In the 1950s, before his well known Archie stint, DeCarlo drew many a naughty cartoon for a group of men's humor magazines, mainly for Timely Comics publisher Martin Goodman. Goodman's Humorama line contained a series of sleazy digest cartoon magazines with titles like JOKER, LAUGH RIOT, ZIP and FUN HOUSE. DeCarlo's cartoons aren't very funny, but his females are hot - and Fantagraphics Books has just published a nice selection of them in a new book, THE PIN-UP ART OF DAN DECARLO, which I just found yesterday at my comics shop and am happy to highly recommend. It's such a pleasure to look through this book - it's the best tribute to DeCarlo I've seen. Fantagraphics designed the book Taschen-style, printing in black, white and shades of orange (just like actual issues of JOKER). Editors Alex Chun and Jacob Covey selected the best images from both gag cartoons and spot illutrations to show off DeCarlo's best work.
To get more of an idea of the art reprinted in this book, check out Alex Chun's great website, Pin-Up Cartoon Gallery.com.
This comic by Michael Shaw of BAGnews Notes suggests that there may yet be some fallout from the recent SpongeBob controversy. One of the BAGnews readers christened the new character with a most appropriate name: JesusBob ChristPants.
The Animation Block Party is a new mini-animation festival which takes place regularly in New York City. They're holding a Valentine's Day edition of the festival on Monday, February 14, with two different programs of independent animated shorts and an after-party at Frank's Cocktail Lounge. Film line-up and ticket details at AnimationBlock.com.
Emru Townsend makes an excellent point today on his blog In-Betweens:
In her syndicated column, Dr. Joyce Brothers responds to a 40-something legal professional, exasperated that her 40-something legal professional boyfriend likes to watch cartoons. Even after "F.T." says that her errant beau likes to watch the "'adult' ones at night"—presumably Cartoon Network's Adult Swim—Brothers leads off her response: "It is certainly reasonable to be puzzled by seeing a grown man—a professional, no less—howling at cartoons meant for a 6-year-old."I find it interesting to note that despite the fact that a grown man—a professional, no less—might like cartoons, and that there are cartoons being aired for adults, there's no thought that maybe—just maybe—they aren't all made for six-year-olds.
Brock writes in:
Everyone who has the stinky aftertaste of Hart's new 'Retro Cool' book needs to immediately go HERE and print off page by page of "Fun With a Pencil". Staple it together and PRESTO! They got their "retro-cool" cartoon book right THERE!
Bobby London responds to Alternet.org's What's In Popeye's Pipe?, a piece we linked to earlier this week, which referenced London's run on Popeye:
The Bolivian Spinach Popeye strip I drew which was referred to in the Cannabis Culture article was, of course, a Miami Vice parody - it was the '80s, remember? - but, hey, sorry folks, it was just spinach! The cartoon was okayed by very Republican KFS editor Bill Yates, who was not a fan of blatant drug references. If it had been the real dope Popeye was after, the story wouldn't have been a satire. Dana Larsen apparently suffers from short-term memory loss because this is what I told him when he emailed me about the cartoon last year but, unfortunately, my viewpoints on my own work were rather conveniently left out of the article.London was a pioneering underground cartoonist (The Air Pirates) and a founding contributor to the original NATIONAL LAMPOON. His most recent credits include storyboards and writing for DEXTER'S LAB and POWERPUFF GIRLS, and character design (King Neptune and Mindy) for THE SPONGEBOB SQUAREPANTS MOVIE. He's still drawing great strips for Playboy (DIRTY DUCK) and Nickelodeon Magazine (CODY). His time (a 6-year stint, 1986 - 1992) on Thimble Theatre starring Popeye ("my billing....lots of people drew POPEYE, but I drew THIMBLE THEATER") returned a refreshing Segar feel back to the strip. A collection of his Popeye strips are available on book form, under the title MONDO POPEYE.To paraphrase Sigmund Freud, sometimes a boatload of spinach is just a boatload of spinach.
Here's a whole Cartoon Retro thread taking Christopher Hart to task for his travesty of a book which I mentioned yesterday, CARTOON COOL: HOW TO DRAW NEW RETRO-STYLE CHARACTERS. Shane Glines himself comes up with a nice way that the publisher could advertise the book, while pointing out a few of the things wrong with the cover art:
Hey kids!
Learn how to use parallel lines!
Master the "No Construction" theory!
Learn how to draw eyes looking in two different directions!
Learn how to use inappropriate fonts!
Learn how to use tangents to kill your drawing!
Disney layout artist Luke Cormican says the cover reminds him of a "retarded Shane Glines." Add your own comments.
