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More News About the Network Formerly Known as Cartoon

Thurop Van Orman, the creator of The Marvelous Misadventures of Flapjack, posted an entry earlier this week on his deviantART page, in which he wrote the following:

NO, CARTOON NETWORK isn’t changing its name. Not anytime soon anyways… they were gonna… But I think their reality show idea didn’t go as well as they had hoped, so… they’re kinda backing out of that idea. Yay for cartoons!

His perspective on what is happening at Cartoon Network is wildly different than that of Chowder creator C.H. Greenblatt. Care to make a guess which one of them still has a show at the network and which one of them has had their show cancelled?

Granted, it’s true that Cartoon Network has removed their Andrew W.K. video from YouTube (600 negative comments will do that), but I wouldn’t read too much into that token gesture. From where I’m standing, it appears to be little more than a carefully calculated effort to quell their viewership’s outrage and not representative of a meaningful shift in direction. If any doubt remains about the network’s true intentions, look no further than this recent Broadcasting & Cable article in which the architects of the live-action strategy speak about their goals. The piece details at length why they’re switching to live-action, and describes the network’s “360 degree” marketing campaign to usher in live-action, including the distribution of 8 million copies of a free CN Real magazine at theme parks and movie theaters.

One of the figureheads in their brand-wrecking transition is Stuart Snyder, executive VP and COO of Turner animation, young adults and kids media. The article states that Snyder made switching to live-action a priority when he came on board in 2007. “I think these new shows, whether reality or live scripted, really open up and broaden the audience, so you can be thinking about new advertising categories,” Snyder said. “It opens up more categories for us than just being in shows specifically [targeting] 6- to 11-year-olds.”

Cartoon Network’s Chief Content Officer Rob Sorcher acknowledged in the same article that inserting live-action into a brand called Cartoon Network will take time for audiences to accept: “Anytime you do something new at a network, particularly at one with a very specific niche, there will be a reaction. People will say, is this appropriate? We are doing something that is very different than anything in the nearly 20 years of history of the channel. It is possible that this is going to take a while.”

Animation fans meanwhile continue to mobilize. Over 2,500 people have now joined the Boycott Cartoon Network’s CN Real Block on Facebook. A new website has launched called “Stop the Madness” that encourages people to take specific actions to protest the network. A quick search for “Cartoon Network” on Twitter also reveals a steady stream of complaints. (Cartoon Brew suggests using the hashtag #CNFail to organize all the complaints on Twitter.) Finally, if you’d like to register your complaints directly with Stuart Snyder, try sending him a friend request on Facebook. I’m sure he’d love to hear from a few fans of the channel.

More to come…

EXCLUSIVE PREVIEW: What is Torch Tiger?

Torch Tiger

Following on the heels of last year’s successful graphic novel anthology Who is Rocket Johnson?, Disney story artists and directors have teamed up once again to self-publish What is Torch Tiger? The new book will debut later this month at Comic-Con (booth #2302) and is limited to 1,300 copies. The line-up of artists is impressive to say the least, with a cover painted by Paul Felix and contributions from the following:

Steve Anderson
Aaron Blaise
Paul Briggs
Kevin Deters
Rob Edwards
Mike Gabriel
Nathan Greno
Don Hall
Byron Howard
Trevor Jimenez
Mark Kennedy
Joe Mateo
Nicole Mitchell
John Musker
Jeff Ranjo
Aurian Redson
Jeremy Spears
Lissa Treiman
Josie Trinidad
Chris Ure
Mark Walton
Dean Wellins
Stevie Wermers
Chris Williams

Pin-ups by:
Andreas Deja
Andy Harkness
Jeff Turley
Jin Kim
Shiyoon Kim

More details are available at TorchTiger.blogspot.com. Below are some exclusive preview pages provided to us by the Torch Tiger team. Click on any of the images for a closer view.

