Watch the trailer for The Pub, the latest short by British animator Joseph Pierce. His rotoscope-based technique, which he’s used to powerful effect in shorts like Stand-Up and A Family Portrait, explores the expressive potential of live-action reference in ways that few have ever done.

On February 1st, indie animation rockstar Don Hertzfeldt kicks off a coast-to-coast 13-state US tour. The main event is the debut of It’s Such A Beautiful Day, which completes his ambitious trilogy about a mysterious man named Bill. Head to BitterFilms.com for ticket info, and go there quick because tickets have already sold out for a number of the cities.

Canadian cartoonists Seth Scriver and Shayne Ehman recently finished raising over $10,000 to complete their animated feature Asphalt Watches. They describe their collaborative two-man animated epic in the following way:

Asphalt Watches is a true adventure story: in 2000, we hitchhiked across Canada together. The animation captures our crazy journey, full of hilarious and amazing encounters. Using music and songs we make ourselves, alongside hand-drawn Flash animation, we tell the tale of making our way from a 7-11 near Chilliwack, BC where a guy was hanging out with a knife in his belly… to meeting one of only “two real Santas” in the world outside Calgary… to barely escaping death near Regina, SK. Our style is to turn real-life characters and settings into funny and poetic abstractions that depict the feeling and essence of what happened.

The film should be finished this year. There’s an official film blog and the trailer below:

(via Meathaus)

Stephen Colbert’s two-part interview with Where the Wild Things Are author/illustrator Maurice Sendak easily ranks as the most entertaining interview I’ve ever seen with a children’s book author. I’m sure it’ll be much discussed at the Society of Children’s Book Writers & Illustrators winter conference, which starts tomorrow in Manhattan.

Over the last seven years, with quiet persistence and unwavering dedication, French animation historian Didier Ghez has been publishing one of the most important animation history documents of our time. His book series, Walt’s People: Talking Disney With The Artists Who Knew Him, is an incredible accomplishment that casts new light onto the operation of the Walt-era Disney Studios. Each edition of this ever-growing interview anthology series reprints rarely seen and unpublished interviews with Disney artists, both famous and unknown.

Didier’s newest volume, the eleventh in the series, is also the largest to date, weighing in at over 600 pages. The historians who have contributed interviews are a who’s who of Disney research royalty. The volume is expansive and extends to a handful of contemporary figures who didn’t personally know Walt (Ed Catmull, Brad Bird, Glen Keane), but who have absorbed the Disney tradition into their work.

In fact, the sheer scale and scope of this volume guarantees something for everybody. The interview subjects are Ray Aragon, Frank Armitage, Brad Bird, Carl Bongirno, Roger Broggie, George Bruns, Ed Catmull, Don R. Christensen, Andreas Deja, Jules Engel, Joe Hale, John Hench, Mark Henn, John Hubley, Glen Keane, Ted Kierscey, Ward Kimball, I. Klein, Mike Lah, Eric Larson, Ed Love, Daniel MacManus, Tom Nabbe, Carl Nater, Dale Oliver, Walt Pfeiffer, Jacques Rupp, David Snyder, Iwao Takamoto, Shirley Temple, Frank Thomas, Ruthie Tompson, and Richard Williams.

Walt’s People #11 is available for $25 on Amazon and you’d be wise to add the rest of the series to your library as well. Didier has provided us some excerpts from the new book, offering a glimpse of the hundreds of stories that can be found in the book. Read them after the jump.
Read the rest of this entry »

I never noticed until a few nights ago that Richard Williams’s rarely seen 1962 Love Me, Love Me, Love Me can be viewed online. It was uploaded onto YouTube by the Thief Archive, which is a remarkable collection of over 300 videos related to the life and work of Williams.