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POSTS FOR “October, 2005“October 13, 2005 3:58 am
“After struggling uphill in the difficult yet potentially profitable world of computer animation films, Wild Brain is on the cusp of success.” That’s the headline of the cover story from this week’s SAN FRANCISCO WEEKLY, which takes an in-depth look at Bay Area animation studio Wild Brain. Haven’t had a moment to check out the story yet, but it looks like it could be an interesting read. October 12, 2005 1:54 am
![]() Chris Savino, who worked on the original REN & STIMPY and has subsequently produced THE POWERPUFF GIRLS, directed DEXTER’S LABORATORY and co-directed THE FLINTSTONES ON THE ROCKS, is currently working on a live-action short called ADVENTURES IN MILK. He’s started a blog to document the production of the film HERE. Of particular interest to animation fans: his film will also include an animated faux-cereal commercial done in a 60s-ish Jay Ward style. Chris is currently discussing the production of this animated portion in his journal. As a sidenote, here’s a link to an interesting 1992 interview with Savino right after he’d finished working on REN & STIMPY. October 12, 2005 1:49 am
![]() Here’s a chance to see some quality CG in Montreal. The SIGGRAPH 2005 Electronic Theater will play this Thursday, October 13, at the Society for Arts & Technology (1195 St. Laurent Blvd.). Screening starts at 6pm and admission is free. Details are HERE. Following the screening will be:
(Thanks, Tamu) October 12, 2005 1:46 am
![]() Here are three terrific blogs by animation students, one each from France, Canada and the US. The future of animation looks bright if students are capable of producing this caliber of work: Béatrice Bourloton (Gobelins) Josh Parpan (CalArts) Ken Turner (Sheridan) ![]() October 11, 2005 9:03 am
The Question: What was the name of Orko’s girl-friend? Our winners were Evan Laundrie of Anaheim, CA and Liam Harrison of New York, NY won the prizes. Thanks to all who entered! I didn’t know there were so many He-Man fans reading this blog. It scares me. October 11, 2005 5:20 am
The piece says that Orphanage is planning to do animated features for a hefty pricetag of $50-75 million apiece, which frankly, at least to me, already sounds like a troubling sign. At those prices, they’ll likely be inclined to play it safe and emulate the formulas of other successful studios, instead of having the freedom to take artistic risks and attempt breaking new animation ground. The studio aims to release its first film in 2008, followed with a new film every 18 months thereafter. The VARIETY piece suggests that, “Orphanage Animation is being built on a model similar to Pixar, with execs hoping Tartakovsky will be the John Lasseter figure who will helm the first film or two and then oversee a team of inhouse creative talent developing future pics.” Best of luck to Genndy, and here’s to hoping a good new studio evolves out of this.* Here’s a link to the complete VARIETY article posted at the Drawing Board. *It’s worth noting that Orphanage isn’t exactly a new studio, but still a young outfit. It was founded in 1999 by three ILM veterans, and they’ve provided vfx for SIN CITY, HELLBOY and THE DAY AFTER TOMORROW, among other films. They’ve yet to release an original production, but they recently began production on their first feature, GRIFFIN AND PHOENIX, a live-action romantic comedy. October 11, 2005 4:15 am
![]() A group of French animation students at the school Gobelins have started a blog documenting the production of their animated short PYRATS, which once completed, will be used as a signal film for next year’s Annecy Animation Festival. Different teams of Gobelins animation students produce brilliant signal films for the festival every year; we’ve mentioned some of those shorts here before, like LE BUILDING and SUPER TIBETAN RACER. To view all the Annecy signal films produced at the school between 2002-2005 (as well as another recent student short, the very funny LIONEL) check out this gallery page at the Gobelins school website. October 10, 2005 2:18 pm
One of Warner Brothers’ wartime Private Snafu cartoons, designed to be shown only to the Army. Sounds like fun.
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