A Final Word From Jerry

Time flies when your having fun – and this was fun.

Hard to believe it was almost nine years ago when Amid and I teamed up to create a daily blog devoted to bringing the animation community together with a smart source of news, commentary, gossip and ideas.

I’m quite proud of what we’ve got here. Cartoon Brew has ultimately morphed into the premier website for artists, animators, students and enthusiasts. Our readers have shaped this site as much (or more) as we have.

This is my final post on the Brew. I leave the site to my friend and colleague Amid Amidi to begin the next chapter in its ongoing evolution.

For those wondering where I’m going – I’m planning to continue doing what I’ve been doing: animation showings in L.A. (with plans to bring my act to New York as well), teaching cartoon history, consulting with Warner Home Video and continuing my efforts to get classic cartoons out of the vaults and onto your personal screens (on whatever device you prefer). I’m also committed to several new book projects, and have a few brand new ideas I’d like to pursue. I’ll also maintain a presence on the web, through my Facebook page and with my old site, CartoonResearch.com.

It has always been my ambition to work full time in the wacky, wonderful world of animation. My involvement with all of you through the Brew has fulfilled that goal – and then some.

Let me use this moment, right now, right here, to say ‘thank you’ to all the Cartoon Brew regulars who’ve been checking in with us all these years. To all the friends and strangers who read the site and tell me in person (at screenings and festivals, at Comic Con, at Ralph’s, El Pollo Loco, etc.) how much it means to you. It makes me feel great to know I’ve contributed something positive and meaningful to the community.

So to everyone, I’ll simply say “Stay TOONed”.

The best is yet to come.

An Afternoon of Remembrance 2013

Once each year at the DeMille Barn in Hollywood, the Animation Guild, ASIFA-Hollywood and Women In Animation present An Afternoon of Remembrance, “a non-denominational celebration of departed friends from our animation community”.

This year the event takes place on Saturday, March 2nd, at 1pm (A reception precedes the memorial at 12 noon).

The Afternoon of Remembrance is free of charge and is open to all. No RSVPs necessary. Food and refreshments, 12 noon, Memoriams, 1 pm. The Hollywood Heritage Museum (the Lasky-DeMille Barn) is located at 2100 N. Highland Ave. (across from Hollywood Bowl) in Hollywood, California.

Tributes will be paid to many, including:

* Frank Andrina
* Charlotte Armstrong
* Dick Beals
* Iris Beckerman
* Lucille Bliss
* Carmela Blitz
* Dave Borthwick
* Jack Bosson
* Grigor Boyadjiev
* Richard “Kip” Carpenter
* Ernie Chan
* Kristine “Casey” Clayton
* John Coates
* Franco Cristofani
* Tissa David
* Patty Disney
* Jim Duffy
* Jake Eberts
* Ethel Falkenberg
* Ann Gefre
* Jean “Moebius” Giraud
* Karen Greslie
* Dave Hanan
* Jim Hiltz
* Daphne Huntington
* Diane Keener
* Fyodor Khitruk
* Thomas Kinkade
* Peter Kranjcevich
* Joe Kubert
* Bob Lambert
* Ken Landau
* Nancy McCullough
* Rusty Mills
* Sheldon Moldoff
* Conne Morgan
* Mark Nelson
* Margaret Nichols
* Naomi O’Loughlin
* Rod Parkes
* Bretislav Pojar
* Buzz Potamkin
* Al Rio
* Geri Rochon
* Ken Sansom
* Mary Sarbry
* Bruce Schaefer
* Maurice Sendak
* Mel Shaw
* Robert Sherman
* José Silverio
* Marcia Sinclair
* Dan Thompson
* Ken Walker
* Manon Washburn
* Tom Woodington
* Run Wrake
* Uvon Young

16th Annual NY International Children’s Film Festival

Click the thumbnails above to see images from a few of the new animated feature film premieres at The 16th Annual NY International Children’s Film Festival. The event runs March 1st through the 24th at seven New York locations: Asia Society and Museum, DGA Theater, Elinor Bunim Munroe Film Center, French Institute Alliance Française, IFC Center, Scholastic Theater and the SVA Theatre.

