For the past few days on Cartoon Brew’s Instagram account, we’ve been running a series called 25 Cartoonists You Should Know. The entire series is below, and yes, the list could easily be twice as long and still incomplete.
In 2011, Jeffrey Katzenberg proclaimed that moviegoing audiences would embrace 3-D and would continue to attend theaters despite higher ticket prices. Three years later, it’s obvious that his prediction was a little off.
The soon-to-debut Seven Dwarfs Mine Train at Magic Kingdom in Orlando, Florida, promises to feature some of the most advanced audio-animatronics that the Disney company has ever produced, in large part due to a collaboration between Disney’s Imagineering and feature animation divisions.
Fox’s experiment with late-night animation didn’t go as well as they had anticipated. The network will end its Saturday late-night animation block ADHD (Animation Domination High-Def) in June, less than a year after it began. It was originally created as a replacement for the cancelled sketch comedy show “MADtv.”
A boy goes on a perilous quest through the mountains to rescue his family’s missing goat.
The Oscar-winning Louisiana animation studio Moonbot recently announced that it is developing multiple feature-length film projects. It has acquired the film rights to two YA book series: the “Olivia Kidney” trilogy by Ellen Potter, which it plans to do as a live-action/animation hybrid; and “The Extincts” by Veronica Cossanteli.
Animated Fragments is our semi-regular feature of animation tests, experiments, micro-shorts, and other bits of cartoon flotsam that doesn’t fit into other categories. To view the previous 25 installments, go to the Fragments archive.
Today the Annecy International Animated Film Festival announced the feature film selections for their 2014 edition. Eighteen films were selected—nine in competition and nine out of competition. A total of 68 animated features were submitted this year.
Next Wednesday, the animated duo of Jeff Twiller and Randy J. Johnson will host their own animated film screening in Brooklyn. It’s a legit line-up of animated shorts, with perceptive cinematic commentary supplied inbetween the films by Twiller and Johnson. Thankfully, they happen to be animation experts.
Following Sylvain Chomet’s first-class “Simpsons” opening, I didn’t expect any animator to top it creatively—and certainly not so soon after. I’ve never been happier to be wrong.