Juiced and Jazzed

We linked to a preview of Justin Weber’s Juiced and Jazzed a few months ago, but now the whole film is viewable online at liquorflicker.com

The cartoon began as Weber’s senior film at the Minneapolis College of Art and Design. It was completed at MAKE in Minneapolis. Weber writes:

“I graduated in December 2008, having completed a black and white version of the cartoon, I was employed at MAKE, a design studio in Minneapolis that specializes in motion graphics and animation. There, with the help of fellow MCAD graduates Andrew Chesworth, Aaron Quist, and Joe Kim, we colored and finished the cartoon. It premiered at the Palm Springs International ShortFest in June and won 2nd Place in the Animation category.”

The cartoon features the recordings “The Uptown Lowdown” by Joe Venuti and “The Charelston” by Spike Jones. I always have a soft spot for “retro-30s” rubber hose tributes like this. Well done, Justin.

Nick-at-Nite animated promos

Remember when Nick-at-Nite was good? I’m feeling nostalgic for the retro-nostalgia of the old Nick-at-Nite.

Here’s a collection of N-A-N network ID’s and promo clips from the early 1990s. I believe all these jingles were written by Tom Pomposello. The animators include Marv Newland, Sally Cruikshank, Joey Album, Guido Manuli, JJ Sedelmaier, Jane Aaron, Frank Mouris, David Lubell, Colossal Pictures and I think I spotted a design by Dave Sheldon. If anyone else knows who did what, please comment below.

Notes from the Comic Con

I’m just back from “Comic Con” aka the San Diego Comic Con (for the record, I refuse to call it Comic Con International) and, all said and done, I had a pretty good time. I’m one of those who has been distressed by the Hollywood domination of the convention, and the massive attendance of fans/pros and Hollywood types (125,000 plus) that have made this one-time delightful experience a literal nightmare for the uninitiated.

I’ve finally accepted the Con for what has now become, planned my own schedule of events, met up with my friends, made my way into all the parties and panels I wanted to attend, and just decided to enjoy myself.

I’m not going to recount or review specific panels in great detail; I haven’t even unpacked yet and probably have a bunch of comics, fanzines and freebies worth noting… that’ll wait for later. For now, here’s an overview of selected highlights over the last few days:

Wednesday: I was planning to leave at noon, in hopes of arriving in San Diego before 5pm, so I could attend the Preview Night. I got an email at 8:30am from my friends with the Astro Boy movie and they wondered if I could show up at the Con by 3:30pm to run-through the panel I was to moderate on Thursday morning. Knowing it would take at least four hours (especially if I stopped for lunch), that meant I had to leave at 11am – which I did. At 3:30, I was inside the convention hall reviewing the plans for the panel with the folks from Summit and Imagi.

Thursday: Began the day moderating a 10:30am panel on the new Astro Boy movie (looks great, by the way). Got to meet Freddy Highmore and Kristen Bell, and interviewed them on stage. Superhero Hype.com posted a transcript of the panel here.

Later that day I got to see the Cloudy With A Chance Of Meatballs panel. The clips they ran were excellent. It’s going to be a very funny movie – unlike almost any CG animated film we’ve seen yet. It’s much more a “cartoon comedy” than I expected and I’m quite jazzed to see the full length film.

Friday: At 8:30am I had breakfast with Craig Yoe, Harry McCracken and Tom Knott. At 12:30pm, I got into Hall H to see the big Disney presentation – and it was superb. John Lasseter was the M.C. and he did a great job presenting the clips and talking about each film. He would tell the crowd how great something would be, then showed a clip to prove it. He showed the first ten minutes of Toy Story 2 in 3D (it looked incredible). Lasseter then introduced the new 3D teaser trailer for Toy Story 3 which was very funny. He also showed a hilarious new short featuring Ken (Barbie’s boyfriend), voiced by Michael Keaton and probably directed by Teddy Newton (that was Teddy’s voice narrating it). This short will probably be a bonus extra on the Toy Story 3 DVD in a year and a half. The short, Groovin’ With Ken, was presented like an old 1970s 16mm promo film (Academy leader countdown, lines, splices, abrupt cuts, etc.) and was a parody of Ken’s supposedly swingin’ life style.

