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Cartoon Brew's home for up-to-the-minute, unedited announcements and press releases direct from industry sources.
August 12, 2011 5:30 pm


“Man, I loves me some retro-animation!”

I personally cannot get enough of the current spate of short films that are affectionate homages to silent era, vintage Hollywood and golden-age TV. Canadian animator (and Spumco veteran) Tavis Silbernagel made a little silent-era goodie with Nick Cross few years back. Says Silbernagel of this film:

“It’s an independent film I did a few years after I graduated college. I worked with Nick Cross on it and we produced it from start to finish in two weeks time. There was a lull of work at the studio we were at and we decided to team up on two shorts. One of which was ‘Fruit, Juice! Protein?’. I’m a fan of whimsical names and next to my first sketch of the character in my drawing book was a very bland shopping list: Fruit juice protein. I’ve been developing the idea over the years and it’s expanded quite a bit. Right now I’m working on a game for the storyline and I’m very excited about it. Combining such an old style of animation with the world of gaming and interactive media is a novel idea and I can’t wait to see how it’s recieved.”

(Thanks, Michael Valiquette)

August 12, 2011 10:30 am


As is the case each year, dozens of potentially worthy animated features from around the world do not make it to these shores. Case in point: Leafie, A Hen Into the Wild which opened late last month in Korea. The movie, which cost $2.8 million to produce, is scheduled to open next month in China.

Then there’s RPG Metanoia, which opened last December in the Philippines. It’s the first full length CG Philippine animated film presented in 3D. Will it ever open in the U.S.? Probably not – so here’s a taste:

August 12, 2011 12:05 am


I’m liking the little films coming from New York independent animator Joseph Bennett. His latest project, this music video for the band Animal:

August 11, 2011 1:00 am


Yesterday, during commercial breaks on Stu’s Show, I was going through Stu’s complete collection of vintage TV Guide magazines. There I found this intriguing 1955 article (below), written by animation producer Paul Terry, called “How To Make Children Laugh” – subtitled “A Cartoonist Tells The Brutal Truth”.

What is that “brutal truth“? That “children react best to situations in which there is a slight suggestion of violence“. Terry, who had just sold his studio to CBS, was hyping his ancient Terrytoon shorts then being screened on Barker Bill’s Cartoon Show. It’s a strange little article and his conclusions are debatable – but he got one thing right, the last line: “…the popularity of animated cartoons will live on and on; the humor in them is visual and, therefore, universal.”

August 10, 2011 12:05 am


Once again I will be the guesting on Shokus Internet Radio’s Stu’s Show today at 7pm Eastern / 4pm Pacific. This is your rare opportunity to ask me live and in-person about Cartoons, Cartunes or even Kartunes.

Scheduled topics we hope to tackle include Looney Tunes and Tom & Jerry on Blu-Ray, the Animated Features Oscar race, Harveytoons on DVD, Seth MacFarlane’s Flintstones and as always, whatever the listeners want to talk about. You are encouraged to call in your questions and comments on the station’s toll-free telephone number – or better yet, email your questions to: comments-at-shokusradio.com.

Stu’s Show airs live each Wednesday at 4:00 p.m. PST, with rebroadcasts at the same time each day through next Tuesday August 16th. Access to the station’s feed is free, with no registration required, and is available either by clicking on the Enter Site button on the home page (www.shokusradio.com), by choosing one of the audio player links on the site’s main page.

August 9, 2011 1:00 pm


Apparently Disney gave their okay to a local Herriman, Utah (love the town’s name!) builder, Bangerter Homes, to construct a replica of the house in Pixar’s Up. The asking price is $399,000. The house comes with a home theater downstairs and two bedrooms in the basement — one pays homage to the Disney princesses, while the other is Andy’s room from the Toy Story films.

Here’s a video tour:

August 8, 2011 1:00 pm


Beloved animator, graphic artist, book illustrator, painter and teacher Cornelius “Corny” Cole has passed away. His close friend, animator Bob Kurtz, confirmed to us that Corny died this morning. Cole was reportedly 81 and had been suffering with MSA (Multiple System Atrophy).