Opening night is the US Premiere of the exquisite hand drawn French feature, Ernest And Celestine; US Premiere’s of Ghibli’s From Up On Poppy Hill, Michel Ocelot’s Kirikou & The Men & The Women, India’s Hey Krishna, Mamoro Hosoda’s Wolf Children, and many others.

This event has become a vital stop for many foreign animated features en route into the US. Tickets to the screenings are now on sale at Gkids.com. Below is the complete press release with all the details.

16th ANNUAL EVENT RUNS MARCH 1-24
OSCAR®-QUALIFYING FOR ANIMATED & LIVE ACTION SHORTS
25,000+ ATTENDEES EXPECTED FOR 100 FILMS

NEW YORK, NY, FEBRUARY 5, 2013 – The critically acclaimed New York Int’l Children’s Film Festival has announced its full slate and jury for the 16th annual edition, which runs March 1-24 at seven Manhattan locations. The nation’s largest festival for kids and teens will present four weeks of ground-breaking and thought-provoking new works for ages 3-18, with 100 new films, opening and closing galas, premieres, six short film programs, filmmaker Q&As, filmmaking workshops, A-list jury, audience voting, and the NYICFF Awards Ceremony. NYICFF is an Oscar®–qualifying festival –recipients of NYICFF’s jury prizes are eligible for Oscar® consideration in the Best Animated and Live Action Short Film categories.

DATES: March 1- March 24

LOCATIONS: Asia Society and Museum, DGA Theater, Elinor Bunim Munroe Film Center, French Institute Alliance Française, IFC Center, Scholastic Theater, SVA Theatre

TICKETS: Tickets for all events are now on sale at www.gkids.com. As in past years, all screenings are expected to sell out, so advance purchase is highly recommended.

NYICFF 2013 JURY:

· John Canemaker – Academy Award®-winning animator

· Geena Davis – Academy Award®-winning actor (The Accidental Tourist, Thelma & Louise)

· Tomm Moore – Academy Award® nominated animator/director (The Secret of Kells)

· Lynne McVeigh – Associate Professor of Children’s Media at NYU Tisch School of the Arts

· Matthew Modine –Award-winning actor (Full Metal Jacket, The Dark Knight Rises)

· Michel Ocelot – Award-winning writer/director/animator (Kirikou & the Sorceress, Tales of the Night)

· Dana Points – Editor-in-Chief, Parents Magazine

· Susan Sarandon – Academy Award®-winning actor (Dead Man Walking, Arbitrage)

· James Schamus – Award-winning writer/producer (Brokeback Mountain, The Ice Storm)

· Evan Shapiro – President, Participant Television

· Christine Vachon – Award-winning producer (Boys Don’t Cry, Mildred Pierce)

· Gus Van Sant – Academy Award® nominated director (Milk, Good Will Hunting)

· Taika Waititi – Academy Award® nominated writer/director (Two Cars One Night, Boy)

· Jeffrey Wright – Award-winning actor (Basquiat, The Ides of March)

NEW FEATURES (ALPHABETICAL):

· Approved for Adoption – North American Premiere, Belgium/France/Switzerland, Laurent Boileau/Jung Henin. In this fascinating animated autobiography a series of gorgeously animated, sepia-toned vignettes – some humorous and some poetic – trace filmmaker Jung Henin from the day he is adopted from Korea by a Belgian family, through elementary school, and into his teenage years, when his emerging sense of identity begins to create fissures at home and to inflame the latent biases of his adoptive parents. The filmmaker tells his story using his own animation intercut with snippets of super-8 family footage, archival film, and new footage. The result is an animated memoir like no other: clear-eyed and unflinching, humorous and wry, and above all, inspiring in the capacity of the human heart.

In French with English subtitles – Recommended ages 11 to adult .

