TODAY: Jerry on “Stu’s Show”

Once again I will be the guesting on Shokus Internet Radio’s Stu’s Show today at 7pm Eastern / 4pm Pacific. This is your rare opportunity to ask me live and in-person about Cartoons, Cartunes or even Kartunes.

Scheduled topics we hope to tackle include Looney Tunes and Tom & Jerry on Blu-Ray, the Animated Features Oscar race, Harveytoons on DVD, Seth MacFarlane’s Flintstones and as always, whatever the listeners want to talk about. You are encouraged to call in your questions and comments on the station’s toll-free telephone number – or better yet, email your questions to: comments-at-shokusradio.com.

Stu’s Show airs live each Wednesday at 4:00 p.m. PST, with rebroadcasts at the same time each day through next Tuesday August 16th. Access to the station’s feed is free, with no registration required, and is available either by clicking on the Enter Site button on the home page (www.shokusradio.com), by choosing one of the audio player links on the site’s main page.

FOR SALE: Pixar’s “Up” House

Apparently Disney gave their okay to a local Herriman, Utah (love the town’s name!) builder, Bangerter Homes, to construct a replica of the house in Pixar’s Up. The asking price is $399,000. The house comes with a home theater downstairs and two bedrooms in the basement – one pays homage to the Disney princesses, while the other is Andy’s room from the Toy Story films.

Here’s a video tour:

Corny Cole (1930-2011)

Beloved animator, graphic artist, book illustrator, painter and teacher Cornelius “Corny” Cole has passed away. His close friend, animator Bob Kurtz, confirmed to us that Corny died this morning. Cole was reportedly 81 and had been suffering with MSA (Multiple System Atrophy).

Cole was born and raised in Southern California and was a fine art major at the Chouinard Art School. He entered the animation industry in 1954 as an in-betweener on Disney’s Lady & The Tramp. He went on to work for UPA in the latter ’50s, then for Warner Bros. Cartoons in the early ’60s. He became a production designer for Chuck Jones on Gay Purr-ee (1962) and The Phantom Tollbooth (1969) and designed Super Six (1966) and Ant & The Aardvark (1969) for DePatie-Freleng.

Gene Deitch’s new blog

It’s Gene Deitch’s 87th birthday today – Happy Birthday, Gene! – and to celebrate, Deitch has started a new blog based around his latest book, a work-in-progress, called Roll The Credits.

For the few reading this unaware of Gene’s career, Mr. Deitch is an Academy Award winning (Munro, 1960) animation director who began his career at UPA where he ultimately ran the New York studio directing Bert and Harry Piels commercials, ran the Terrytoons studio where he created Tom Terrific and Sick Sick Sidney, moved to Prague in 1959 where he directed Tom & Jerry shorts for MGM, Popeye and Krazy Kat TV cartoons for King Features and Nudnik theatricals for Paramount. He spent many years directing animated films for Weston Woods, including an adaptation of Where The Wild Things Are. And that’s just the tip of the iceberg. Oh, and he’s the father of acclaimed underground cartoonist Kim Deitch.

Gene’s new blog will (on a somewhat regular basis) post chapters from the new book, each one devoted to a person who inspired him, “the 65 freaky people – many who have been so far hidden from you – who’ve pushed and prodded me into whatever it is that I’ve accomplished.” The first posts are devoted to his mentor John Hubley, author-illustrator Tomi Ungerer, filmmaker Jan Svankmajer and his mother, Ruth. Gene says this about the book and website:

I’ve tried to keep it light, bright, and short-winded where possible, but a couple of chapters are necessarily semi-sagas. Please cue me if I induce boredom! It’s a “Living Book” because YOU are invited to correct, add, deny, refute, or argue with anything I’ve written. Sadly, many of the people I’ve written about have gone beyond the point of no return, so it’s up to you to challenge my memory. A true history is the goal.

It sounds like a present to all of us who love Gene and the history of animation. Here’s to Gene Deitch, his new blog and our best wishes for his continued success and good health. Happy Birthday, Gene Deitch!

For Sale: Rare Disney acetates

Several decades ago, a collector named Mary Rose acquired a collection consisting of some very rare (possibly one of a kind) Disney production recordings from the estate of studio musician, percussionist Hal Rees. These are the acetate discs animators used to animate to. Most of these recordings are dated between 1937 and 1940 and are from such films as Dumbo, Reluctant Dragon and The Little Whirlwind. The recordings have been very well cared for and preserved – and contain early versions of Disney songs, sound effect tests and audio of directors comments made during early stages of production and offer a unique audio glimpse behind the scenes.