The footage from The Princess and The Frog reassured me that Disney is on the right path with this film. The animation is superb and the storyline is looking to be a lot more clever than I had thought. They showed two long sequences and both were terrifically entertaining. Nothing to worry about here.

The big surprise of the Disney presentation was the the clip (the first five minutes) of Prep and Landing a new CG Christmas special from Disney Animation Studios. I knew very little about this before… the five five minutes are wonderful and it could be a new Christmas classic. It’s about two Santa’s elves who prepare each home for Santa’s arrival. Check this out when it airs in December.

Lasseter showed a sequence (and trailer) for Beauty and the Beast in 3D. This was interesting because it’s not only in 3D, but the new technique they use adds 3D to the 3D, making the “flat characters” feel even more dimensional than the “viewmaster” feel of previous 3-D cartoons like Melody or Lumberjack Rabbit. Not sure if it’ll work based on the clips I saw, but it’s an interesting experiment.

Lasseter then brought out Hayao Miyazaki (to a standing ovation) and they did a little Q & A, showed a great scene from Ponyo and then took questions from the audience – comedian Patton Oswald took over at this point as a moderator. The questions from the audience – mostly directed to Miyazaki – were respectful and intelligent. This was a great panel, perfectly coordinated and produced. Photo above is from Toonzone.com – pictured left to right, Lee Unkrich, Kirk Wise, Ron Clements, John Musker, translator, Hayao Miyazaki, John Lasseter and Patton Oswalt.

Later that day, I attended Mark Evanier’s tribute panel to Stan Freberg, which was delightful – and hilarious. That night I attended a Disney Publishing party. Great party with great food, free books and t-shirts! At 9pm I screened my latest collection of Worst Cartoons Ever to a capacity crowd (2000 plus). If you are interested in obtaining a dvd of my 2009 compilation, please write to me at jbeck6540-at-aol.com.

Saturday: I began the day doing jury duty – as one of the celebrity judges for Titmouse Animation’s new reality series (in production), 7200 Frames. The judging took place on a yacht docked behind the Marriot Marina hotel, next door to the convention center. Loads of fun.

Later that day, Mark Evanier and Earl Kress did a panel with June Foray. It was a love fest between her and the audience. That night was the annual Writers Guild of America/Animation Caucus cocktail party. Again, great food and drink and wonderful conversation with old friends like Michael Uslan, Patric Varrone, Tom Kenny, Craig Miller, Marc Zicree, Jim Wheelock, Stan Berkowitz and others. This party was on a fourth floor Terrace ballroom at the Hyatt Hotel, and ended with a perfect view of a fireworks show over the Marina.

All of the above accounted for only fifty percent of the last five days. I ran into many old friends, Brew readers and business contacts in the exhibit hall (aka dealers rooms) – and I bought way too many things. My head is still spinning but, unlike last year, I’m ready to do it again – next year!

Casper and the Spectrals

Trick or treat? Direct from the Comic Con… due out just in time for Halloween, a new “Harvey” comic book from writer Todd Dezago and artist Pedro Delgado: Casper and the Spectrals. Alfred Harvey is probably rolling over in his grave, but personally I’m willing to give this take a chance. It sure beats the recent movie adaptation versions. Ardden Entertainment, who are currently publishing a nice update of Flash Gordon, is the company behind this. (Click on cover at left to see a larger image).

Das Micky Maus Girl (1930)

Mickey Mouse was so popular by 1930 that every animation studio around the world tried to create unauthorized Mickey Mouse cartoons. Even live action filmmakers tried to get into the act. Check out this scene featuring actress Anny Ondra from the 1930 German talkie Die vom Rummelplatz aka “Fair People” (in Austria this feature was released as “Das Micky Maus Girl”). Check out the vintage poster here. Does anyone know if this was authorized by the Disney Studio?

(Thanks, Gary Meyer)

SDCC ’09: Jeremy Bernstein

Animation artist Jeremy Bernstein will be at booth C05 from Thursday to Sunday with his new book: Neon Lights in the Golden Hour. It’s filled with illustrations of owls and poetry. 56 pages. 28 illustrations. 28 original poems. Full color. 6 x 9. Only 200 copies printed! Plus every buyer will get a drawing done inside as well as a 4×3 sticker. Check out Jeremy’s blog to see more images.