· The Day of the Crows – East Coast Premiere, Canada/France, Jean-Christophe Dessaint. Raised like an animal since birth and knowing only the ways of the wild, a nameless boy has been forbidden by his father to venture beyond the edge of the forest that is their home. But when his father is injured, the boy goes to a nearby town for help – where he experiences the wonders of human contact and civilized living for the first time. With tips of the hat to the enchanted forest worlds of Hayao Miyazaki and François Truffaut’s The Wild Child, this lushly animated film travels the blurred lines between animal and human, nature and civilization, and the realms of the living and of spirits.

In French with English subtitles – Recommended ages 7 to adult.

· Ernest & Celestine, Opening Night Film – US Premiere, Belgium/France, Renner/Patar/Aubier. NYICFF kicks off the 2013 festival with the extraordinary new film from the producers of Kirikou and the Sorceress, Triplets of Belleville and The Secret of Kells. Fresh from standing ovations at Toronto and Cannes, Ernest & Celestine joyfully leaps across genres and influences to capture the kinetic, limitless possibilities of animation. Deep below snowy, cobblestone streets and tucked away amongst winding tunnels, lives a civilization of hardworking mice, terrified of the bears who live above ground. Unlike her fellow mice, Celestine is an artist and a dreamer – and when she nearly ends up as breakfast for grumpy troubadour Ernest, the two form an unlikely bond and are soon living together as outcasts in a winter cottage. Like a gorgeous watercolor painting brought to life, a constantly shifting pastel color palette bursts and drips across the screen, while wonderful storytelling and brilliant comic timing draw up influences as varied as Buster Keaton, Bugs Bunny and the outlaw romanticism of Bonnie and Clyde.

In French with English subtitles – Recommended ages 7 to adult – or all ages for French speaking audiences.

· From Up on Poppy Hill – US Premiere, Japan, Goro Miyazaki. The newest feature from the legendary Studio Ghibli has written by studio founder Hayao Miyazaki and directed by Goro Miyazaki, marking the first feature film collaboration between father and son. The results are stunning – a pure, sincere, nuanced and heartfelt film that signals yet another triumph for the esteemed studio. Set in Yokohama in 1964, the film centers on an innocent romance developing between two high-school kids caught up in the changing times, as the country picks itself up from the devastation of World War 2 and prepares to host the 1964 Olympics. Star-filled voice cast includes Jamie Lee Curtis, Christina Hendricks, Ron Howard and Anton Yelchin.

In English – Recommended ages 9 to adult

· Hey Krishna – North American Premiere, India, Vikram Veturi. Packed with iridescent hues, outrageous characters, epic battles and endearingly loopy Bollywood-style musical interludes, Hey Krishna is a vibrantly colorful cartoon retelling of the life of the child Krishna – the naughty prankster with the beautiful blue hue and long eyelashes. A prophesy foretells that the tyrant Kans will be killed by Krishna, the eighth child of his sister Devaki, and so Kans has Devaki imprisoned. But the infant Krishna is spirited away to a nearby village and raised by peasants – and when Kans hears that Krishna has escaped his fate, he sends out demons and monsters to finish the job.

In English – Recommended ages 8 to adult

· Kauwboy – East Coast Premiere, Netherlands, Boudewijn Koole. The Netherlands’ official entry for this year’s Oscars® and winner of the Best First Feature award at the 2012 Berlin Film Festival, Kauwboy is a tender portrait of a boy struggling to come to terms with a family that’s not what it once was. With his country-singer mother absent, Jojo lives alone with his security guard father, a man of few words, who is quick to anger and has seemingly no affection for his 10-year-old son. Left to his own devices, Jojo finds an abandoned baby crow in the woods near their house – and finds solace in caring for this small creature, who is even more alone and vulnerable than he is.

In Dutch with English subtitles – Recommended ages 10 to adult

· Kirikou and the Men and the Women – North American Premiere, France, Michel Ocelot. The pint-sized, quick-footed child hero Kirikou returns in the new feature from world-renowned animator/director/storyteller Michel Ocelot, who NYICFF audiences should be well familiar with from Kirikou and the Sorceress, Azur & Asmar, and Tales of the Night. In this third film in the Kirikou trilogy, Ocelot’s almost impossibly vibrant use of color is everywhere on display – as a collection of short form fables are woven together, mixing traditional storytelling and mythology with bits of humor and wit, and backed by an upbeat musical score from Malian, Togolese and French artists.