Cole was born and raised in Southern California and was a fine art major at the Chouinard Art School. He entered the animation industry in 1954 as an in-betweener on Disney’s Lady & The Tramp. He went on to work for UPA in the latter ’50s, then for Warner Bros. Cartoons in the early ’60s. He became a production designer for Chuck Jones on Gay Purr-ee (1962) and The Phantom Tollbooth (1969) and designed Super Six (1966) and Ant & The Aardvark (1969) for DePatie-Freleng.

August 8, 2011 12:00 pm


Coming soon: London-based graphic novels publisher Self Made Hero (Moomins) will be releasing this fall, an illustrated kids-skewing Popeye Cook Book filled with healthy recipes (I’m sure several will include spinach ingredients). I may pick this up just for the Stephan DeStefano Popeye art. Yum!

August 8, 2011 12:05 am


It’s Gene Deitch’s 87th birthday today – Happy Birthday, Gene! – and to celebrate, Deitch has started a new blog based around his latest book, a work-in-progress, called Roll The Credits.

For the few reading this unaware of Gene’s career, Mr. Deitch is an Academy Award winning (Munro, 1960) animation director who began his career at UPA where he ultimately ran the New York studio directing Bert and Harry Piels commercials, ran the Terrytoons studio where he created Tom Terrific and Sick Sick Sidney, moved to Prague in 1959 where he directed Tom & Jerry shorts for MGM, Popeye and Krazy Kat TV cartoons for King Features and Nudnik theatricals for Paramount. He spent many years directing animated films for Weston Woods, including an adaptation of Where The Wild Things Are. And that’s just the tip of the iceberg. Oh, and he’s the father of acclaimed underground cartoonist Kim Deitch.

Gene’s new blog will (on a somewhat regular basis) post chapters from the new book, each one devoted to a person who inspired him, “the 65 freaky people – many who have been so far hidden from you – who’ve pushed and prodded me into whatever it is that I’ve accomplished.” The first posts are devoted to his mentor John Hubley, author-illustrator Tomi Ungerer, filmmaker Jan Svankmajer and his mother, Ruth. Gene says this about the book and website:

I’ve tried to keep it light, bright, and short-winded where possible, but a couple of chapters are necessarily semi-sagas. Please cue me if I induce boredom! It’s a “Living Book” because YOU are invited to correct, add, deny, refute, or argue with anything I’ve written. Sadly, many of the people I’ve written about have gone beyond the point of no return, so it’s up to you to challenge my memory. A true history is the goal.

It sounds like a present to all of us who love Gene and the history of animation. Here’s to Gene Deitch, his new blog and our best wishes for his continued success and good health. Happy Birthday, Gene Deitch!

August 7, 2011 2:30 pm


Several decades ago, a collector named Mary Rose acquired a collection consisting of some very rare (possibly one of a kind) Disney production recordings from the estate of studio musician, percussionist Hal Rees. These are the acetate discs animators used to animate to. Most of these recordings are dated between 1937 and 1940 and are from such films as Dumbo, Reluctant Dragon and The Little Whirlwind. The recordings have been very well cared for and preserved – and contain early versions of Disney songs, sound effect tests and audio of directors comments made during early stages of production and offer a unique audio glimpse behind the scenes.

Now Mary is interested in selling all or part of this collection to the proper buyer. To me, that would mean a buyer willing to make this material accessible to all of us interested in hearing it. If you might be interested in purchasing one or all of these pieces of Disney history, check out Mary’s website and contact her directly at maryerose2-at-yahoo.com (this email address is better than the one listed on her site). May the best collector win (and share these with us)!

August 4, 2011 11:30 am


Gulp is a short stop-mo animation created by “Sumo Science” (Ed Patterson and Will Studd) for client Aardman Animations. The film has broken a world record for the “largest stop-motion animation set”, with the largest scene stretching over 11,000 square feet. It was shot frame-by-frame on location on a beach in South Wales, using the camera on a Nokia N8 smart phone. But even more inspiring than the film itself (embed below) is the making-of video (click here).

(Thanks, Craig Yoe and Simon Acosta)

August 4, 2011 6:00 am


Toy Masters is a feature-length documentary (currently in production) on the story behind the toy line and animated series, He-Man and the Masters of the Universe. In addition to interviews with all the principals behind the toys and Filmation cartoon, the preview below contains the central conflict of the film – the stories of toy designers Roger Sweet and Mark Taylor, both of whom claim to have created He-Man: