The first teaser is out today for the French animated feature “Astérix: Le Domaine des Dieux” (“Asterix: The Land of the Gods”) directed by Alexandre Astier and Louis Clichy.
The all-CG “Smurfs” reboot won’t be released until 2016, but you wouldn’t know that from the aggressive manner in which Sony Pictures Animation is promoting the film.
Yesterday, we celebrated the momentous decision to replace the practical effect-dinosaurs in “Jurassic Park” with CGI animation. Today, we look at the other side of the issue: the effect that CGI has had on traditional puppet-makers, animatronic artists, and stop motion animators whose work has increasingly been relegated to the sidelines.
We don’t know anything about this fresh, creative piece of animated filmmaking except that it was made by a mysterious (Thai?) filmmaker who goes Pansak Sakpiboonrat.
Steven Spielberg’s “Jurassic Park,” along with other early-to-mid-Nineties films like “Terminator 2: Judgment Day” and “Toy Story,” were all part of a breakthrough era in CGI filmmaking. What many people may not realize, however, is that the decision to create computer-animated dinosaurs wasn’t made until the film was well into production.
“Pinchaque” tells the story of the Discovery of a new tapir species that lives in the Colombian Andes. This discovery was made by two Franch scientist from the 19th century. It also describes the role of this species in the forest and its relation with native people.
We heard rumors of layoffs at DreamWorks last week, but they weren’t confirmed by a reputable source until yesterday evening when the animator’s union, The Animation Guild, posted an item about it on their blog.
Margaret Loesch, a forty-year children’s TV veteran, has announced that she will step down as the founding president and CEO of the Hub Network when her contract expires at the end of this year.
A man takes the subway. Inside his brain, a countdown clock hits zero and a little person prepares for lift-off. The man sneezes.
Disney veteran Lino DiSalvo, the head of animation on “Frozen” who gained notoriety for comments about animating women, has left Disney to join Paramount Animation as its creative director. He is also slated to direct an upcoming animated feature at the studio.