75 Oil Paintings, 30+ Artists, 4 Countries: Hisko Hulsing’s 11-Year ‘Danse Macabre’ Journey (EXCLUSIVE TRAILER)
Premiering at Annecy this month, the filmmaker’s latest short grew from music, storyboards, and years of experimentation.
Premiering at Annecy this month, the filmmaker’s latest short grew from music, storyboards, and years of experimentation.
Directed by Harry Sinclair and Ant Elworthy, the prequel explores how Kiri and Lou became friends, with performances from Jemaine Clement and Olivia Tennet.
Topaz joined us to discuss creating the film’s upside-down, gravity-defying world, telling a full story in just one shot, and returning to his indie roots.
Stellan Skarsgård lends his voice to Mantzaris’ new felt-textured stop-motion short premiering at Animafest before heading to Annecy.
Juan Carlos Mostaza’s dark animated short blends classic Hollywood tension, noir atmosphere, and faceless wire characters in a nail-biting thriller.
‘Making a film is sculpting time.’ Vergine Keaton discusses her dialogue-free animated epic inspired by Renaissance art.
TIFF continues expanding its animation programming with a Masaaki Yuasa-curated anime series coming to TIFF Lightbox this fall.
Animated features and shorts were omnipresent across the Croisette this year, but only two animated titles left Cannes with awards recognition.
The long-running New York festival honored standout student, indie, and commercial films, with ‘Shapes’ winning Best in Show.
A boy confined to an iron brace searches for freedom in Louis Clichy’s painterly coming-of-age story set in rural France.
The British auteur discusses humor, handmade animation, and the joy of animating ahead of the film’s Cannes debut and Annecy competition screening.
The filmmaker and veteran storyboard artist explains how visual storytelling, rewritten structure, and handcrafted animation reshaped Michael Morpurgo’s novel.
Phuong Mai Nguyen’s animated feature debut, based on AJ Dungo’s graphic memoir of the same name, becomes a major early festival pickup.
Gagnol talks collaborating with Lilas Cognet after long-time partner Jean-Loup Felicioli retired, handcrafted visuals, and bringing the 2D feature to Cannes.
Producer Fabian Driehorst discusses the film’s financing push, hybrid production style, and growing support from major actors and broadcasters.
Dimitri Planchon and Jean-Paul Guigue unpack the film’s handmade 2D aesthetic, ensemble voice recording, and comic-book origins.
The ‘A Bite of Bone’ director returns with a queer unrequited love story on a dairy farm that will debut in Directors’ Fortnight, eligible for the Queer Palm.
Festival plans include major superhero previews, Netflix and Adult Swim originals, and the world premiere of a new Batman feature.
The Nordic-Baltic animation festival expands with a new industry market focused on pitching, co-production, and financing.
Italy’s annual animation and VFX gathering will honor 15 women across directing, cinematography, production design, VFX, publicity, and education.