Time for another round-up of recent reads I can highly recommend (How’s that for alliteration?). First up, a magazine: Disney Twenty Three (Special Issue, Spring 2012), the “exclusive magazine of D23: the official Disney Fan Club”. I have not been tempted to subscribe to this publication, despite it’s lavish production values and occasional in-depth articles – but this latest special edition (sent to me for review) may change my mind. Its theme is “75 Years of Disney Animated Features” and its a must-have for all Disney aficianados. It is 64 oversized pages (in color) and loaded with articles and images by many of my favorite Disney historians: John Canemaker on the milestones of Disney feature animation; David Gerstein on The Six Older Men, the animators (Ub Iwerks, Grim Natwick, Ben Sharpsteen, Fred Moore, Norm Ferguson and Hamilton Luske) who mentored the famous “nine”; Jim Fanning takes a fresh look at the famed story meeting notes; Didier Ghez on Disney’s merchandising man, Kay Kamen (this piece is particularly well illustrated with rare materials); Greg Ehrbar on the music and songs of the great Disney Features; Don Hahn on “The Morgue”, where the studio keeps its original animation art; Max Lark on inspirational artist Tyrus Wong; and much much more. Did I mention the cover contains a removable facsimile Snow White animation cel. This commemorative issue is being sold through Barnes and Noble and other retailers, as well as available through DisneyStore.com.
Stop Motion has certainly made a comeback (with three stop-mo features being released this year alone) and books about the technique keep on coming. The latest is Tom Gasek’s
Frame-by-Frame Stop Motion: The Guide to Non-traditional Animation Techniques. Gasek, a professor at R.I.T. and former animator at Laika and Aardman, concentrates his book on alternatives to puppetry and model animation: pixilation, collage, time lapse and other down-shooting techniques. The book is peppered with practical advice by top pros and animation artists like PES, Joan Gratz, Jim Blashfield, William Kentridge, Caroline Leaf, Dave Borthwick and others. An excellent reference and text book. If stop-motion is your thing, you
need this book.
Okay, this one really isn’t about animation – but it’s so much fun I know you’ll want it. Author Kirk Demaris (of
SecretFunSpot.com) has unearthed the secrets behind ALL those products sold in comic book and monster magazines of the 1960s and 70s. Remember the
X-Ray Spex and
Amazing Live Sea Monkeys? This book shows you what those products (and about 100 others) really were.
The Polaris Nuclear Sub (“Big Enough for Two Kids”) was apparently nothing more than a cardboard box; the
132 piece Roman Soldiers set was actually two thin pieces of plastic; and all that crap in the Johnson-Smith catalog was, well …crap!
Who knew? I was fooled too, back in the day – but this book is the real thing: hilarious fun and a rush of nostalgia. Loaded with reprints of the original ads and photographic evidence of their hilarious junkiness.
Mail Order Mysteries: Real Stuff from Old Comic Book Ads! is highly recommended!
And last but not least, Laurel and Hardy’s Animated Antics. I was informed of an earlier edition (above left) but by the time I tracked this down, a newer version (the “A-Z Edition”, above right) came out and I grabbed it. What is it? Well, it’s a little pocket-sized (4 1/2″ by 7″) paperback, 152 pages that obsessively documents any and all animated cartoons with Laurel and Hardy caricatures. Apparently the authors are members of The Sons of the Desert (the International Laurel and Hardy fan Club) and were determined to screen every appearance of Stan and Ollie as cartoon caricatures. They describe each cartoon and what the comedy duo does in it, illustrated with a frame grab if possible. In addition to all the golden age Hollywood cartoons you can think of, the authors also document all the Larry Harman/Hanna Barbera TV cartoons, all the Family Guy, Darkwing Duck, even Phienas and Ferb references, mentions of the characters in various TV cartoons… with crazy thoroughness. Do I recommend it? Begrudgingly Yes, if you are collecting books on cartoons or Laurel and Hardy; but unquestionably No, if you aren’t as obsessed with L&H as the authors (or I am).
On March 30th in Los Angeles, I will be curating a special selection of UPA cartoons at LACMA (The Los Angeles County Museum of Art) in conjunction with their ongoing exhibit, California Design. We will be celebrating the studio with ten newly restored 35mm prints courtesy of Columbia Pictures/Sony (titles will include ROBIN HOODLUM, ROOTY TOOT TOOT, THE JAYWALKER, GERALD McBOING BOING and others). Not only will I introduce the show, but my colleague Adam Abraham will be on hand to sign copies of his hot-off-the-press UPA history book, When Magoo Flew. We will also have copies of TCM’s new DVD collection, UPA Jolly Frolics on hand for purchase. The event, titled Madcap Modernism: Mid-Century Cartoons from UPA and Beyond will start at 7:30pm on Friday, March 30, 2012, in LACMA’s Bing Theater. General admission is $10. ($7 for LACMA members, seniors (62+), and students with valid ID; $5 LACMA Film Club members). Advance tickets are now on sale: call 323 857-6010 or purchase online. For more information visit the LACMA website. Several other surprises are being planned. Mark your calendar now – don’t miss this special cartoon event.
