editors
JERRY BECK (LA)
AMID AMIDI (NY)
POSTS FOR
“2008“
Cartoon Brew's home for up-to-the-minute, unedited announcements and press releases direct from industry sources.
December 8, 2008 7:38 pm


Spanish animator César Díaz created this lyrical sand-animated music video for El Combolinga’s “No Corras Tanto.” Díaz is also a member of the band.

There’s also this making-of video that gives a sense of the painstaking effort that was involved in animating all that sand:

December 8, 2008 6:21 am


California Love

French animation school Gobelins has released the latest batch of their student films. From a purely technical standpoint, the quality of this school’s work never ceases to amaze me. It’s certainly better than a lot of professional work that comes my way. My personal favorite in the current crop is California Love, a CG short with the design sensibilities and expressiveness of hand-drawn animation. The film was created by Lucie Arnissolle, Yann Boyer, Vincent Mahe, Mael Gourmelen and Stephen Vuillemin. At the film’s website CaliforniaLove-LeFilm.com, you can see various ‘making of’ videos showing the individual contributions of each of the team members. Solid work all around.

Another curious entry is For Sock’s Sake, which is a stop-motion short produced by one person, Carlo Vogele. Though Vogele graduated from Gobelins, he made this film during an exchange semester at CalArts. I’ve seen pieces of clothing anthropomorphized like this before but the quality of acting and personality in Vogele’s animation is particularly impressive and shows a promising animator in the making.

(Thanks, Pete Shand)

December 8, 2008 12:05 am


Fulfilling its obligation to qualify for an Oscar nomination, the latest anime feature from Mamoru Oshii (Ghost In The Shell) opened in L.A. last Friday (at the Los Feliz Cinemas). In case you miss it this week, The Sky Crawlers will open in New York next Friday at the Walter Reade Theatre, and they’ll be free screenings for Asifa-Hollywood and Academy members within the month. Here’s the trailer.

December 7, 2008 8:30 pm


Click control arrow to see the trailer for $9.99:
I caught an advance screening of Tatia Rosenthal’s $9.99 (Thank you, Asifa-Hollywood) a few weeks ago, and it’s a remarkable film. Smart, funny and at the same time, deadly serious – it stands with Ari Folman’s Waltz With Bashir, Bill Plympton’s Idiots and Angels and Nina Paley’s Sita Sings The Blues as the advance guard of the coming wave of independently made adult animated features.

The film opens Friday (12/12) in Los Angeles at the Laemmle Music Hall on Wilshire Blvd. It’s absolutely worth seeing and highly recommended.

(Thanks, Jake Friedman and Ken Priebe)

December 7, 2008 12:15 pm


J.J. Sedelmaier and Howard Beckerman are assembling rare materials for a forthcoming series of animation exhibits showcasing the legacy of New York area animation. In preparation for the display, Beckerman is digging out rarely seen pencil animation sequences from his archive, and J.J. is refilming them, adding inbetweens where necessary. This one, above, looks like an outake from Famous Studios’ Lumberjack And Jill (1949).

There will be screenings/panels at the Jacob Burns Center on Silent Cartoons, Cartoons for Kids, as well as J.J. Sedelmaier Productions and Blue Sky Studios retrospectives. The Pelham Picture House will be doing NY Commercials & Indy Animation programs. Howard and J.J. are also doing a presentation on the History of New York Animation at the NY ComicCon (Feb 6-8). The centerpiece exhibit, It All Started Here!, featuring vintage art, photos, equipment, film programs and panels at the Westchester Arts Council Gallery in White Plains, runs from the evening of January 17th until February 28th. More information, when available, will be posted here.

December 6, 2008 12:05 pm


I was sorting through some files the other day and came across some of the more amusing summer vacation photos I’ve taken. Last year I had commented to Jerry that I wanted to post these photos on Cartoon Brew and he had suggested that I write about this particular trip, so here we go – our somewhat accidental visit to Flintstones Bedrock City in Custer, South Dakota.

I should mention first that I had always been curious about Flintstones Bedrock City, which is a theme park and camp ground in the Black Hills of South Dakota. Curious was about the extent of it, since I felt reasonably sure I’d never find myself in South Dakota. The reason I knew about this vacation destination was a trail of off-model merchandise that seemed to find me in each job I had. When I started at Nickelodeon in 1986, someone there had just returned from a Nick At Nite TV-themed road trip and had left some bell-shaped salt and pepper shakers on the desk that would become mine. It wasn’t an act of kindness – no one wanted them so they landed on the empty desk. I showed up and as a Flintstones fan, was delighted to acquire these. They were ugly, but campy enough and they had the Flintstones on them, and this was before the merchandising mania of the early 90s, so I was more than happy to keep them.