Now Mary is interested in selling all or part of this collection to the proper buyer. To me, that would mean a buyer willing to make this material accessible to all of us interested in hearing it. If you might be interested in purchasing one or all of these pieces of Disney history, check out Mary’s website and contact her directly at maryerose2-at-yahoo.com (this email address is better than the one listed on her site). May the best collector win (and share these with us)!

“Gulp” by Sumo Science

Gulp is a short stop-mo animation created by “Sumo Science” (Ed Patterson and Will Studd) for client Aardman Animations. The film has broken a world record for the “largest stop-motion animation set”, with the largest scene stretching over 11,000 square feet. It was shot frame-by-frame on location on a beach in South Wales, using the camera on a Nokia N8 smart phone. But even more inspiring than the film itself (embed below) is the making-of video (click here).

(Thanks, Craig Yoe and Simon Acosta)

The Battle Over Who Created “He-Man”

Toy Masters is a feature-length documentary (currently in production) on the story behind the toy line and animated series, He-Man and the Masters of the Universe. In addition to interviews with all the principals behind the toys and Filmation cartoon, the preview below contains the central conflict of the film – the stories of toy designers Roger Sweet and Mark Taylor, both of whom claim to have created He-Man:

Forthcoming Anime

Momo E No Tegami (A Letter To Momo) from director Hiroyuki Okiura (Jin-Roh) will open in Japan during next spring’s Golden Week holidays. Okiura spent seven years planning, writing, storyboarding, and directing the film. Masashi Ando (Princess Mononoke, Spirited Away) is overseeing the animation process. Among the animators on the team are Toshiyuki Inoue (Akira), Ei Inoue (The Cat Returns), Takeshi Honda (Evangelion 2:0), Tetsuya Nishio (Ghost In the Shell 2), and Hiroyuki Aoyama (Summer Wars). Hiroshi Ohno (Kiki’s Delivery Service) is serving as art director.


Here’s a second, longer trailer from Studio Ghibli’s From Up On Poppy Hill, which opened in Japan on July 16th. Directed by Hayao Miyazaki’s son Goro (Tales from Earthsea).

(Thanks, Ben Price)

Popular Mechanics on Hanna Barbera (1960)

Here’s another one of those wonderful articles from Popular Mechanics magazine (September 1960) explaining the tricks behind creating animated cartoons: “TV Hit From A Cartoon Factory” by Thomas E. Stimson, Jr.

The piece includes a Huckleberry Hound storyboard sequence, character mouth chart and some great behind the scenes photos. Check out Carlo Vinci animating on the article’s second page (page 121). Read the whole piece through this link to Google Books.

(Thanks, Wynn Hamonic)

New Brew Revue

Spent the weekend going over some new book acquisitions (and one DVD) and surprise! most were pretty good – and a couple were really great. Here’s what I’ve been reading (and viewing), in no particular order:

Funny Pictures: Animation and Comedy in Studio-Era Hollywood (University of California Press), edited by Daniel Goldmark and Charlie Keil, is a fascinating collection of essays by noted animation historians and academics, exploring the link – from the outset of the medium to today – between comedy and animation. Fourteen pieces in all, including J.B. Kaufman comparing Disney’s characters to Chaplin and silent comedians; Mark Langer putting Fleischer’s early films in context to Vaudeville and comic strips of the era; Donald Crafton observing the effect of Hollywood cartoons on Depression era audiences; Linda Simensky on the influences of classic cartoons and earlier animators on the TV cartoon creators of today; and Daniel Goldmark writing about “funny music” in funny cartoons. This one is aimed at the scholarly – but is highly recommended (by me) to all!


Krazy Kat & The Art of George Herriman, A Celebration by Craig Yoe (Abrams Comic Arts). Another Krazy Kat comics compilation? Not quite. In fact, not at all. Once again comics archaeologist Yoe has unearthed a treasure trove – this time of all things Herriman and Krazy. And once again I’ll say that even if you know nothing about Herriman and his most famous creation, you MUST buy this book. If you love great cartooning, funny drawings, and 20th Century pop culture this is a absolute gotta-have-it volume. It is an absolute joy to leaf through these pages filled with rare unpublished Herriman art – in comics, paintings, doodles, merchandise, etc. This is a companion volume to all the incredible Herriman material now being reprinted – a collection of jaw-dropping “bonus material” (as we say in the DVD world) that even includes several pages devoted to the Charles Mintz animated cartoons of the 20s and 30s. The artwork overwhelms the reader, yet Yoe tops that by including several rare essays on the Kat from the likes of E.E. Cummings, Gilbert Seldes, Bill Watterson, Craig McCracken and Herriman’s grand daughter Dee Cox, among others. I’ve run out of space to continue raving. Only have room for four more words: Buy this book now!