In French with English subtitles – Recommended ages 7 to adult – or all ages for French speaking audiences.

· Meet the Small Potatoes – World Premiere, USA, Josh Selig. Like This is Spinal Tap for the pre-school set, this musical mockumentary follows a group of singing spuds from humble beginnings on an Idaho potato farm to their meteoric rise to international pop stardom. Animation features the adorably animated characters placed in live action archival settings (1960’s era Coney Island in particular is a real treat), and true to the rock-doc form, musical numbers are punctuated with interviews with fans, a former manager, and the southern DJ who helped them to early success.

In English – Recommended all ages

· The Painting – World Premiere English-Language Version, France, Jean-François Languionie. This breathlessly beautiful tale has received unanimous critical praise since it made its US premiere at NYICFF 2012 (as French title Le Tableau) and NYICFF is thrilled to present the first screening of the new English-language version. In this wryly-inventive parable, the characters from a painting burst through the canvas and find themselves in the Painter’s studio. The abandoned workspace is strewn with paintings, each containing its own animated world – and in a feast for both the eyes and imagination, they explore first one picture and then another, attempting to discover just what the Painter has in mind for his creations.

In English – Recommended ages 7 to adult

· Pinocchio – North American Premiere, Italy, Enzo D’Alò. Enzo D’Alò’s colorful and musical re-telling of this classic tale hews much closer to both the spirit and plot of Carlo Collodi’s original story than the Disney version, with Pinocchio remaining for most of the picture a rambunctious and easily-distracted little scamp who dances and trips from one strange adventure to the next in a surreal, Alice in Wonderland-like ride.

In English – Recommended ages 5 to 10

· NYICFF EN ESPANOL –¡Rompe Ralph! (Wreck-It Ralph)– Special Event, USA, Rich Moore. Whether Spanish is your native tongue or you just want to experience a great film a new way, NYICFF is pleased to kick off a new festival section for our Hispanic audience members, with the special Spanish language screening of the multi-award winning, Oscar nominated Wreck-It Ralph. The film will be shown in Spanish, with English subtitles, so all can enjoy!

In Spanish with English subtitles – Recommended ages 6 to adult

· GIRLS’ POV – Starry Starry Night – Taiwan, Tom Shu-yu Lin. A day-dreamy seventh-grader whose life seems to be falling apart around her, Mei immerses herself in a fantasy world of her own creation, populated by oversized origami animals and shadowy beasts that tag along with her on what would otherwise be dreary daily excursions. Meanwhile, shuffled from home to home by his mother, troubled newcomer Jay avoids contact with his new schoolmates and becomes an instant target for their derision and taunting. Brought together by their shared loneliness and love of shoplifting, Mei and Jay sneak away to Mei’s grandfather’s isolated cottage in the countryside in an attempt to escape a reality that nonetheless, comes crashing in on them. Screened as part of NYICFF’s Girls’ POV program, presented by the Academy of Motion Picture Arts and Sciences.

In Mandarin with English subtitles – Recommended ages 9 to adult

· GIRLS’ POV – Strong! – New York Theatrical Premiere, USA, Julie Wyman. “Can you imagine being huge – but graceful and beautiful and just gorgeous?” Tipping the scales at 300 pounds, Olympic weightlifter Cheryl Hawthorn defies conventional notions of female beauty. Yet, whether she is working with her Olympic trainer, cooking at home with her mom in Savannah, or laughing about the difficulty of doing simple things like buying a dress or finding a chair that won’t collapse under her weight – it is precisely her strength and beauty that shine through. In our fitness-obsessed culture, Cheryl’s success makes us rethink how we see the female body and expands our notion of what it means to be powerful, healthy, and beautiful. Screened as part of NYICFF’s Girls’ POV program, presented by the Academy of Motion Picture Arts and Sciences.

