"Arrietty" Will Be Ghibli's Biggest US Release Yet
How Much is a Ward Kimball Painting Worth?
"The Space Stallions"
My Favorite Super Bowl Commercial
, an important collection of color scripts from Pixar features and shorts. I haven’t seen the book yet, but those who have tell me it’s a handsome looking volume. 
Never judge a book by its cover – especially the one pictured at left. The artwork inside is more like the fantastic painting above. I haven’t seen the new 
illustrated by Tony Fucile
by Carter Goodrich
by Jon Klassen
by Frans Vischer
, I encountered Ward’s work again, this time in his role as the rebellious director who was dragging the Disney studio into the thick of the mid-century animation design movement. When Cartoon Modern was done, I determined that my next book would be about him. My friends at Chronicle Books who had placed their trust in me for Cartoon Modern took the plunge again and commissioned the biography.
Follow @CartoonBrew on Twitter
YouTube
Vimeo
RSS
Follow Cartoon Brew on Facebook
|
|
|
|
TAG FOR “Books”Cartoon Brew's home for up-to-the-minute, unedited announcements and press releases direct from industry sources.
October 24, 2011 11:42 am
Amazon’s website is now showing that they have copies of my latest book in stock. That would be The Art of Pixar: The Complete Color Scripts and Select Art from 25 Years of Animation My friends at Catsuka inform me that a French language version of the book is also being prepared for release next month. Here’s the French edition cover:
(Book cover photo via The Pixar Blog) 7 Comments » posted in Books, Pixar, Amid Amidi, Art of Pixar, Chronicle Books 
October 17, 2011 10:30 am
Never judge a movie spin-off by its preceding Shrek connections, nor how good its “Art-of” book looks – but once again the concept art connected to a new Dreamworks film looks amazing. My friend Ramin Zahed has penned an informative text to accompany the gorgeous inspirational pieces (Richard Daskas, Ronald A. Kurniawan, Guillaume Aretos, etc.), character designs (Patrick Maté), storyboards (Bob Logan, Paul Fisher, Bob Persichetti), color script (Nate Wragg), and all the paintings, paintings, paintings (by Nathan Fowkes, Dominique Louis, Kirsten Kawamura and so many others) collected in the new The Art of Puss In Boots. I just got a copy and highly recommend it – a worthy addition to the collection. Now, let’s hope the film lives up to all this great visual material. 23 Comments » posted in Books, dreamworks, Puss in Boots
October 11, 2011 12:05 am
I know, I know… you think I’m simply a shill for everything Craig Yoe and Steve Stanchfield produce. I admit I’m a minor contributor to many of their projects… but ya gotta believe me: their stuff is great! Both are back this week with two new items I can’t recommend highly enough:
The set begins with the long lost educational film, How Animated Cartoons Are Made (1919), featuring animator Wallace Carlson showing us how they did it at the pioneering Bray Studio. This print has been gorgeously restored from an uber-obscure 28mm original! Other incredible finds on this disc include the Jam Handy Drawing Account (1941) featuring animator Robert Allen explaining the nuts and bolts (literally) of cartoon production in the 1940s; Old Chinese Proverb (1941) featuring a look inside the Jerry Fairbanks (Speaking of Animals) Studio; rare color footage of animators at work at Terrytoons in the 1940s; Disney animator Clair Weeks setting up a modern (1956) animation studio in India; and Otto Messmer animating the giant electric Time Square billboards. There is also a Disney behind-the-scenes promo from a forgotten RKO Newsreel; a rare Paul Terry Social Security sales pitch; and just for fun, Van Bueren’s rubber-hose animation classic Makin’ ‘Em Move (1931) – which is probably the most accurate film in the whole bunch!