Torch Tiger

Torch Tiger

Torch Tiger

Torch Tiger

Torch Tiger

Torch Tiger

Torch Tiger

Torch Tiger

“Dirty Rom Dance” Video by Plasticflesh

A couple months back, I offered praise for Nullsleep’s music video “Dirty Rom Dance” directed by Plasticflesh (aka Stieg Retlin). Pleased to report that it’s now online. Retlin applies the visual tropes of 8-bit style graphics and glitch textures towards the creation of an energetic, propulsive piece of animation storytelling. It’s refreshing to see an honest expression in digital animation that isn’t rooted in traditional animation conventions.

The Art of Yo Gabba Gabba!

Art of Yo Gabba Gabba

This Saturday, July 11, in Minneapolis, the Pink Hobo Gallery (507 E. Hennepin Ave.) will host an art show “The Art of Yo Gabba Gabba!” featuring artwork from the Nick Jr. TV series. Among the items on display: never-before-seen original drawings and sketches from the show’s creator and lead designer Parker Jacobs, props used in the show, and original production artwork from the show’s guest artists including King Mini, Mark Mothersbaugh, Option-G, Panda Panther, Megan Brain, Aaron Stewart, Mitch Loidolt, Tim Sievert, Julia Vickerman, and Tanya Haden. The opening is between 5pm and 1am. The show will continue to run after this weekend, but beware that the gallery doesn’t keep normal hours because it’s located in the offices of the production company Puny Entertainment. More details are available on this Facebook invite.

Films by Malcolm Sutherland

A couple years back, Montreal-based animator Malcolm Sutherland picked up a copy of my book Cartoon Modern at the Ottawa International Animation Festival. He wrote to tell me that, “A year or so later it inspired a short film as a present to my mom for Christmas, called Great Ambition.” The short is based on a vintage recording called “The Arizona Yodeler” performed by the DeZurik Sisters (aka the Cackle Sisters), and it’s a lovely example of how to capture the spirit of stylized Fifties animation using contemporary production tools:

Sutherland just completed a short called The Astronomer’s Dream, which is in a different style that is more lush and illustrative. A description of the film: “When a hungry astronomer falls asleep while working on a problem, he discovers a solution not in outer space, but in the surreal food-chain of his subconscious mind.” Viewers who enjoy the film below can purchase a DVD of ten of his animated shorts plus bonus materials, directly from his website.

Cartoon Network FAIL

Cartoon Network Fail

How imbecilic is Cartoon Network’s new push towards live-action? Even the people who worked on this Andrew W.K. video promo think it’s stupid. Somebody who worked on it surreptitiously inserted the word “FAIL” into the piece at the 1:11 mark. It’s only there for a few frames, but the message comes through loud and clear.

(Thanks to YouTube user ColorTheBlue for pointing this out)

TONIGHT IN LA: “Seductive Espionage: The World of Yuki 7″

Seductive Espionage

Gallery Nucleus in Alhambra is quickly becoming the the hub in LA for awesome animation and illustration-related art shows and programs. If you haven’t already noticed their ad on the right side of the Brew for tonight’s show, take note. From 7-11pm tonight, they’re hosting the opening for Kevin Dart‘s art book project “Seductive Espionage: The World of Yuki 7,” in which Dart concocted an imaginary Sixties female super-spy and developed an entire history around her film career. In addition to Dart’s artwork, the book project includes contributions from other artists, many of whom work in animation: Bill Presing, Bob Logan, Bobby Pontillas, Brigette Barrager, Brittany Lee, Chris Turnham, Clio Chiang, Daniel Arriaga, Don Shank, Elizabeth Ito, Horia Dociu, Joey Chou, Jon Klassen, Josh Parpan, Justin Parpan, Megan Brain, Scott Morse, Sean Szeles, Stephane Coedel, Ted Mathot, and Victoria Ying. Full details about tonight’s event on the Gallery Nucleus website. If you can’t pick up the book at Gallery Nucleus tonight, it can also be ordered from the Fleet Street Scandal website.

Here is a trailer for the project, directed by Stephane Coedel and Kevin Dart:

The Slow Death of Cartoon Network

Guess who else doesn’t like the new CN? The people who used to make cartoons at the network, like Chowder creator C.H. Greenblatt. He posted the following comment on his blog a couple days ago: “As I sit here on an empty floor of an empty building looking at all the empty animation offices, I can at least put this on endless loop for some comfort.” The endless loop refers to this ignominious piece of video.