SDCC ’09: Craig Yoe

In case you were wondering where our buddy, artist/cartoon historian Craig Yoe will be during the San Diego Comic Con, here’s an abbreviated checklist:

THURSDAY JULY 23RD
- 12:00 to 1:00 pm Fantagraphics Book Signing “The Bizarre Comics of Boody Rogers” booth # 1716

FRIDAY JULY 24TH
- 3:00 to 4:00 pm Abrams Book Signing “Secret Identity: The Fetish Art of Superman’s Co-Creator Joe Shuster” booth # 1216

SATURDAY JULY 25TH
- 11:00 am to 12:00 pm Abrams Book Signing “Secret Identity: The Fetish Art of Superman’s Co-Creator Joe Shuster” booth # 1216

- 1:00 to 2:00 pm 1:00-2:00 Comics Arts Conference Session #11: The (Strange) State of Siegel and Shuster Scholarship– Brad Ricca (Case Western Reserve University), director of Last Son, a scholarly documentary on Siegel and Shuster, moderates this conversational panel featuring Craig Yoe (Secret Identity: The Fetish Art of Superman Co-Creator Joe Shuster) and Lauren Agostino, an independent scholar, who will share letters connected to the 1947 lawsuit and portions of the original Superboy script that completely upset a lot of myths about who created Superboy. Room 30AB

Meanwhile, Variety reported that Yoe’s book Secret Identity: The Fetish Art of Superman’s Co-Creator Joe Shuster has optioned for major motion picture by the Gotham Group. Below is an animation made up of images from Yoe’s Secret Identity book. It is not suitable for children, its for adults only and definitely not safe for work. Click at your own risk:

Oh, and if you are in L.A. next Wednesday, check out the “Secret Identity” West Coast L/Raunch Party – Wednesday July 29th from 8:00 to 10:00 pm at MeltDown Comix, 7522 W Sunset Blvd. in Hollywood California.

SDCC ’09: Jerry Beck

I’m driving down to San Diego today and will be wandering the Comic Con dealers room tonight. I have two big commitments, so if you are looking for me these are the only two places/times I’m guaranteed to be at:

• Thursday morning at 10:30am (note the new time), I’m moderating the Astro Boy Panel, showing clips from the forthcoming movie and doing a Q&A with director David Bowers, producer Maryanne Grager, and stars Freddie Highmore and Kristen Bell. In Room 6BCF.

•Friday night at 9pm, I’m screening The Worst Cartoons Ever! All-new, all terrible, all hilarious. In Room 6BCF.

So come to my panels and say hello. Beyond this, I will be spending the next four days wandering the con, trying to get into panels, looking for comics, meeting up with friends, and simply hanging out.

The Prodigy

No, it’s not Kung Fu Panda… it’s SO not Kung Fu Panda.

Yeah, once again it’s time to take note a knock-off DVD, but this one – The Prodigy – was not created by anonymous drones in some third world country, but by former Disney and Dreamworks artists.

Here’s the synopsis:

KG – the ‘Kung Fu Girl’ with a big heart – is an underdog. When the odds are against her, she discovers that there is no limit to what she can accomplish when she believes in herself. With the help of her brave yet zany Master Panda, KG sets off on a journey to restore justice to her beautiful kingdom and rescue her beloved prince. “A hilarious side-splitting animated feature, THE PRODIGY delivers Non-Stop Kung Fu Fun!”

Yeah, right.

According to a press release they foolishly sent me:

The film represents a milestone for Writer/Director Robert D. Hanna, who created Prevalent Entertainment as an independent animation house that has employed an American team without outsourcing to foreign animators, and performs outside of the big studio system.

Some top CG Animators, Production Designers, and Artists from DreamWorks, Sony, and Disney studios all contributed. An integral part of the team is David Colman of Disney Feature Animation; he’s an Emmy Award winning artist who generated character designs for The Prodigy. David Lowery (Head of story on Shrek) was producer and supervisor of the story department, and Craig Elliott (Shark Tale, Bee Movie) was the inventive production designer. Steve Gordon (Shrek II, Anastasia, Over The Hedge) created essential story boards to flesh out the meaningful romantic storyline. Instructive Bonus Featurettes on the DVD illustrate a primer for future animators on “Animated Character Creation” and bringing the “Story To Life”; they document the pre-production work of the talented artists and animators who worked tirelessly on the film.

You be the judge. The trailer is embedded below.

Filmation’s Marx Brothers?

