Search Results for funny face
Move over, Captain America and Spy Smasher. Here come Bugs Bunny, Andy Panda and Gandy Goose!
“The Iron Giant: Signature Edition,” director Brad Bird’s remastered masterpiece of war, peace, and paranoia, returns to theaters this Wednesday and Sunday, with new scenes courtesy of Duncan Studio.
What would a Looney Tunes cartoon look like without any comedy? Watch this to find out.
An animation-specific roundup of panels, presentations, and other cartoon goodness at America’s biggest pop culture festival.
How many Americans even know ‘Shaun the Sheep’ has a feature film coming out in less than a month?
The ‘Bartkira’ meme goes to the next level: an animated trailer.
He voiced iconic cartoon characters like Pete Puma, Junyer Bear, and Cecil the Sea-Sick Sea Serpent.
Historian R.C. Harvey sets out to rescue great cartoonists of old from obscurity.
Steve Hulett recounts his experiences working on “Oliver & Company” and the unexpected tragedy that happened during its production.
Analyzing the performance and acting in the Academy Award-nominated film “The Boxtrolls.”
These cartoonists stood up against intimidation and fought for their right to freedom of expression. Let us celebrate their victories.
“Mexico is way more complicated than anybody thinks.” Jorge Gutierrez talks like a man on a mission. For the past decade-and-a-half, he has sought to bring a more authentic portrayal of Mexico and its people to Hollywood.
What if everybody could read your thoughts and knew all your most inner wishes and desires?
Can an animated feature about depression be entertaining too?
Join Mr. Piggy on an adventure through time and space. Please wear 25-D glasses.
Don Bluth and his troops were gone, but the studio still had an animated movie to get out. Art Stevens, now lead director, was slowly pulling the picture together with the animators and layout artists who remained loyal to the Mouse. But the animation department was still in flux.
Seth MacFarlane has been accused of ripping off the foul-mouthed-teddy-bear concept for his 2012 film “Ted” from a California company called Bengal Mangle Productions.
Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making “Snow White,” “Pinocchio,” and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.
Larry had me writing sequence scripts for “The Fox and the Hound,” which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman’s marathon story sessions, which often left me drained and dazed. There were also Woolie’s marathon take-selection meetings, which left me drained and bewildered.