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VIEW POSTS BY “jerry”Cartoon Brew's home for up-to-the-minute, unedited announcements and press releases direct from industry sources.
November 29, 2006 1:05 am
Here’s an oddity I just had to share. If you thought a live-action Flintstones was a bad idea, check this out. A live action Japanese ASTRO BOY movie (or TV show?) from the early 1960s, followed by a few seconds of a live action GIGANTOR film from the same period. Anyone know what year these clips are from? There are other clips from the GIGANTOR movie scattered on YouTube (here’s one and here’s another). But this Astro Boy footage is unique and hilarious. Maybe Cartoon Network ought to dig this up for their live-action Adult Swim block.UPDATE: Reader Charles Brubaker writes: Regarding the live-action “Astro Boy” clip you posted on Cartoon Brew. That was from the live-action TV show that came out BEFORE the anime version. It ran March 7, 1959 to May 28, 1960 on Fuji Television. 65 episodes were made. No Comments » posted in Old Brew November 29, 2006 12:01 am
![]() Our buddy Tee Bosustow has just started broadcasting a new radio show dedicated to classic animated cartoons. Toon In! … to the Masters of Animation airs weekly on Southern California’s KCLA 99.3 FM Sunday nights, 7:30pm -8pm. Tee writes in to tell us: We are having a little technical trouble with the radio shows themselves, so there is no way to listen to them yet on the web, but we should start getting them up on the site in the next week or so, then one a week for who knows how long.There is plenty of material on the website to explain the show in much more detail than this email. But, the main idea is to interview a different guest each week, who has something to do with animation, not just animators, but all sorts of people in the business. Since animation is largely a visual art, the companion site is there to show the listeners some of the guests’ art work, find out more about them, and enable visitors to contact them, either through our email address, or in some cases, directly with the guest themselves. We have also started a campaign to bring some sponsors aboard, who are in the animation field, schools, producers, festivals, and the like, and we have a page just for them, because presumably they will be as interesting as some of the guests, to our listeners. The first five shows are:Show #1: Tom Roth – Air Date: Nov 26. No Comments » posted in Old Brew November 28, 2006 12:01 am
![]() Here’s a new item that needs to be on every Brew readers’ X-mas wish list. Screen Archives Entertainment/Film Score Monthly has just released a limited edition Scott Bradley CD soundtrack Tom and Jerry, and Tex Avery Too! Vol. 1: the 1950s. This goes on the shelf next to the classic Carl Stalling Project CDs – as the same loving care went into this long overdue package. You get two CDs filled with some of Bradley’s greatest scores (just the music – no dialogue or sound effects) from MGM cartoons of the 1950s. These particular scores were recorded on magnetic film and have been restored with a clarity you’ve never heard before. Nine (of the twenty-five scores) were originally recorded in stereo and, to quote the liner notes, “the sound quality of these shorts is breathtaking”. Even if you know these films by heart, you’ll be particularly amazed by the scores for lesser cartoons like DOWNBEAT BEAR, BARBEQUE BRAWL and TOT WATCHERS. His Avery tracks (like CELLBOUND, BILLY BOY and DEPUTY DROOPY) are revelations. And the Tom & Jerrys are pure genius.Speaking of the liner notes, Daniel Goldmark (who produced the CD with Lukas Kendall) wrote the 24-page illustrated booklet giving a thorough history of MGM music, Scott Bradley and his relationship with Hanna, Barbera and Avery, notes on the guest musicians, singers and the musical choices – as well as specific production notes for all 25 tracks. This booklet – and Shug Fisher’s vocal track for Pecos Pest – are worth the price of the CD alone!This is a must-have. Bradley was one of the greats, but his work has been overshadowed in recent years by Carl Stalling’s memorable and pioneering scores for Disney, Iwerks and Warner Bros. This CD set will help put things in perspective.You have been warned: Only 3000 copies of this incredible CD have been pressed. I highly recommend you order it right now! No Comments » posted in Old Brew November 25, 2006 2:10 pm
![]() In the 1950s it was comic books and rock & roll, in the 1990s it was video games and the internet. Now Steven Benen on The Carpetbagger Report.com recounts the numerous warnings against Dreamworks’ Shrek 2 and Shark Tale, Nick’s Spongebob Squarepants and PBS’ Postcards From Buster. And now Happy Feet joins the legion of Hollywood films apparently brainwashing our youth. Not only that, the Parents Television Council, a watchdog group, is preparing to boycott Comedy Central’s Drawn Together (according to this article on adult animation in Multichannel News). We agree with Steve Benen’s conclusion: “They’re just cartoons. It’s probably time for a priority check.” No Comments » posted in Old Brew November 22, 2006 11:20 pm