Meanwhile, at Cartoon Network’s executive offices, where the blind continue to lead the blind into irrelevance, they’re convinced that they’ve discovered what kids really want to watch on TV nowadays: golf. The Atlanta Journal-Constitution has the farcical details about one of the network’s new programming initiatives, which involves teaming up with the PGA of America to offer live-action golf shows for kids. “We have to work hard to ensure that we continue reaching families and young people for golf to be relevant in the future,” said Joe Steranka, chief executive officer of the PGA of America. “The Cartoon Network complements the PGA of America’s leadership in junior golf.”

If you wish, there’s a Boycott CN Real group on Facebook. Frankly, I’m just about ready to label it a lost cause and move on.

Trailer for Jean François by Tom&Bruno

After graduating from French animation school Gobelins, Tom Haugomat and Bruno Mangyoku partnered up and became the directing duo Tom&Bruno. They are currently repped by Cube Creative and have been working on a short film called Jean François, the trailer for which can be seen above. The piece looks beautiful; it’s a fusion of anime filmmaking techniques and graphically inventive character design that wouldn’t look out of place in an Estonian animated short. Can’t wait to see the finished product. The filmmakers have a blog with artwork from the film.

(Thanks, Jakob Schuh)

Cartoon Network’s Death Knell Promo

Your name is Cartoon Network,
so you expect to see
nothing but animation when you flip CN on your TV.
But the times they are a-changing,
so don’t get left behind
because now we’ve got real people and
we’ve heard it blows your mind.

Those are the lyrics from an abrasive Andrew W.K. music video that Cartoon Network released online yesterday. We’ve been reporting on Cartoon Network’s slow, steady decline since April 2006. It’s fascinating to watch how clumsily the network is diluting their brand, and how tactlessly they’re integrating this cheap hodge-podge of live-action shows into their line-up. The first signs of a CN Real backlash are already forming: a Facebook group called Boycott Cartoon Network’s “CN Real” block was recently started and has over 1,400 members.

The Art of Harvey Kurtzman: The Mad Genius of Comics

Art of Harvey Kurtzman

The Art of Harvey Kurtzman: The Mad Genius of Comics by Denis Kitchen and Paul Buhle easily ranks among my favorite cartoon/comic-related books of the past few years, if not all-time. How good is it? I was so anxious to get my hands on this book that I ended up buying a copy at the bookstore instead of ordering it from Amazon. The selection of artwork, the design of the book, and the print quality are all jaw-droppingly gorgeous. The text, which I’ve only begun to read, also appears to be top-notch. Kurtzman was the rare individual who was equally gifted as both an artist (Hey Look!, Two-Fisted Tales, Frontline Combat) and editor (Mad, Help, Trump, and this volume lovingly acknowledges both sides of the man. The book was published by Abrams’ promising new ComicArts imprint and is an incredible value at $26.40 on Amazon.

UPDATE: Sherm Cohen made this video preview of the book:

Tucky Tales

Tucky Tales is a simple but inventive example of digital “cut-out” animation. The pre-school series for Baby TV was created by Israeli husband-and-wife animation team Eduard and Nurit Mitgartz. They’ve produced twenty 5-minute episodes at their studio Kipod Animation.

WALL·E End Credits

Wall-E Credits

The Art of the Title Sequence interviews director Jim Capobianco and animator Alex Woo about the thoughtful end credit sequence of WALL·E. From the article intro:

Jim Capobianco’s end credits to Andrew Stanton’s “WALL·E” are essential; they are the actual ending of the film, a perfect and fantastically optimistic conclusion to a grand, if imperfect idea. Humanity’s past and future evolution viewed through unspooling schools of art. Frame after frame sinks in as you smile self-consciously. It isn’t supposed to be this good but there it is. This is art in its own right. Peter Gabriel and Thomas Newman’s song, “Down to Earth” indulges you with some incredibly thoughtful lyrics and, from the Stone Age to the Impressionists to the wonderful 8-bit pixel sprites, you are in the midst of something special