UPA, UPA, and Away!

They’re out… and as Tony the Tiger would say: “They’re Grrrr-reat!

I will go out on limb right now and declare TCM’s UPA: The Jolly Frolics Collection the DVD of the year. This thing is loaded (full disclosure: I was involved in the process). It is beautifully and cleverly packaged and contains a 16-page booklet with brief essay by UPA historian Adam Abraham, capsule biographies of key UPA personnel, a UPA chronology chart with key events and a release chart timelime, plot synopsis and more…

The three discs themselves are packed with incredible restorations of 38 UPA cartoons. These restorations are so good, they will force many to reevaluate their opinions of these films. Cartoons I’d long dismissed as inferior – The Oompahs, The Miner’s Daughter, Baby Boogie and others – are suddenly vibrant, colorful and clear; what the filmmakers intended, and a lot better than I’d thought. Compare the frame grab of from my personal bootleg video copy of The Man On The Flying Trapeze (thumbnail below left to enlarge) with the restoration (below, center) to give you a small idea of the difference. Even if you have no interest in UPA, I think you’ll come to understand their importance through this set.

Sony went to great lengths to restore the cartoons on this collection – restoring original front and end titles (like the Fox & Crow title (below) from their first theatrical, Robin Hoodlum). Alas not every title could be restored (though most are), but what is here is from the original negs – and they are a pleasure to see anew.

I’m not even mentioning the bonus materials (Concept art, model sheets, storyboards, color styling sketches, background, publicity stills, movie poster galleries – and more, including audio commentaries and a Leonard Maltin introduction). If you’ve ordered it, it’s on the way. If you haven’t – what are you waiting for?

Adam Abraham’s important new history of UPA – When Magoo Flew – has also just been published by Wesleyan University Press. I’m not going to review it right now – but I will be giving a copy or two away in a pop-quiz contest sometime on Thursday. Adam will be in L.A. a week from Friday to sign copies of the book at LACMA, at the UPA tribute I’m hosting on March 30th. (Tickets available nowhint, hint!).

Adam has just launched a companion website for his book, When Magoo Flew.com, intended to utilize the archive of material he assembled while writing the book. More material will be added soon… but bookmark his new website now!

“Cartoons Kick Ass”

Somebody recently posted (in four parts) the entire British Channel 4 TV program Cartoons Kick Ass. This special was taped in 2000 and as far as I know only aired once, late in the evening, and never seen beyond Great Britain. It includes interviews with John Kricfalusi, J.J. Sedelmaier, Ralph Bakshi, Mike Judge, ASIFA-SF’s Karl Cohen (author of Forbidden Animation, which I believe was the basis of the program), animation historians Bill Moritz, Paul Wells and me. It dared to include X-rated animation and other images that can offend, so assume that it is NSFW.

Part 1 is embed below. Click here to see Part 2, Part 3, and Part 4.

“My Family and the Wolf” by Headless Productions

Another beautiful hand drawn film in development in Europe, this one being directed by our friends Adrian Garcia, Alfredo Torres and Victor Maldonado at Barcelona-based Headless Productions (Nocturna), produced by Paris-based Nectarious Films. Look below to see the teaser trailer for My Family And The Wolf.

“Good Books – Metamorphosis” by Buck

Bi-coastal (NY & LA) commercial shop Buck produced and directed this spectacular 2-1/2 minute spot for online bookseller Good Books. And if you think the piece feels familiarly gonzo, that was intentional. Buck posted this disclaimer at the end of the film:

DISCLAIMER: What you will see is an entirely fictional and completely unendorsed representation. (Though we humbly suggest Hunter S Thompson might have liked it.) We are devoted fans paying homage. No disrespect is intended.

Credits after the jump. Continue reading

Tim Burton’s “Dark Shadows” trailer

It’s not animation, but it’s Tim Burton. It’s also not Dark Shadows, but its does look like fun. Burton seems to have made a something combining Beetlejuice with a touch of The Addams Family. The original Dark Shadows I grew up with was cool because it was gothic done straight. What’s your opinion: Do you like the campy new approach, or is this sacrilege?

This Week in LA: Bakshi at LACMA, Wondercon

If you live in Southern California and ever wanted to meet Ralph Bakshi, this week you have your chance – twice!

First, on Thursday night, Ralph will be appearing in person at LACMA (Los Angeles County Museum of Art) to introduce his 1977 fantasy Wizards, a restoration of which will be screened at 7:30pm. For tickets click here.

Second, on Saturday at 6:30pm, Bakshi will do a Q&A session in Room 207 at WonderCon in Anaheim.

For those who cannot get to the west coast, you can enjoy a new interview with Ralph on CraveOnline, in which he talks about why he doesn’t trust the company in charge of the potential DVD release of Coonskin, and gets into the history of Hey Good Lookin‘.

You can also purchase Bakshi’s 35th Anniversary edition of Wizards on blu-ray (which coincidentally goes on sale today). 20th Century Fox Home Entertainment has given Cartoon Brew nine (9) copies of the blu-ray and – surprise! – the first nine of you to correctly answer (in the comments section) a simple trivia question won one. Congrats to Blu-Ray winners: Thad, Brian Mitchell, Hammed, Robert Reynolds, Jim M, B Baker, Kevin H, Ryan and Gobo! And our thanks to 20th Century-Fox Home Entertainment!