![]() Animator Nancy Beiman (of the Rochester Intitute of Technology) sent in this first hand report from 2D OR NOT 2D FESTIVAL held in Everett Washington from November 17-19. RIT’s character animators took all but one of the top prizes for student films at the 2D or Not 2D Animation Festival. Tony White originated the idea of giving awards to animation in a film as well as for the film itself, so that good animation could be judged independently of the story.The festival featured screenings of restored prints of ANIMAL FARM, retrospectives of Tony White’s work, a tribute to Halas and Batchelor, and many other surprises. Keynote speaker Roy Disney (pictured above with Steamboat Willie)stated that he wished to “refute that ridiculous statement of Michael Eisner’s that 2D was dead. It is not dead, and the statement is not true.” Mr. Disney presented a wonderful series of Disney short films inlcuding LORENZO and the Salvador Dali-Walt Disney coproduction DESTINO, and generously donated the use of the audiovisual equipment used for the rest of the festival entries. Eric Goldberg’s latest animation for a Buddhist theme park, featuring greedy monkeys, was another high point of the festival.Films in competition were sent from as far afield as Germany and Wales, with East and West Coast animation schools well represented (though Cal Arts and Ringling were surprisingly absent–we’ll get them to participate next year!)”Golden Pencils” were won by RIT seniors Brittney Lee, Joseph Daniels, and Jedidiah Mitchell, with Merit Awards given to graduate student Adam Fisher and sophomore Wesley Storhoff. Some of their prizewinning RIT films from the 2D or not 2D festival are available online.You can view Brittney Lee’s THE MUSICAL GENIUS OF MOZART MCFIDDLE (Winner, Best Animation in a Student Film with Special Merit for Art direction). Merit Award winner THE BALLAD OF THE PURPLE CLAM, is (partly) here: Adam Fisher’s advisor was Tom Gasek (of Aardman, now of RIT). Joe Daniels and Jed Mitchell won the Best Student Film award for THE WAY OF THE MANTIS, tied with A MANO (from VanArts) Even though MANTIS appears to be hand drawn, it is in fact a CGI film that is rendered to look like paintbrush work–the students designed the plug-in for Maya themselves. Merit Award winner Wes Storhoff’s THE INFINITE MONKEY THEOREM is not online, but it’s hilarious–the young man produced it in Nancy Beiman’s ‘one quarter project’ class, which lasted ten weeks. One of my students, Nathaniel Hubbell, sadly did not enter his film, Pygmalion Dreams, but it’s gorgeous. He also made a strange little film called DINNER (both made under my supervision).All of these students save Adam Fisher were my advisees and most have allowed me to use their preproduction artwork to illustrate sections of my book, which is now available for preorder on amazon.com. A special Golden Pencil Award was also awarded to their teacher. I was certainly not expecting that! The festival was well attended and we hope that it will be even ‘bigger’ next year. (Photo courtesy of Mark Gittman) No Comments » posted in Old Brew November 21, 2006 9:15 am
![]() Did you know Charlie Brown’s parents were organ donors? When Charles M. Schulz agreed to using Peanuts characters for MetLife’s brochures, there were unexpected consequences.It’s one of many strange moments in Peanuts history noted for posterity in a new post, 5 Lamest Charlie Brown Cartoons, on the 10 Zen Monkeys blog. There’s five YouTube clips documenting several oddball Peanuts moments from 40 years of Charlie Brown animation. (Snoopy as Flashbeagle; Charlie Brown shilling for Cheerios; et al). Needless to say, these clips (and the commentary by blogger “Destiny”) are a lot funnier than last night’s new Peanuts special, He’s A Bully, Charlie Brown. No Comments » posted in Old Brew November 20, 2006 4:19 pm
![]() The San Francisco Society of Illustrators is letting everyone know about the event PIXAR UNDER THE HOOD: The Making of Cars happening a week from Friday at Morgan Auditoruium.PIXAR UNDER THE HOOD: The Making of Cars (and a few other things) No Comments » posted in Old Brew November 20, 2006 10:20 am
![]() Dan Hollis has been working in radio for the past 10 years as both the sales manager for Hackettstown, New Jersey radio station WRNJ and co-hosting a radio program with his colleague, Jeff O’Boyle. The show is called Time Travel and it’s dedicated to pop culture and nostalgia. The show is primarily interviews with celebrities, with the focus on television, film, old time radio, comic books and of course, animated cartoons. Recent guests have included: Paul Winchell, Katie Leigh, Mel Stuart, Noel Blanc, Lee Mendelson, George Carlin, June Foray, Scott Shaw, Micky Dolenz, Marty Krofft, Robert Sherman (Allan’s son), Phil Vischer, Joe Kubert and others. The good news is that Dan has posted many of his previous interviews on a work-in-progress website entitled Time Travel Is Possible. Good stuff. No Comments » posted in Old Brew
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