This is a must-have video compilation for everyone reading this blog – yeah, even you! Animators, educators, students, vintage cartoon collectors. They don’t make ‘em like this anymore – here’s everything you need to know about how they did it. Buy it today.  Wowie-KaZowie! Speaking of “not making ‘em like this anymore” – The Carl Barks Big Book of Barney Bear is the latest Craig Yoe hardcover collection of classic comic book stories, this time bringing together the 1940s Barney Bear comics – written and drawn by Disney Legend Carl Barks (Uncle Scrooge)! Barney Bear was an MGM animated cartoon star and these stories originally appeared in Dell’s Our Gang Comics. They feature Barney teamed with one Benny Burro – a team that began on screen in MGM’s The Prospecting Bear (1941) and ended with Half Pint Palomino (1953); though Benny also appears solo in Rudolph Ising’s short Little Gravel Voice (1942). Barks was a major creative figure in comics: an outstanding gag writer and story-teller who’s work has gone on to influence comic artists, filmmakers and animators. Everything he did is worth a read – and this is no exception. Barney and Benny may not been Disney characters, but these stories are pure Barks – superbly drawn, cleverly staged and very funny. My favorite is one where Barney tries to catch an escaped convict, Klepto Klippo – a character designed to look like a 8-foot Mickey Mouse. I almost forgot to mention that Jeff Smith provides an Introduction and a wonderful tribute cover. If you love cartoons, MGM cartoons in particular or Carl Barks you need to buy this right now.
18 Comments » posted in Books, DVD, Carl Barks, Craig Yoe, Steven Stanchfield
September 20, 2011 12:37 am
Animation artists have worked in children’s book publishing for almost as long as the animation industry has existed. The trend continues to this day; below are four recently published children’s books that were illustrated by artists who have extensive animation industry experience. And we’ll probably see more of these books for quite some time: in a rare bit of good news for the traditional publishing industry, this Publisher’s Weekly article reports that children’s book sales remain one of print’s strongest markets.
12 Comments » posted in Books
September 14, 2011 12:30 am
Who says print is dead? It’s been about a month since my last batch of book reviews and I’ve come up with four new books worthy of your attention – if not your hard-earned dollars…
 Oh Boy! More Craig Yoe books! Yes, Craig is a friend – and yes, I’m a huge fan – but his seemingly endless series of books, for IDW Publishing, are worthy of all the hype. Here’s two more: first up, The Best of Archie’s Mad House. I loved this Archie comic when I was a kid almost as much as I loved Mad and Cracked! I’m grateful this material hasn’t been forgotten. Yoe’s hardcover collects the mag’s funniest stories, including the first appearances of Sabrina the teenage witch, Captain Sprocket and Chester (Cool) and Lester (Square). The reproduction of comics pages is great and as usual, Yoe has a front section that gives the backstory of this oddball comic with rare artwork and a cover gallery. Buy this – its funny!
 Amazing 3-D Comics is one amazing comics reprint book. Here, Craig Yoe has selected the best examples of the 3D comics from the 1950s, produced at the height of the first 3D craze. Most of the comics herein are of various adventure comics genres – but Yoe includes a healthy dose of funny stuff from Otto Messmer (Felix), Milt Stein and Norman Maurer (Three Stooges). I love classic 3-D movies and comics – this book satisfies my dimensional needs quite nicely. Joe Kubert contributes a new 3D cover and Introduction and of course, a pair of red-blue 3D glasses are included. Highly recommended!
 Walt Disney Animation Studios The Archive Series: Layout & Background is the latest in the Archive series of large, lavishly illustrated books highlighting a different aspect of the classic production process. Previous entries in this series included Design, Animation and Story. These books showcase the art – there is hardly any text – and that’s as it should be. The large size and perfect reproduction makes it feel as if you are looking at the original pieces. In this case its background paintings and layout sketches by Eyvind Earle, Claude Coats, Walter Peregoy, Maurice Noble, James Coleman, Serge Michaels, Al Dempster, Bill Layne, Art Riley and Brice Mack. Amazing, beautiful stuff. A must-have for anyone with an interest in Disney and classic animation. This book will be released October 25th.
