"Arrietty" Will Be Ghibli's Biggest US Release Yet
How Much is a Ward Kimball Painting Worth?
"The Space Stallions"
My Favorite Super Bowl Commercial
and you’d be wise to add 
to your library as well. Didier has provided us some excerpts from the new book, offering a glimpse of the hundreds of stories that can be found in the book. Read them after the jump.
by Tom Bancroft, foreword by Adam Hughes (Focal Press). 
by Christian Gasser (Benteli Verlags).
by Josh Kushins (Disney Editions). Artwork from the first live-action feature by Andrew Stanton (Finding Nemo, Wall-E). Not necessarily animation-related but of likely interest to fans of Stanton’s Pixar films.
by Adam Abraham (Wesleyan University Press). Read 
by Jayne Pilling (Wallflower Press). British animation historian Jayne Pilling has also compiled a 
by Sheldon Cohen (ECW Press). 
by Robert McKimson Jr., foreword by John Kricfalusi (Santa Monica Press). 
by Ray Harryhausen and Tony Dalton, foreword by John Landis (Aurum Press).
by Rolf Giesen and J. P. Storm (Mcfarland & Co.)
by Jenny Lerew (Chronicle Books) 
written by Alec Sulkin, Artie Johann, and Michael Desilets, and illustrated by Joe Vaux and Dominic Bianchi (Chronicle Books). It’s described as an “R-rated picture book of jokes” by writers and artists who work on Family Guy. Expect 
by Charles Solomon (Disney Editions)
by Pete Docter (Disney Editions)
Full Steam Ahead: The Life and Art of Ward Kimball by Amid Amidi, foreword by Brad Bird (Chronicle Books). This is my own book, which I’ve been working on for the past five years. I 
. There’s a paragraph in the book where he quotes extensively from readers who commented on 
actually makes me want to read the book. The After Effects animation was done by 
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TAG FOR “Books”Cartoon Brew's home for up-to-the-minute, unedited announcements and press releases direct from industry sources.
February 11, 2012 12:05 am
I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week. Says Gagné:
That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley. Gagne writes more about why he wanted to do this project, and how he did the restorations on his website. I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel! 6 Comments » posted in Books, Comics, Michel Gagne 
February 2, 2012 4:07 am
I’ve nearly wrapped up my Ward Kimball biography, but to get it just right, I need a handful of images related to his key characters. Please get in touch, if you can provide a hi-res scan of photostat models or animation drawings related to the following characters: * Matador from Ferdinand the Bull
Comments Off posted in Books, Ward Kimball
January 26, 2012 12:55 am
Over the last seven years, with quiet persistence and unwavering dedication, French animation historian Didier Ghez has been publishing one of the most important animation history documents of our time. His book series, Walt’s People: Talking Disney With The Artists Who Knew Him, is an incredible accomplishment that casts new light onto the operation of the Walt-era Disney Studios. Each edition of this ever-growing interview anthology series reprints rarely seen and unpublished interviews with Disney artists, both famous and unknown. Didier’s newest volume, the eleventh in the series, is also the largest to date, weighing in at over 600 pages. The historians who have contributed interviews are a who’s who of Disney research royalty. The volume is expansive and extends to a handful of contemporary figures who didn’t personally know Walt (Ed Catmull, Brad Bird, Glen Keane), but who have absorbed the Disney tradition into their work. In fact, the sheer scale and scope of this volume guarantees something for everybody. The interview subjects are Ray Aragon, Frank Armitage, Brad Bird, Carl Bongirno, Roger Broggie, George Bruns, Ed Catmull, Don R. Christensen, Andreas Deja, Jules Engel, Joe Hale, John Hench, Mark Henn, John Hubley, Glen Keane, Ted Kierscey, Ward Kimball, I. Klein, Mike Lah, Eric Larson, Ed Love, Daniel MacManus, Tom Nabbe, Carl Nater, Dale Oliver, Walt Pfeiffer, Jacques Rupp, David Snyder, Iwao Takamoto, Shirley Temple, Frank Thomas, Ruthie Tompson, and Richard Williams. Walt’s People #11 is available for $25 on Amazon 5 Comments » posted in Books, Disney, Didier Ghez, Walt's People
January 9, 2012 9:28 am
Since posting our 2012 animation book preview, I’ve updated the list with additional titles, and one of those books deserves its own post. It’s being released this winter in honor of the 75th anniversary of Disney’s first feature Snow White and the Seven Dwarfs. The title of the book is The Fairest One of All: The Making of Walt Disney’s “Snow White and the Seven Dwarfs” and the author is the esteemed J. B. Kaufman, whose earlier books South of the Border With Disney and Walt in Wonderland: The Silent Films of Walt Disney (with Russell Merritt) are highly valued for their original research and thoroughness. In Kaufman’s able hands, this book has easily moved to the top of the heap as one of my most-anticipated animation books of 2012. The book will be published by the Walt Disney Family Foundation Press, and it will be accompanied by an exhibition of Snow White artwork at the Walt Disney Family Museum in San Francisco, currently scheduled to open in November. 18 Comments » posted in Books, Classic, Disney, J. B. Kaufman, Snow White and the Seven Dwarfs, Walt Disney Family Museum