In English – Recommended ages 9 to adult

· Welcome to the Space Show – US Premiere English-Language Version, Japan, Koji Masunari. NYICFF favorite Welcome to the Space Show returns in a brand new English-language version! With an intergalactic cast of thousands, Koji Masunari’s colorfully explosive debut feature sets a new high for visual spectacle and sheer inventiveness of character design – in what has to be one of the most gleefully surreal depictions of alien life forms ever portrayed in cinema.

In English – Recommended ages 7 to adult

· Wolf Children – US Continental Premiere, Japan, Mamoru Hosoda. NYICFF is thrilled to present the brilliant third feature from Mamoru Hosoda, whose Summer Wars and The Girl Who Leapt Through Time have established him as one of the world’s top creative forces in animation. When college student Hana discovers her new beau is part wolf, she accepts him for who he is. Before long she gives birth to two children, Ame and Yuki, rambunctious bundles of joy who transform into wolves when excited and whose little ears are as adorable as their fangs are sharp. When the neighbors begin to notice their wolf-like tendencies, Hana moves to the countryside and into a dilapidated farmhouse, where each child is free to pursue its wolfish and human sides. Brimming with Hosoda’s trademark visual splendor, Wolf Children is his most emotionally resonant film to date, a stunningly animated and heart-felt fable about growing up, growing apart, and the choices faced along the way.

In Japanese with English subtitles – Recommended ages 9 to adult

· Zarafa – France, Remi Benzançon/Jean-Christophe Lie. Inspired by the true story of the first giraffe to visit France, Zarafa is a sumptuously hand-animated and stirring adventure set among sweeping vistas of parched desert, windswept mountains and open skies. Under the cover of night a small boy, Maki, loosens the shackles that bind him and escapes into the desert night. Pursued by slavers across the moon-lit savannah, Maki meets Zarafa, a baby giraffe – and an orphan, just like him – and he vows to protect the giraffe. Wandering alone in the desert, the two are taken under the protection of the Bedouin prince Hassan. Hassan brings them to Alexandria for an audience with the Pasha of Egypt, who promptly orders them to deliver the exotic animal as a gift to King Charles of France.

In French with English subtitles – Recommended ages 7 to adult

SHORT FILM PROGRAMS – Six programs for ages 3 to 18, featuring the best short films from around the world, selected from over 3,000 entries. Jury-selected winners will be eligible for Oscar® consideration in animated and live action short film categories. Full lineup at www.gkids.tv/intheaters
·Shorts For Tots – (Ages 3 to 6)
·Short Films One – (Ages 5 to 10)
·Short Films Two – (Ages 8 to 14)
·Flicker Lounge: For Teens & Adults Only – (Ages 12 to adult)
·Heebie Jeebies: Spooky, Freaky & Bizarre – (Ages 10 to adult)
·Girls’ POV – (Ages 10 to adult)

ABOUT NYICFF:
Established in 1997, NYICFF is an Oscar®-qualifying event and North America’s largest film festival for children and teens. The 2012 edition attracted a sold-out-in-advance audience of 25,000 and generated 100 million media impressions. NYICFF 2013 takes place March 1-24, with 100+ films from around the world, plus gala premieres, retrospectives, filmmaker Q&As, filmmaking workshops, audience voting, and the NYICFF Awards Ceremony. Festival sponsors include the Academy of Motion Picture Arts and Sciences, Club Med, Meredith, HBO, and Scholastic, , with funding support by National Endowment for the Arts, NY State Council on the Arts, and NYC Department of Cultural Affairs. In addition to the annual March festival, NYICFF presents year-round film programming both in New York and nationally.

Tom Whalen’s “Yellow Submarine” tribute

Artist Tom Whalen has designed a set of four Beatles posters, using their likness and characters from the animated feature Yellow Submarine (1968). We’ve showcased Whalen’s Looney Tunes, Peanuts and Gigantor limited edition tributes before – I’m a big fan.

Dark Hall Mansion is releasing this officially licensed Beatles project, a 4-print interlocking Limited Edition set – John, Paul, George and Ringo – in both “standard” (above) and “psychedelia” (below, click thumbnails to enlarge). There will only be 200 of each edition produced, both editions go one sale precisely at 9:30 AM PST at Dark Hall Mansion’s online Store on February 12th, 2013.

