A new book explores the original, un-Disney-like goals of Pixar’s first feature effort.
Author: Neil Emmett
Barney Rubble with green toenails, Yogi Bear mass graveyards, fake Charlie Browns: welcome to the weird wide world of cartoon merchandising!
A new book seeks to remedy the lack of English scholarship on China’s contribution to the medium.
A new edition of “The Anime Encyclopedia” aims to cover anime more comprehensively than ever before. Does it succeed?
I regret starting this review on a negative note, but it should be said that “Anime Fan Communities” is not the most accurately-titled book. Author Sandra Annett takes international anime fandom as her starting point, but she ends up engaging with a much wider range of topics.
Cartoon Brew speaks to director Greg McLeod about “365,” a new short with an unusual concept.
Bit by bit, overtly gay characters are making inroads into animation targeted primarily at children, but the fear of gay cartoon characters has existed for years.
One of the most interesting things about the new “Judge Dredd: Superfiend” online mini-series is how it straddles the line between fan work and official product.
The BBC published a video report on a new animation initiative in Africa that aims to nurture new talent from around the continent.
British TV networks wanted to find the next “Simpsons” and “South Park,” but things didn’t go quite as planned.
Aardman’s first star, Morph, has returned in a new series of Kickstarter-backed YouTube shorts.
Based on Michael Bond’s 1958 children’s book “A Bear Called Paddington,” the live-action/CG hybrid “Paddington” tells the story of a Peruvian bear who finds himself living in London. The film will be released on November 28, 2014 in the Uk, followed by a Christmas Day release in the United States by the Weinstein Company/ Dimension Films.
Based on Michael Bond’s 1958 children’s book A Bear Called Paddington, the live-action/CG hybrid Paddington tells the story of a Peruvian bear who finds himself living in London. The film will be released on November 28, 2014 in the Uk, followed by a Christmas Day release in the United States by the Weinstein Company/ Dimension Films.
Poor Garfield. In his heyday, he was amongst the most beloved characters on the funny pages, his plush likenesses fastened to car windows and his sarcastic barbs adorning office walls around the globe. Then, somewhere along the line, he underwent a pop-cultural re-evaluation. Jim Davis’ strip is now something of a pariah: just look at how “The Simpsons” paired it with “Love Is” as the kind of strip that Milhouse reads. What a comedown for a character once hip enough to be quoted in “Two Tribes” by Frankie Goes to Hollywood. But yet, the orange cat has been saved from cultural oblivion by a peculiar trend: the remixed “Garfield” strip.
The world of animation software is dominated by a handful of industry-standard titles. However, the margins are dotted with more specialized pieces of software, often designed for animators who prefer to work outside the demands of studio production. One such program is Animake It, a piece of software that aims to provide an accessible animation experience that ties in with current trends in online content.
I can remember looking at anime titles in British video catalogues back in the nineties; as the pastoral fantasies of Hayao Miyazaki would not reach prominence in this country until the new millennium, UK distributors placed a strong emphasis on futuristic thrillers. The films of Mamoru Oshii certainly fit that bill.
There are big developments in the UK animation industry in the wake of a much-heralded tax break received by the British animation industry that went into effect last year. Sarah Smith, the former creative director of features at Aardman Animations, is setting up a studio named Locksmith Animation. She bills it as the UK’s “first high-end CGI feature animation studio,” and it is focused on creating a long-term slate of films for worldwide distribution.
On Sunday April 13, as part of the Bird’s Eye Film Festival, the Barbican art centre in London is set to hold an event to mark the centenary of animator Joy Batchelor. Speaking at the event will be Joy’s daughter Vivien Halas; author and former Channel 4 commissioning editor for animation Clare Kitson; BFI animation curator Jez Stewart, and film critic Brian Sibley, whose work includes books on Disney and Aardman.
Dolphin Burger Studios, a workshop for disabled artists and animators in Brighton, England, has produced a fan-remake of the memorable stop-motion music video for Peter Gabriel’s “Sledgehammer.”
Starting out as a side character in the Wallace and Gromit short “A Close Shave” (1995), Shaun the Sheep became an unlikely franchise star. After getting his own line of merchandise and a spin-off television series (which was popular enough to spawn its own spin-off, “Timmy Time”) Shaun is set to become the subject of Aardman’s next feature in spring 2015. The film currently doesn’t appear to have a U.S. distributor.
A complete list of British Animation Awards winners with links and videos.
Jonathan Clements’ “Anime: A History” differs greatly from more populist overviews of anime available in the English-language market. This book is not about the anime texts themselves, but the surrounding industry: Clements delivers a tightly-packed account of anime production, distribution and viewership from the silent era to the present day.
The winners of the 2014 BAFTA film awards were announced today.
The biennial British Animation Awards have announced their slate of nominees for 2014.
Three animated features and three shorts were nominated today for the 2014 BAFTA Awards.
Late last year, we lost two noted animation talents from the United Kingdom: Harold Whitaker and Richard Taylor. We remember their contributions to the art form.