Two new animation magazines appeared in my mailbox last week. Both are very well done, though aimed at completely different audiences.

CARTOONS (Vol. 2, Issue 2, Winter 2006), the John Libbey publication for ASIFA, edited by Chris Robinson, is the best edition yet. This 52-page color, glossy magazine is distributed free to all ASIFA members internationally. I’m not even sure you can buy this anywhere. Another great reason to join Asifa (check here for your local branch).

This issue contains many good articles - among them, Karl Cohen on how ASIFA helped win the Cold War; Martin Goodman on the making of Cartoon All-Stars To The Rescue, and Chris Panzner on kids network demographics. But the standout is John Canemaker’s 13-page profile (part 1) of Disney animator-turned-influential Golden Book illustrator John Parr Miller. Per Canemaker standards, the piece is filled with meticulous research, great writing and rare illustrations. This is a must-have.

CEREAL:GEEK is another matter entirely. This isn’t for everyone. This is a lavish 100-page magazine, printed in full color on heavy gloss stock, devoted to 1980s TV animation. Publisher James Eatock understands that the animation of the era was “junk food” (hence the “cereal” of the title), but has a passion (hence the “geek”) for the cartoons he grew up with, and a sense of humor about it. He believes the 80s were a watershed decade where the young TV animators found their voice. I personally have no love for He-Man, Teenage Mutant Ninja Turtles or Inspector Gadget, but if you do, then this is for you. There are some in-depth articles, an interview with Larry Ditillo (Jayce and the Wheeled Warriors) and lots of insight into The Transformers, She-Ra and 80s anime. If this excites you, get it. You won’t be disappointed.

If Disney’s early-60s paper cutout short A Symposium on Popular Songs had included black people, they might have looked something like this music video that Megan Brain (mentioned here previously) recently designed for Cartoon Network’s Class of 3000 series. Joe Horne boarded and Chris Staples animated the characters in After Effects. Check it out below.

I saw this film at a free screening today so you don’t have to. And I urge you not to.

AQUA TEEN HUNGER FORCE (COLON): MOVIE FILM FOR THEATRES is, without question, the worst animated film of the year. It may be the worst film (of any type) I’ve ever seen. A text book example of an unfunny comedy, with poor production values; no craft, no art, no laughs, period. I’ve only seen one episode of the TV series, so I’m clearly not the intended audience for this. But who is? High School drop-outs on pot? I suspect there may be 7 year old out there who may think this is the funniest film they’ve ever seen. If so, I’d be worried about that 7-year-old.

For those unfamiliar with the show, there’s really no premise. It’s about the relationship between three fast-food icons, Master Shake (an idiot milkshake cup), Frylock (a large side of french fries) and Meatwad (a stupid meatball). There is a whole load of unfunny side characters. In an effort to cram as much “funny” into the proceedings, every voice is “funny”, every character name is “funny”, every title card is “funny”, every action is “funny”. All this adds up to incredibly “un-funny”. For those who have been waiting for it, the origin of the characters is explained - and Space Ghost makes an unfortunate cameo (and is killed off quickly).

Needless to say, there’s a fart joke every ten minutes.

Is there anything I liked? The first two minutes, a spoof of the corny “Let’s All Go To The Lobby” trailers (again?) was fun, but after this pre-title skit it’s all downhill. I also like the elaboratly painted one sheet poster art (above), but that has nothing to do (visually or conceptually) with the film itself.

I used to imagine the process of making animated films was fun. This one looks like it was a chore for its creators - it certainly was to sit through. I haven’t squirmed so much in a movie theatre since the time I saw a 1972 Woody Woodpecker as a teenager at the RKO Keith’s in Flushing, New York.

Don’t see it. If you do, demand a refund. Adult Swim owes me 79 minutes of my life.

Cartoon Network: If you really want to hurt the members of the Academy of Motion Picture Arts and Sciences, you’ll submit this film for consideration, for Best Animated Feature. Now that might actually be funny.

What is this obsession I have with Euro-Disney food?

This is not quite as strange as Mickey Mouse liver paste, but these frozen Mickey-shaped meat patties won’t be replacing the Big Mac anytime soon.

Oh, and for a midnight snack, check out these Mickey pizza pies!

(Thanks, Alberto Alvarez-Perea)

Go, Carol, go!

Carol Burnett has filed a $2 million copyright infringement lawsuit against 20th Century Fox, claiming her cleaning woman character was portrayed on the animated series Family Guy. The episode shows her Charwoman character as a porno-shop maid. Full story and a video clip of the offending scene at The Smoking Gun.

Here’s the latest trailer for Pixar’s Ratatouille with a lot of new footage that I haven’t seen anywhere else before.

(Thanks, John)

First, London based Matt Clark and Matt Everitt created this short, using dialogue from a Ricky Gervais Xfm radio show. This is one of a series of web shorts, which you can view here.

A short time later, a series of Irish Lotto ads began appearing on television. Brown Bag Animation in Dublin produced these.

Clark and Everitt believe they were ripped off. They’ve confronted Brown Bag about it. Everitt comments about it here and other blogs have written about it as well.

The Beat is reporting King Features Syndicate Comics editor Jay Kennedy passed away in a drowning accident while on vacation in Costa Rica. Jay was a friend of the Brew and one of the good guys at Hearst. Jay also wrote The Underground and New Wave Price Guide in 1982.

Dailycartoonist.com has a complete bio/obituary.