More information can be found on these and other editions available at Dark Hall Mansion.

Complete Press Release below:

Dark Hall Mansion working closely with Live Nation Merchandise, The Beatles’ North American Licensing Agent, and Apple Corps Ltd will release their new Beatles limited edition screen print set of 4 by leading contemporary artist, Tom Whalen, on February 12, 2013. This exclusive 4-print set stunningly showcases The Beatles unmistakable personas amongst the abstracted milieu of ’60s Pop culture and the landmark film that is “Yellow Submarine.” The 4 prints measure 24″ x 30,” each, and were beautifully composed and designed to work individually or as an interlocked whole when displayed.

Tom Whalen’s 4 new Beatles prints make a striking impression, particularly when viewed as a single quadtych, one meant to artistically render and underscore the personalities of The Beatles themselves. Each print will be individually numbered, 24″ x 30″ in size, and exquisitely screen printed. With an extremely limited release of only 200 sets available worldwide for all Beatles fans, it’s an edition for even the most discerning Beatles collector.

There will also be a very select Psychedelia Edition, limited to just 50 sets worldwide with each print individually signed by artist Tom Whalen and printed with shimmering metallic inks that intensely set off the designs and nuances of his highly stylized artwork.

Both Editions go one sale precisely at 9:30 AM PST at Dark Hall Mansion’s online store on February 12, 2013.Pricing will be $200 for the entire 4-print Standard Edition and $300 for the entire 4-print Psychedelia Artist Signed Edition.

The 4-print Beatles sets are a limited edition series created by Dark Hall Mansion. ‘The Beatles’ is a registered trademark of Apple Corps Limited. Yellow Submarine is a trademark of Subafilms Ltd © 1968. Dark Hall Mansion is a labor of love. We are passionate about art, about the work of print and poster artists present and past,here and abroad, we are committed to bringing their skills to the forefront on projects both compelling and exciting, bridging their studios and creations directly with your walls and personal collections.

Presidents Day in LA: Looney Tunes Marathon

L.A’s The Cinefamily is hosting a three-day celebration of classic Warner Bros. cartoons (co-presented by The Chuck Jones Center for Creativity) on Presidents Day weekend (February 16-18).

The festivities begin on Saturday afternoon (2/16) with a panel discussion on the work of Chuck Jones (speakers to be announced – but I’m moderating), a big screen 35mm showing of the 1973 TV special A Cricket In Times Square, and the following classic Chuck Jones-directed Looney Tunes shorts in 35mm: What’s Opera, Doc?, One Froggy Evening, Duck Amuck, From A to ZZZZ, Bully for Bugs, Duck Dodgers in the 24th 1/2 Century, Feed The Kitty, Rabbit Seasoning.

Sunday afternoon (2/17), a double feature of collaborations between Chuck Jones and author Norton Juster: the 1970 feature film The Phantom Tollbooth and the 1965 Academy Award winning MGM short The Dot And The Line: A Romance In Lower Mathematics.

Monday (2/18) we go insane. A six-hour Looney Tunes marathon – all on film, mostly 35mm, many in Technicolor… all my favorite Looney Tunes shorts – and more: rarities, odds n’ ends and ephemera. I’m not mentioning titles in advance (you gotta trust me on this), but I promise: no 1960s DePatie-Frelengs. Rare behind the scenes footage, oddball material including (at some point during the marathon) bridging sequences from The Bugs Bunny Show (1960) and Tang commercials. Good stuff. Prizes for those who spend the entire six hours with us. NOTE: This event kicks off with a potluck lunch; things like bags of chips and drinks are not encouraged — please bring a dish. Impress us!

MONDAY February 18th
POTLUCK LUNCH: noon-1PM
LOONEY TUNES-A-PALOOZA: 1PM-7PM

Click Here and scroll down for more details. See you there!

5-Second Animation Day at Titmouse

5 Second Day is an annual tradition that gives Titmouse animators on both coasts the chance to bring to life whatever strange, beautiful, disturbing and funny ideas they’ve had all year as a short format cartoon. For the first time ever, the studio will be opening up the screening of these masterpieces to friends, neighbors and fans.