December 30, 2011 6:45 pm
The future of animation books, like the rest of the publishing industry, isn’t rosy. Page counts and print runs are shrinking, and publishers seem more reluctant than ever to take risks with unconventional subject matter. Despite the uncertainty, there is still a fairly promising line-up of animation-related titles being released in 2012, including a much-needed biography of the McKimson brothers (most notably Bob, but also Chuck and Tom), the definitive history of UPA, and an intriguing flipbook project by Up and Monsters, Inc. director Pete Docter. My list below is by no means complete. Publishers still haven’t released their winter ‘12 titles, and others books will certainly pop up throughout the course of the year. If you know of other animation-related titles coming out in 2012, please comment below. FEBRUARY 2012 Book description: You’ve researched your character extensively, tailored her to your audience, sketched hundreds of versions, and now you lean back content as you gaze at your final character model sheet. But now what? Whether you want to use her in an animated film, television show, video game, web comic, or children’s book, you’re going to have to make her perform. How a character looks and is costumed starts to tell her story, but her body language reveals even more. Character Mentor shows you how to pose your character, create emotion through facial expressions, and stage your character to create drama. Author Tom Bancroft addresses each topic with clear, concise prose, and then shows you what he really means through commenting on and redrawing artwork from a variety of student “apprentices.” His assignments allow you to join in and bring your drawing to the next level with concrete techniques, as well as more theoretical analysis.Character Mentor is an apprenticeship in a book. Professional artists from a variety of media offer their experience through additional commentary. These include Marcus Hamilton (Dennis the Menace), Terry Dodson (X-Men), Bobby Rubio (Pixar), Sean “Cheeks” Galloway (Spiderman animated), and more.
Book description: Swiss animated film is currently in one of its most productive, ambitious and successful historical periods. Never before have so many films been made and never before have these films enjoyed such international success. At the centre of animation.ch are conversations with 20 film makers who represent the variety and uniqueness of Swiss animated film – from short author films to children’s productions, from television series to feature film projects, not to mention art and commercial productions. animation.ch explores the development of Swiss animated film over the last 20 years, examines current trends and looks at what’s to come in the future. With Georges Schwizgebel, Jonas Raeber, Samuel and Frédéric Guillaume, Ted Sieger, Yves Netzhammer, Claudius Gentinetta, Claude Barras, Isabelle Favez, Jadwiga Kowalska, Rafael Sommerhalder, Adrian Flückiger, Marina Rosset, Basil Vogt, Dustin Rees, Zoltán Horváth,Izabela Rieben, Maja Gehrig, Anne Baillod, François Chalet and Claude Luyet. MARCH 2012
Book description: One of the most beloved stories of all time—The Hockey Sweater—is celebrated in this heartfelt recollection. Reflecting on the original short story and mortifying real-life moment that started it all, the account relates how the resulting film is as much about childhood emotions and the desire to fit in as it is about hockey, the clash of cultures, and a harkening to bygone times. Canada’s tireless devotion to the film is illustrated, emphasizing how it is also loved by many more around the world. Delving into the artist’s notebooks, photographs, and memories, this record recreates the movie’s entire development, journeying back to the people and places that inspired its original imagery. The director’s additional films and illustrations are also explored, chronicling a 40-year career and providing rich insights into the creative process. MAY 2012 Book description: The first survey dedicated to the work of the McKimson brothers, this book offers a rare behind-the-scenes look at the upper echelon of 20th-century animation and examines the creative process behind the making of numerous popular characters and classic programs. Featuring original artwork from the golden age of animation, this book includes a wealth of material from many professional archives—screen captures, original drawings, reproductions of animation cels, illustrations from comic books, lobby cards, and other ephemera from the author’s collection—while surveying the careers of three groundbreaking animators whose credits include Looney Tunes, the Pink Panther, and Mr. Magoo. Beginning in the 1920s and then tracing the brothers’ work together at Warner Brothers Cartoons in the following decades, this history details Robert McKimson’s creation of such beloved characters as Foghorn Leghorn, the Tasmanian Devil, and Speedy Gonzales; Tom McKimson’s work at Warner Brothers, Dell Comics, and Golden Books; and Chuck McKimson’s long career working in comic books and then later at Pacific Title, creating animated film titles and commercials, including his award-winning work on Music Man, Cleopatra, and The Sound of Music.