The Saga of Rex by Michel Gagne (Image Comics). I figure there are two types of people out there: those who know the work of Michel Gagne, and those who don’t. Those who do should already have this graphic novel (it came out late last year and I’ve been remiss at plugging it here). If you don’t have it – get it. What a beautiful “trip” this is. This is pure Gagne psychedelia unleashed on 190 color pages. If you don’t know Gagne’s work – he’s an amazing special effects animator (The Iron Giant, among others), currently living in the Pacific northwest doing his own thing when he isn’t animating or designing games…. The Saga of Rex will introduce you to his world in the best possible way. Don’t let the cute l’il furry cover fool you, this is a mind-blowing sci-fi adventure; visual storytelling at its best; and highly recommended!


The World of Smurfs: A Celebration of Tiny Blue Proportions by Matt. Murray (Abrams Image). What’s more surprising than a first place box-office win for The Smurfs movie? This book! Self described “Smurfologist” Matt. Murphy (former president of New York’s Musuem of Comics and Cartoon Art – and a student in my 1996 History of Animation class at NYU) has put together an informing and entertaining history of the Peyo, his comic strip and all the subsequent animated adaptations. Lavishly illustrated with pull outs (like my The Hanna Barbera Treasury) that include facsimile reproductions of the first “Schtroumpfs” booklets, cels, model sheets, stickers, et al. It’s the ultimate word on the whole Smurfs phenomenon. I never thought I’d say this, but I highly recommend this book. It’s a lot of fun.


Uncensored Animation #2: Cannibals! by Steve Stanchfield (Thunderbean Animation). Stanchfield does it again! He’s just released his latest DVD compilation of classic cartoon obscurities, and I hereby order you to buy it. Here’s the link. You will not be disappointed. This time Steve’s collected the rarest, most obscure cartoons based around the theme of Man-Eating Cannibals. Warning: much of this material is Politically Incorrect. These are rare cartoons from the 1920s, 30s and 40s, from various studios, lovingly preserved in their best possible presentation. Oddities include Korn Plastered In Africa (1931) narrated by radio’s Uncle Don, Chiquita Banana and the Cannibals (1947) by Hugh Harman, and Aroma of the South Seas (1926) with Mutt & Jeff paired with its rare 1931 color/sound remake. Incredibly strange and incredible fun. Highly recommended.


And finally, Animators of Film and Television: Nineteen Artists, Writers, Producers and Others by Noell K. Wolfgram Evans (McFarland & Company), is a book that can best be used by students as basic text to get a grasp on key figures in animation history. As a teacher of animation history myself (currently at Woodbury University in Burbank) I’m well aware that good text books (in print) are hard to find at this time. In this book, author Evans essentially reviews the career highlights of nineteen key figures – including John Hubley, Max Fleischer, Frank Tashlin, Art Babbit, Matt Groening and John Kricfalusi. Notably absent are Walt Disney (intentionally according to the introduction), Chuck Jones, Tex Avery and Bob Clampett. If you are a longtime fan and have the essential histories and bios, you don’t need this one. Still, this is a worthwhile primer for the interested novice, animation student or casual enthusiast.

“The Exhibitionist” by Mark and Kent Osborne

Visiting a museum on a weekend is a great thing to do. And thanks to brothers Mark Osborne (More and Kung Fu Panda) and Kent Osborne (Adventure Time, Spongebob Squarepants) you can do so in less than five minutes. Created in an improvisational fashion during three days at the museum, this pixilated short takes a journey through Los Angeles’ Museum of Contemporary Art (MOCA), through its current exhibition Art in the Streets with works by Banksy, Rammellzee and Kenny Scharf.

“The Smurfs” talkback

Guess what opens today? They are small and blue and The Los Angeles Times says their film is “…grating and cloying. This misguided attempt at a 3-D family comedy is a project even Neil Patrick Harris can’t save.

The New York Times says “the movie frequently reminds us that the gimmick of little creatures scurrying about in the human world (Toy Story, Gnomeo and Juliet) is pretty worn out. But on a hot summer day, The Smurfs is a decent enough excuse to haul the little ones into an air-conditioned theater.”

Comments below are open only to our readers who have seen the film and wish to offer their reactions and reviews.