You know Martha from her appearences on camera in various animation documentaries and Looney Tunes audio track commentary. She's one of the last survivors of Termite Terrace. She joined Schlesinger's studio as a teenage ink & paint girl in the 1930s, became life-long friends with Chuck Jones, Friz Freleng, Bob Clampett, Frank Tashlin and the entire Looney Tunes staff. She moved on to work with Bill Hanna, Joe Barbera and Tex Avery at MGM in the 1940s and enjoyed stints at UPA, Snowball (Beany & Cecil) and Melendez. She had a ring-side seat for the history of Hollywood animation and loved every minute of it.
Now all of her wonderful memories of those days have been collected in this marvelous book, which goes on sale April 1st. I've already had a sneak peak and I highly recommend you reserve a copy now. A hardcover collectors edition is $50. but you can get the paperback edition for a $20. ($13.60 on Amazon.com).
Here's some animation and cartoon-related books coming out in the next few months...
Heard any good Mark Twain quotes lately? CHUCK JONES: CONVERSATIONS, edited by ANIMATION JOURNAL's Maureen Furniss, compiles numerous interviews with Warner director Jones. There's already more than enough history books about Golden Age animation where historians interpret what happened, so it's refreshing to see books of unedited interviews, like this and the new WALT'S PEOPLE series, which give us the opportunity to hear the artists relate stories and experiences in their own words.
An updated edition of Hal Erickson's reference tome TELEVISION CARTOON SHOWS: AN ILLUSTRATED ENCYCLOPEDIA, 1949-2004 will be out in May. Unlike the previous edition which was a pricy book aimed at libraries and schools, this one seems aimed at consumers and is fairly affordable at $45. I'll definitely be picking up a copy for my library.
Ed Hooks, actor and author of ACTING FOR ANIMATORS, was telling me about this book at Annecy last year and it sounded really interesting. It's called ACTING IN ANIMATION: A LOOK AT 12 FILMS and it breaks down the acting performances in a dozen animated films including classics (PINOCCHIO, DUMBO), cg (TOY STORY 2, MONSTERS INC.), recent hand-drawn films (TARZAN, THE ROAD TO EL DORADO) and anime (SPIRITED AWAY, GRAVE OF THE FIREFLIES).
OUT OF THE INKWELL: MAX FLEISCHER AND THE ANIMATION REVOLUTION is a book by Max's son, live-action director Richard Fleischer. According to the book description, this biography is "one of a creative genius struggling to fit in with the changing culture of golden age cinema. OUT OF THE INKWELL captures the twists and turns, the triumphs and disappointments, and most of all the breathless energy of a life vibrantly lived in the world of animation magic."
Despite my personal lack of interest in the subject, I thought VINYL WILL KILL: AN INSIDE LOOK AT THE DESIGNER TOY PHENOMENON was a pretty cool (if tackily designed) book, packed with a lot of sketches and insight into how they make these toys.
Fans of Steinberg will appreciate this one. STEINBERG AT THE NEW YORKER by Joel Smith is a collection of all of Saul Steinberg's NEW YORKER covers, as well as over 130 examples of inside magazine art, ranging from his line drawings to color portfolios.
Last, and most definitely least, there's CARTOON COOL: HOW TO DRAW NEW RETRO-STYLE CHARACTERS, a book that's wrong on so many levels I don't even know where to begin complaining. The atrocious cover should be the first clue that Christopher Hart hasn't the wildest clue about how to draw "retro-styled" characters. Then again, when has Hart ever done a book that's actually taught anybody how to draw anything correctly. Should make a good gag gift for your designer friends.
John C. Ahern, Frank Andrina, Gerard Baldwin, Robert Balser, Carole J. Barnes, Kathy Barrows, Vincent Bassols, Howard Beckerman, Oliver “Lefty” Callahan, Paul Carlson, Rudy Cataldi, Cornelius Cole, Janis Cornell, Fred Crippen, Tissa David, Gene Deitch, Robert Dranko, John Emerson, Edward Faigin, Becky Fallberg, Ray Favata, Eve Fletcher, Rita Giddings, Lee Guttman, Victor Haboush, Ed Hansen, Martha Harrison, Bud Hester, Willie Ito, Sam Jaimes, Chris Jenkyns, Don Jurwich, Louie Kachivas, Darlene Kanagy-Brown, Sammi Lanham, Don Lusk, Bill Matthews, Burny Mattinson, Peggi R. Matz, Charles McElmurry, Jimmy T. Murakami, Ann Oliphant, Lew Ott, Doris A. Plough, Lloyd G. Rees, Rick Reinert, Robert Allen Revell, Beverly M. Robbins, Joanna Romersa, Carmen Sanderson, Mel Shaw, Marcia Sinclair, Charlene Singleton, Ken Southworth, John Sparey, Herb Stott, Iwao Takamoto, Cliff Vorhees, Manon Washburn, Merle Welton, Robert “Tiger” West, Gwen A. Wetzler, John Wilson, Alan Wilzbach, Fred Wolf. Special Award: June ForayIf you want to attend the banquet, tickets are $37.50 each with a choice of New York Steak, Chicken Marsala or a Vegetable Plate. For further ticket information, please contact Dave Brain. Any questions, suggestions or if you'd like to advertise in their program book, please contact event organizer Bob Foster at bfosterla@aol.com or check the Animation Guild website.Underline denotes those honorees whose attendance has been confirmed as of 2/8/05. They expect most of the rest to confirm in the weeks ahead.