UPDATE: NEW CONTEST – NOW Closed!

L.A. area residents only. The first two readers to correctly answer this simple trivia question will recieve two tickets to Ralph Bakshi’s screening of WIZARDS at LACMA tomorrow night at 7:30pm:

Contest Closed! Winners to be announced shortly.

Spots from Punga

Animator/designer Gabriel H. Fermanelli has turned me on to the commercials he’s producing through Punga, a collective of artists in Buenos Aires who specialize in animation and branding. Fermanelli co-directed a series of spots for Wrangler Jeans (with Tomas Dieguez); this one is my favorite:

Fermanelli’s latest stylishly designed spot is for Volvo, featuring Sloths:

Don Markstein (1947-2012)

Don Markstein may not have been a household name in animation circles, but he was one of the best friends comics and cartoon history ever had. His wife, GiGi Dane, just informed us of Don’s untimely passing.

Donald David Markstein was a comic book writer and creator/proprietor of the indispensable online Toonopedia. Among his many accomplishments was being the founding editor and co-creator (with Rick Norwood) of Comics Revue and the co-founder (with wife GiGi) of the animation apa, Apatoons.

Long before the internet, Markstein got the idea of adapting the established comic and sci-fi fanzine communication network (known as Amatuer Press Associations) to a world wide community of animation enthusiasts. I was a grateful participant in Apatoons (cover of a typical edition, with art by Dave Bennett, below). This project was a rich and rewarding experience for all involved, and helped bond fans, professional animators, cartoonists, writers and all like-minded enthusiasts in an era way before blogs and Facebook.

Animation historian Jim Korkis recalled the group’s origin:

“On May 12, 1981, Don Markstein and GiGi Dane sent out a one-page orange flyer to a select group of fans. The flyer announced the formation of an apa for animation buffs. Markstein wrote, “There’s a potential for an animation fandom lurking among publishing fans. We don’t knowhow many people there are in it, but we do know Funnyworld and Mindrot aren’t being published in a vacuum. That potential has probably always been there, but lately, with more and more lifelong cartoon buffs becoming video collectors, it’s been exploding. Just as comics fandom grew out of science fiction fandom to create its own fan movement 20 years ago, we expect cartoon fandom to come into its own very soon now.”

“The first issue of APATOONS appeared July 1981 and that first issue had only seven members: Jim Korkis, Alan Hutchinson, Don Markstein, Meera Dane (GiGi’s daughter), GiGig Dane, Marcus Wielage and Rick Norwood. I think one of the key things I remember about Don is that he loved ideas, loved cartoons and loved doing something to fill necessary gaps whether it was with Apatoons or Toonpedia.”

I asked several fellow Apatoons alumni to contribute their thoughts about Don. Disney comics historian David Gerstein wrote to say,

“I had the great pleasure of editing Don Markstein’s Disney comic book stories for Egmont Creative Center, the Denmark-based Disney comics studio, from 2000 to 2004. Many of these inspired, often outrageous stories were later reused in the American-published Gemstone Disney comics. We can’t forget Don’s original Disney creations – Sam Simian and his giant wrestling robots; the high ministers of Outest Bungolia, forever seeking the “King of the Bungaloos”; even über-cheap filmmaker Freefer F. Freefer (Don told me that the middle F. stood for “Freefer,” too, though he was sworn not to reveal it in the story). Only Don could give us a supervillain whose master supercomputer was powered by a cat brain and a dog brain – which didn’t get along very well.

And only Don had an affection for Bucky Bug, Disney’s early newspaper strip character, so deep that it manifested itself – somehow, somewhere – in a good fifty percent of all the Disney output Don created. We’ll all miss you, Don.”

I’ve posted a panel (above) from Don’s King of the Bungaloos Strikes Back (WD C&S #680, 2007), drawn by the great Cèsar Ferioli, with what I believe is a caricature of Markstein in the crowd at left, with mustasche, beard and glasses.

Harry MacCracken, now a Technology editor-at-large for Time Magazine, wrote in:

“What sad news. I still think of Don as the grand master of APA mailing comments–he was perceptive, precise, funny and engaging. Things he said in Apatoons thirty years ago still rattle around in the back of my brain and influence my writing. I was very happy to see Toonopedia succeed and bring his work to a large audience.”

Comics, anime and animation expert Fred Patten remembered his longtime admiration for Don:

“My memories of Don Markstein go back to the 1960s. We were both in CAPA-alpha, the comics-fan APA, and Don’s “Om Markstein Sklom Stu” was one of the most literate, thickest, and most eagerly-read parts of the monthly mailings. Later, after we had both dropped out of K-a, he and his wife GiGi founded APATOONS in 1981 and we were both in that for — how many years? After that, we were not in things together but I would see his name in the masthead of Comics Revue and as the author of stories in the Disney comic books. Still later, I would go to his Toonopedia website for accurate and informative details about cartoon-related facts.

Although it has been decades since we were in close contact, I am very saddened to hear of his passing. Comics fandom has lost a long-time friend and a rare expert scholar.”

Markstein died of respiratory failure after a prolonged illness. His family can be contacted via email through toonopedia-at-yahoo.com.