The screening is on Friday February 15th in Hollywood, at the Egyptian Theatre, 7:30pm. The program will also include a screening of the unaired Motorcity pilot and a selection of rarities from the studio’s vaults – with a discussion following with Titmouse founder Chris Prynoski.

Tickets are available through the Egyptian Theater.

“Thunderbirds Are Go” Returns in CG

New Zealand’s Weta Workshop (Lord of The Rings) is teaming up with Pukeko Pictures (Jane and The Dragon) to revive Gerry Anderson’s classic marionette series Thunderbirds, according to a report today at Deadline Hollywood.

This time the new series, titled Thunderbirds Are Go, will be made in CG. According to the site:

Twenty-six half hours have been ordered for air on ITV and CITV in the UK in 2015. The new series will be produced using a unique mix of CGI animation and live-action model sets while also paying tribute to the legacy of model locations from Anderson’s original.

“From Up On Poppy Hill” English trailer

Gkids is releasing Studio Ghilbi’s From Up On Poppy Hill to U.S. theaters on March 15th. The English dub of Goro Miyazaki’s film sounds pretty good…

From GKids press release:

Set in Yokohama in 1963, as Japan is picking itself up from the devastation of World War II and preparing to host the 1964 Olympics, the story centers on Umi and Shun, two high school kids caught up in the changing times. But a buried secret from their past emerges to cast a shadow on the future and pull them apart. With its rich color palette, stunning exteriors, sun-drenched gardens, bustling cityscapes and painterly detail, From Up on Poppy Hill provides a pure, sincere, and nuanced evocation of the past, and marks yet another creative triumph for Studio Ghibli.

Annie Award Winners

The International Animated Film Society, ASIFA-Hollywood, has announced the 2012 winners of its Annie Awards tonight at UCLA’s Royce Hall.

The winner for Best Animated Feature was Disney’s Wreck-It Ralph.

One of the big surprises of the evening was the presentation of a special Texas Avery Award for life achievement to June Foray. A picture of the statue June received is at the bottom of this post (scroll down to see it).

The complete list of winners is below:

    PRODUCTION CATEGORIES

Best Animated Feature
Wreck-It Ralph — Disney

Annie Award for Best Animated Special Production
Despicable Me: Minion Mayhem – Illumination Entertainment

Best Animated Short Subject
Paperman (Disney)

Best General Audience Animated TV Production For Preschool Children
Bubble Guppies ‘A Tooth on the Looth’ – Nickelodeon Animation Studios

Best Animated Television Production For Children
Dragons: Riders of Berk ‘How to Pick Your Dragon’ – DreamWorks Animation

Best General Audience Animated Television Production
Robot Chicken ‘DC Comics Special’ – Stoopid Buddy Studios

Animated Video Game
Journey – Sony Computer Entertainment America

Best Student Film
Head Over Heels – Timothy Reckart


INDIVIDUAL ACHIEVEMENT CATEGORIES

Animated Effects in an Animated Production
Andy Hayes, Carl Hooper, David Lipton – Rise of the Guardians – DreamWorks Animation

Animated Effects in a Live Action Production
Jerome Platteaux, John Sigurdson, Ryan Hopkins, Raul Essig, Mark Chataway ‘The Avengers’ – Industrial Light & Magic

Character Animation in an Animated Television/Broadcast Production
Dan Driscoll ‘SpongeBob SquarePants: It’s a SpongeBob Christmas!’ – Nickelodeon Animation Studios

Character Animation in a Feature Production
Travis Knight “ParaNorman’ – Focus Features

Character Animation in a Live Action Production
Erik de Boer, Matt Shumway, Brian Wells, Vinayak Pawar, Michael Holzl ‘Life of Pi – Tiger’ – Rhythm & Hues Studio

Character Design in an Animated Television/Broadcast Production
Robert Valley ‘Disney Tron: Uprising: The Renegade, Part I’ – Disney TV Animation

Character Design in an Animated Feature Production
Heidi Smith ‘ParaNorman’ – Focus Features