4 Comments » posted in Books, Craig Yoe, Stephen Cavalier
September 13, 2011 9:47 am
Publishing isn’t dying, it’s just becoming more animated. Los Angeles-based JibJab sees an opportunity to benefit from the emergence of digital children’s books on tablets like the iPad. They recently launched a new product line called JibJab Jr. Books. Powered by their “Starring You” technology, it allows kids to insert themselves into their storybooks. The app is free to download on the iTunes store, and comes with a starter book. Additional titles can be purchased for $7.99 individually or $3.99 as part of a monthly subscription plan. This USA Today article discusses JibJab’s new strategy for children’s books, while this app review on Pad Gadget offers a pretty good overview of how JibJab Jr. works. The JibJab titles don’t offer the hyper-clickable interactivity or audio narration/sound effects of other recent iPad children’s book efforts like Bill Joyce’s The Fantastic Flying Books of Mr. Morris Lessmore, but they have an equally compelling feature in content personalization. Right now, that’s enough to stand out from the pack, although they’ll likely need to add interactivity and sound at some point to stay competitive. Another unique aspect of the books is that JibJab is commissioning a lot of fresh voices, including many from the animation industry, to illustrate their book titles. Among the artists they’ve enlisted so far are Nate Wragg, John Martz, Brigette Barrager and Kai Wu. (Disclosure: JibJab is a sponsor of Cartoon Brew’s 2011 Student Animation Festival.) No Comments » posted in Books, Tech, Brigette Barrager, iPad, jibjab, John Martz, Kai Wu, Nate Wragg
September 12, 2011 4:55 am
I’m sure that after all my incessant musings and ramblings about this guy, some readers have already figured out that something’s up. So I’m excited to officially announce today that I’m working on a biography about the legendary Disney animator and director Ward Kimball. It’s not always easy to pinpoint where an idea originates, but this one is fairly clear-cut. It happened in the fall of 2000, when I visited Ward at his home for an interview. After we had spoken, he took some time to show me around his place, and when we went to his storage shed, he began pulling out boxes of his artwork. But these weren’t familiar animation drawings of Jiminy, Lucifer or the Mad Hatter as one might expect. He wanted to show me his personal paintings and drawings. Then he pointed to a few of his moving assemblage pieces, which he called “kinetics,” sitting in the corner. They were dusty and had seen better days, but after seeing these pieces, it began to dawn on me that Ward wasn’t just one of the greatest animators of his generation, he was a modern-day Renaissance man.
To make a long story short, nothing happened at the time and Ward passed away a year-and-a-half later. My interest in his work was rekindled when I started writing books a few years later. While researching Cartoon Modern It’s been almost four years since the book was greenlit. During this period, I’ve been incredibly lucky to collaborate on book projects with the fine folks at Pixar (twice!), as well as with uber-talents Peter de Sève and John Kricfalusi. Throughout these projects, I’ve chipped away at the Kimball bio. It’s been more challenging than I ever imagined to explore all the passions in Ward’s life and how they fit together—his music, his trains, his animation, his directorial work, his personal art. . .they all played a role in defining who he was as a person.
My hope is that the book will offer a nuanced portrait of Ward, both as an artist and a person. Besides offering a thorough account of his achievements in the form of a 60,000-word manuscript, the book will be a true visual celebration with hundreds of never-before-seen photos, documents and drawings from his personal collection. The Kimball family has been supportive throughout and has provided access to all of Ward’s personal files, photos and diaries, which I’ve combined with new research and interviews. I also had the privilege of speaking with Ward’s delightful wife Betty on multiple occasions before her death last year. The book, a 240-page hardcover, should be out in the second half of 2012. Since the book isn’t completely finished yet, I should mention that if any readers have unique Kimball artwork or ephemera in their collections, please get in touch with me. To keep abreast of the project or to just talk Ward, subscribe to the Ward Kimball Facebook fan page or Ward’s Twitter account.
36 Comments » posted in Books, Classic, Disney, Ward Kimball, Chronicle Books
August 28, 2011 6:52 pm
Here’s an animated piece by Maud Remy and Gérald Guerlais describing Sketchtravel, a sketchbook that has been sent around the globe and drawn in by over seventy artists, including Frederic Back, Quentin Blake, Juanjo Guarnido, Glen Keane, Hayao Miyazaki, and Carlos Nine. We first announced the project back in 2006. The book is finished now and will be auctioned off later this year. A reproduction of the book will also be published and it is available for pre-order on Amazon France. A new website, Sketchtravel.tv offers video interviews with the participating artists. |
ADVERTISEMENTS
EVENTS
RECENT BREW TV EPISODES By Sitji Chou. A man tries to understand the futility of creating human connections when they’ve been impeded by the microcosmic void between material particles.  By Nikolas Ilic. A story of a Scottish sheep farmer who shears his sheep and tosses them cliff side…  By Dylan Hayes. Lesson 1: Everyone gambles, not everyone loses. Lesson 2: The world is full of traps. Lesson 3: You cannot win if you don’t take risks.  By Jean Yi. A personal and humorous exploration of being the ‘Nice Girl’ and coming to terms with the label and all its different meanings.  By Ferg Brennan. A lonely fisherman catches an unusual fish, which he decides to keep as a pet. |