Fast forward nine years, and at the start of my Cartoon Network job, again, someone had done the obligatory roadtrip through Custer and I somehow became the proud owner of an aluminum Flintstones ashtray. Again, it was surprisingly ugly but campy enough, and since I was at Cartoon Network, I was more than happy to add this to the now growing collection of cartoon related ephemera that seemed to find me. I was pretty curious about Bedrock City, and mostly why they didn’t try a little harder to get their merchandise on model.

When I got to PBS, no Flintstones merchandise was awaiting me. I kind of forgot about Bedrock City, since I wasn’t thinking about the Flintstones every day anymore.

Now fast forward to last summer, where we loaded up the family and headed from a family visit in Colorado up to South Dakota for a trip to Mount Rushmore. We were on our way to a cabin in Custer State Park. We zipped up Route 16 and just as we were getting closer to the state park, there it was…Flintstones Bedrock City. “Wow, there it is,” I yelled, “I had completely forgotten about this place!” And like Camelot, there it was shimmering in the distance, and I was finally going to get to see it, after wondering about it for 20 years. “We need to go back there,” I declared. The rest of my family seemed ambivalent. We had planned out our week to include Mount Rushmore, Crazy Horse, Wind Cave, and a lot of things that would involve buffalo or rocks or caves or nature of some sort. The Flintstones seemed like the part of my life I was on vacation from. But to my family, it mostly didn’t look like it would be that much fun.

But this wasn’t about them, it was about me. And statues of Fred.

Anyway, Bedrock City wasn’t really shimmering. It was more like the way miniature golf courses look when it has been 95 degrees out for a long time. South Dakota can get pretty hot, and it was hot the entire time we were there. We finally got back there after lunch one day and my daughter, who was two at the time, had just settled down in the car for an afternoon nap. Anne volunteered to wait in the car with her. Ethan and I explored the, uh, parking lot. We walked around a little bit, but it was extremely hot, and Ethan, who had never watched the Flintstones to begin with, looked at me with an annoyed squint and said, “Can’t we just go to the gift shop?” No, I explained, we have to take some photos. You don’t understand, I told him, I’ve always wanted to come here. He looked around, looked back at me quizzically, and then looked just looked sad and tired. The walk across the parking lot to take pictures in front of the signs seemed unnaturally long. We took some photos and walked back. He posed by signs and by the souvenir shop, which was designed to look like a Flintstones house.

We went into the souvenir shop where I was anticipating rows and rows of amusing off-model merchandise that I could bring back to entertain my friends. I guess most of that merchandise existed from the era before HB and WB figured out how to market the Flintstones. They had a fair amount of actual Flintstones merchandise there, and it reminded me of the old HB store in the HB offices. They also had a lot of dinosaur themed merchandise there, as well. Barney dolls were on sale. Apparently Fred sells much better than Barney does. We looked around and couldn’t find anything ironic. Ethan ended up getting some dinosaur toys that had nothing to do with the Flintstones, and we went back to the car. The next step should have been a walk to the theme park but no one was willing to budge. Sara was still asleep. Anne looked bored. Ethan looked hot and tired. “Anyone want to check out the campgrounds?” I asked. No. They did not. The truth was that suddenly I didn’t want to, either. This wasn’t really any more ironic than a miniature golf course or any campgrounds built in the 60s. After all that anticipation and curiosity, I couldn’t seem to summon any enthusiasm to talk my family into trekking in 95 degree heat to see more statues of Dino. It didn’t help that there were probably only about ten cars in the lot at that moment. Everyone else clearly had found a pool to hang out in. We left and headed up route 16, off to our cabin in the woods. In retrospect, I do wish we had gone to the theme park part of it, but I’ll just save that for the next trip there. After all, if I made it to SD once, why not twice?

December 6, 2008 12:05 am


Starting today, the Nicktoons Network presents Frederator Studios’ Random! Cartoons each Saturday and Sunday at 10:30am Pacific time /1:30pm Eastern time. This week, Saturday (12/6) Episode 101 (Doug TenNapel’s Solomon Fix, Kyle Carrozza’s MooBeard, Nikki Yang’s Two Witch Sisters) and on Sunday (12/7), Episode 102 (Jeff DeGrandis’ Finster and Finster, Pen Ward’s Adventure Time, and Anne Walker’s Mind the Kitty).

I’ve been informed that my Random cartoon, Hornswiggle, may be delayed from its originally scheduled December 20th slot and is being held for a “possible stunt” next Spring. As usual, I’ll keep you posted. You’ll know when I know.

December 5, 2008 9:00 pm


Click the arrow to watch “Villains” by Zack Keller.

Zack Keller used to work for Pixar and is currently in LA working as a writer/director. He and Ed Skudder have established RootFilms and just finished a music video (using Flash/After Effects) called William. Their other work is multi-media, utilizing live action, puppets, CG and special effects. Fun stuff. Check it all out at www.rootfilms.com.