Directing in an Animated Television/Broadcast Production
John Eng ‘Dragons: Riders of Berk: Animal House’ – DreamWorks Animation

Directing in an Animated Feature Production
Rich Moore ‘Wreck-It Ralph’ – Walt Disney Animation Studios

Music in an Animated Television/Broadcast Production
John Paesano ‘Dragons: Riders of Berk: How to Pick Your Dragon’ – DreamWorks Animation

Music in an Animated Feature Production
Henry Jackman, Adam Young, Matthew Thiessen, Jamie Houston, Yasushi Akimoto ‘Wreck-It Ralph’ – Walt Disney Animation Studios

Production Design in an Animated Television/Broadcast Production
Alberto Mielgo ‘Tron: Uprising: The Stranger’ – Disney TV Animation

Production Design in an Animated Feature Production
Steve Pilcher ‘Brave’ – Pixar Animation Studios

Storyboarding in an Animated Television/Broadcast Production
Doug Lovelace ‘Dragons: Riders of Berk: Portrait of Hiccup as a Buff Man’ – DreamWorks Animation

Storyboarding in an Animated Feature Production
Johanne Matte ‘Rise of the Guardians’ – DreamWorks Animation

Voice Acting in an Animated Television/Broadcast Production
Kristen Schaal as Mabel Pines ‘Gravity Falls: Tourist Trapped’ – Disney TV Animation

Voice Acting in an Animated Feature Production
Alan Tudyk as King Candy ‘Wreck-It Ralph’ – Walt Disney Animation Studios

Writing in an Animated Television/Broadcast Production
Trey Parker – ‘South Park: Jewpacabra’ – Central Productions

Writing in an Animated Feature Production
Phil Johnston, Jennifer Lee – Wreck-It Ralph – Walt Disney Animation Studios

Editorial in an Animated Television Production
Hugo Morales, Adam Arnold, Davrik Waeden, Otto Ferraye ‘Kung Fu Panda – Enter the Dragon’ – Nickelodeon Animation Studios

Editorial in an Animated Feature Production
Nicholas A. Smith, ACE, Robert Graham Jones, ACE, David Suther ‘Brave’ – Pixar Animation Studios


JURIED AWARDS

Winsor McCay Award – Oscar Grillo, Terry Gilliam, Mark Henn

June Foray Award – Howard Green

Ub Iwerks Award – Toon Boom Animation Pipeline


Terry Gilliam accepting his Winsor McCay Award via video…


The Texas Avery Award

Studio Ghibli’s “Ni no Kuni: Wrath of the White Witch” trailer

I know nothing of video games or Playstation… but this trailer for the just-released Ni no Kuni: Wrath of the White Witch has me very intrigued.

Not sure if this is Ghibli’s first foray into video games, but it’s the first one I’ve seen that looks like the real deal (even the music is by Miyazaki stalwart Joe Hisaishi). I’d love to hear more about the game itself from those who’ve already played it.

Book Review: “Sick Little Monkeys: The Unauthorized Ren & Stimpy Story”

bookI may be risking my 30-year friendship with John Kricfalusi by saying this, but Thad Komorowski’s new book, Sick Little Monkeys: The Unauthorized Ren & Stimpy Story, is a really great read. Beyond that, Thad went to great lengths – without the cooperation of John K or anyone at Nickelodeon – to research the history of the show and its participants, and to tell a compelling and cautionary tale of rags-to-riches cartoon success in contemporary Hollywood. The story is woven together through extensive interviews with key players including Bob Camp, Billy West, Bob Jaques and a dozen others – Komorowski also traces Spumco’s roots from John’s early days with Filmation and Bakshi, with extensive critiques of the Ren & Stimpy cartoons themselves (a complete episode guide is included in the appendix), through to the latter day excesses of the Spike shows. The whole story is here, meticulously researched, clearly justifying the show’s important role in the recent history of animation. There’s no question Spumco changed the face of television animation – and still influences series, students and independent animators today. Love it or hate it, this book explains how it all came to be – and for that, it’s a must-read.