I knew there was more to it than meets the (pop)eye.
What's In Popeye's Pipe? (via Alternet.org)
President William Henry Harrison, Carmen Miranda, Ronald Colman, Mia Farrow, King Vidor, Mamie Van Doren, Mena Suvari, Joe Pesci, Roger Mudd, Alberto Vargas, Carole King, Fred Harman, Frank Frazetta and I thank you for today's birthday wishes!
Jerry Beck
Happy Birthday to fellow Brewmaster Jerry Beck!
I didn't even realize it was Jerry's birthday today until I saw it posted on various message boards, like HERE and HERE. Here's to many more Looney and Merrie years...or something along those lines.
I'm somewhat relieved to find out that the "Hell Yes" music video I mentioned HERE recently is not an official Beck video, but rather an indie effort by Mumbleboy for the Ghettochip Malfunction '8-bit' remix of a Beck song. There are however two new Beck music videos worth pointing out - one is the highly inventive puppets-meet-neon "E-Pro" video by the British collective Shynola and the second is a less spectacular (but still slightly novel) ASCII-riff for "Black Tambourine" (watch in Windows Media or Real). (Thanks, Cory)
The Animation Guild Local 839 IATSE has a handy database of every animation artist who has passed away from 1996 through 2004 with brief bios of each artist. Double your pleasure by searching for dead artists either by last name or by date of death.
Readers of Cartoon Brew may have noticed that in the past week we have introduced Google text ads on this website. We want to stress that this will in no way affect the editorial content on this website and none of our writing will ever be influenced by the advertisers. Also, we have no control over which advertisers Google's automated system chooses to place on our site, and we do not endorse any of these advertisers. Both of us have been reluctant to pursue advertising opportunities for the Brew because we enjoy being poor, but the reality is that we want the site to pay for itself and perhaps give us a few nickels and dimes on top of that. Google ads are a good solution because they allow us to remain objective while creating a steady revenue stream. To that end, if you enjoy and read Cartoon Brew regularly, please take the time to click on the Google ads in the right hand column. You don't have to click today or tomorrow, but if every reader clicks on one of those ads every so often, we can continue to keep this site free without having to ask our readers for money. It's a win-win situation for everybody...we hope.
This appealing personality-packed Mickey Mouse comic strip is by comic/animation artist Daan Jippes and appeared in a 1973 issue of the Dutch DONALD DUCK MAGAZINE. Click HERE for the full comic. A brief bio of Daan Jippes is posted at Lambiek.net and a discussion about Jippe's work and more of his drawings can be found at the Cartoon Retro forum. (Thanks, Kloink)
Giving new meaning to the term "limited animation", Clutch Cargo innovated TV animation in a way Hanna-Barbera never dreamed - they used live action lips super-imposed over the cartoon drawings (drawings that hardly moved). Actually Clutch did pioneer the TV adventure cartoon genre, years before H-B's Jonny Quest. And now all the episodes, the entire collection of 52 Clutch Cargo episodes (each one a 5 minute serial chapter), over seventeen hours, is coming to DVD on March 22nd in two volumes - and each volume is priced under $12.00! A steal!
For more information go to TV Shows On DVD.com.
I love cartoon movie posters - and I don't think I've ever seen this particular color Disney-era stock one-sheet before. It looks to be introducing the character to theatre patrons, despite the fact that the white rabbit in the center is not the "lucky rabbit" we know - the real Oswald is running all over the sides. It's also interesting to note Walter Lantz would go with a cuter "white rabbit" design in the later 1930s. Check it out at larger size here.
One thing I like about all this new hoopla, is the fact that they are also merchandising Ant & Aardvark action figures - and dolls of Panther adversary The Little Man. Can a Hoot Kloot maquette be far behind?
To get yourself in the mood, Download this.
There's an exhibit of Bitter Films animation production "art" going up in a Pasadena gallery called Nucleus starting this weekend (February 12 through February 20), with about 150 pieces from all of our films up on the walls. It's the first time any of this stuff has been displayed in public before, so I don't really know what to expect but I'm told there will be free drinks and live music so maybe it will be a moot point after a couple of hours and we can retreat to someplace more interesting. I'll be milling around hiding from people for the gallery's opening night - awkward, clammy handshakes will be enjoyed by all.Also, year 2 of The Animation Show premieres at the Nuart Theatre on the 18th. There are a bunch of good films in the program, which are listed over here. Then it's off on tour with the show to Seattle and Vancouver and etc..
Posted by at 08:53 AM