreme rubber-hose animation - and all contain hot jazz soundtracks typical of their day. Asifa will be screening brand new restored 35mm prints, each retaining their rare original titles.If you enjoy oddball black & white 1930s animation, if you are into funky early sound cartoons - or if you think you’ve seen it all - you haven’t seen these! I urge you to join me on Saturday October 29th. Take it from me: these will never be released on DVD. More information here.

I wasn’t familiar with the work of Canadian cartoonist Rex Hackelberg until he submitted a terrific entry for our Ottawa Animation Festival contest. Not only does he draw super-goofy cartoons, but he also has a superb sense of color. Now he’s sharing his drawings and paintings regularly on his new blog HERE.