Thank God for small favors… As far as I know this show doesn’t exist. Fred Grandinetti sent me this trade ad from Broadcasting Magazine (February, 1966) offering a Marx Bros. cartoon package from Filmation. Was there be a pilot? The ad offers a screening, so… could be? This was in the era when Hanna Barbera was producing Abbott and Costello, and Laurel and Hardy cartoons. In light of what Filmation would do to Jerry Lewis a few years later, let’s consider ourselves lucky the brothers Marx weren’t subjected to their cheapjack production methods.

SDCC ’09: More plugs for stuff I like

Click on thumbnails below to see full-size images.

First, this just in from Eric Goldberg:

Hi, guys-
Thought I would pass along a pre-San Diego Comic Con plug for my various attempts to become the world’s most hard-to-avoid animator. First, I will be part of the panel discussion, hosted by the illustrious Don Hahn and sponsored by AnimationMentor.com, celebrating the teachings and years of inspiration to Disney artists by Walt Stanchfield, whose class handout sheets are now lovingly compiled into a two-volume tome, Drawn to Life: 20 Golden Years of Disney Master Classes. Alongside me on the dais: Glen Keane, Tom Sito, and Ruben Procopio.

Thursday, July 23, Room 32 AB, 3:00 — 4:00 PM (Note the time change from previously published posts)

Then, my new collection of sketchbook cartoons, Enjoy It While You Can, Kid, is debuting at the Con, courtesy of Stuart Ng, who also happens to be the publisher. (What a coincidence!) I will be shamelessly signing and plugging it, as well as copies of Character Animation Crash Course!, at these times and locations, all a hair’s breadth away from Stuart Ng Books at Booth 5012:

Thursday, July 23, 4:30 — 6:30 PM, Booth 5022, hosted by Creative Talent Network

Saturday, July 25, 10:30 AM — 12:30 PM, Booth 5022, hosted by Creative Talent Network

Sunday, July 26, 12:00 — 2:00 PM, Booth 5019, hosted by Flesk Publications


Andy Suriano, one of the character designers for Samurai Jack, Clone Wars and the soon-to-be Genndy’s new show, and his partner’s (Ben 10 creator Joe Casey) comic book, Charlatan Ball (from Image), is being collected and released as a trade paperback at SD Comic Con this year. It’s got our mutual friend (and Suriano’s Plastic Man collaborator) Tom Kenny providing a forward. Suriano will appaer at the Image Comics booth this year (booth #2729) and have an “official” signing @ table 1, Thursday, July 23rd from 2-3pm. He’ll also be at his own table selling swag and his sketchbooks.


Mills James Productions, based in Columbus Ohio, has produced a feature length documentary on BONE creator (and former animator) Jeff Smith. The film, titled The Cartoonist: Jeff Smith, BONE and the Changing Face of Comics, will debut at Comic-Con on Friday July 24th. The Comic-Con screening will be 7:30 pm in Room 5AB of the San Diego Convention Center. Writer/director Ken Mills, president of Mills James Productions, and co-producer and editor Mike Meyer will be present to introduce the film and answer questions. For more information on the documentary, visit its Web site.

The Awesome Chronicles of Manny and Khan

Someone posted one of the shorts from The Cartoonstitute, Cartoon Network’s former shorts program. Since they are no longer running cartoons, we might as well embed it here and take a look. Note, the sound is bad and the ending is cut off. Regardless, the heavily Spumco-influenced Awesome Chronicles of Manny and Khan by Josh Lieberman and Joey Giardina has funny drawings and pleasing design… things no longer of interest to CN.

(Thanks, Joshua Bailey)

The Lion of Judah

Variety is reporting on an animation boom in South Africa, focusing its article around the country’s first CGI feature, The Lion of Judah. The “faith-based” film is being readied for a U.S. release in November, through a new company called Animated Family Films headquartered in Coral Gables, Florida.

The movie stars the voice of Ernest Borgnine (Spongebob’s own Mermaid Man) and is being produced at Cape Town’s Character Matters studio. According to the Variety article, the studio is desperate for qualified animators to join their team. One look at the trailer will demonstrate how desperate. The one sheet poster is also pretty bad.

Which reminds me – my Worst Cartoons Ever! screening is Friday night, 9pm at the San Diego Comic Con. Don’t miss it!