Book description: Designed in the form of a scrapbook, this visual feast for Harryhausen fans reveals models from unrealized projects, such as dinosaurs from the unfinished film Evolution; prints of outtakes from various films; early concept drawings and storyboards; color transparencies of Ray at work; written artifacts such as letters, production budgets, and a diary that details Ray’s first meeting with his mentor Willis O’Brien; early film treatments and script extracts; publicity posters and brochures; and more. Some items show Ray’s earliest artistic endeavors such as watercolors painted when he was 15 years old and marionettes of creatures from King Kong that he made when he saw the film in 1933. The result is a treasure trove of rare artifacts and material which not only offer new insights into how Ray created particular effects, but bring the worlds of his films to life in a new way and paint a fascinating visual portrait of the man himself and his creative imagination.
Book description: Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study explores Hitler and Goebbels’ efforts to establish a German cartoon industry to rival Walt Disney’s and their love-hate relationship with American producers, whose films they studied behind locked doors. Despite their ambitious dream, all that remains of their efforts are a few cartoon shorts–advertising and puppet films starring dogs, cats, birds, hedgehogs, insects, Teutonic dwarves, and other fairy-tale ensemble. While these pieces do not hold much propaganda value, they perfectly illustrate Hannah Arendt’s controversial description of those who perpetrated the Holocaust: the banality of evil. JUNE 2012
AUGUST 2012 SEPTEMBER 2012 FALL 2012 Part of a Complete Breakfast: Cereal Advertising Characters of the Baby Boom Era by Tim Hollis (University Press of Florida). The Fairest One of All: The Making of Walt Disney’s “Snow White and the Seven Dwarfs” by J. B. Kaufman (Walt Disney Family Foundation Press).
22 Comments » posted in Books, Cartoon Modern, Ward Kimball, Brave, Jim Henson, John Carter, Pete Docter, Ray Harryhausen, Robert McKimson, Toy Story, UPA
December 25, 2011 1:00 pm
Despite our moderation efforts, the comments section on Cartoon Brew can occasionally feel like a free-for-all. However, we also recognize the value of providing this forum. Readers feel comfortable and safe to comment about the animation industry in ways that they don’t anywhere else on-line. I was reminded of this when I took a look at Ross Perlin’s timely expose Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy Illegal internships are a major issue in the animation industry and I hope to address this topic in greater depth in the coming year. Too many employers abuse the concept of internships, and make interns perform demeaning tasks that don’t pertain to the industry, or use interns for extended periods of time to perform tasks that they would otherwise have to pay staffers to do. Entry-level animation artists in New York are worse off today than anytime in the past twenty years, not just due to internships, but also because of minimum-wage positions for artists that have pushed salaries down to 1980s levels. The current situation is untenable in the long term and needs to be addressed openly. Reading Perlin’s book looks to be a good first-step for any college student who is considering an internship and wants to protect themselves from being exploited by unscrupulous studios. 36 Comments » posted in Books, Ideas/Commentary, Intern Nation, Internships, Ross Perlin
December 17, 2011 11:31 am
This smartly crafted book trailer for Patrick Ness’s YA novel A Monster Calls (via Super Punch) 1 Comment » posted in Books, A Monster Calls, After Effects, Eric Guémise, Jim Kay
December 15, 2011 10:44 am
Brew reader Tim Hodge points out that Stuart Ng Books has published a Pres Romanillos sketchbook. Romanillos, who animated at Disney and DreamWorks, passed away in July, 2010 following an extended battle with leukemia. According to Stuart’s website:
The 32-page book is limited to 1,000 copies and sells for $15 on Stuart Ng’s website.
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