Two and a half hours. That’s how long it took me to cast an early vote on Friday afternoon. Let’s put it this way: the wait was so long that people were ordering food on their cell phones and having it delivered to them in line. When I departed the Beverly Hills polling station, there were still over two hundred people waiting. If the lines weren’t bad enough, so many people had voted earlier in the day that they had run out of those cool oval-shaped “I Voted” stickers.

Well, sticker or no sticker, this is an important election, folks, and both Jerry and I want to urge Cartoon Brew readers to exercise their right to vote on Tuesday, November 2nd. The Brew will not collectively endorse a candidate, like some other pop culture sites are doing, nor are we going to link to sites that might be considered partisan. But a quick anecdote. I was chatting recently with animation veteran Victor Haboush and he told me that he considers the vote he’ll be casting next week to be the most important one of his lifetime. Those words carry a bit of weight coming from somebody who’s been around for more than a few elections and who was part of the invasion of Normandy on D-Day. So take a cue from Vic and participate in this election. And remember, arrive early if you want a sticker.

Brew pal Ovi Nedelcu’s new comic PIGTALE debuts on January 12, 2005. Ovi has worked as a character designer/visual development artist on a number of animated series including XIAOLIN SHOWDOWN and ZETA PROJECT. His new bi-monthly comic project, published by Image Comics, has a similar animation-inflected style with crisp design work and a dynamic sense of staging. PIGTALE is the story of amateur private investigator Boston Booth and his talking pig Clyde, and their attempts to save the city of Portland, Oregon (not that it’s particularly worth saving, but that’s besides the point). Take a look at this PREVIEW and all the positive REVIEWS from folks in the biz.

Scott Shaw informs us:On Thursday, November 4th, the multi-talented Jack Mendelsohn — creator of the classic Oddball comic strip, comic book and Paramount animated cartoon JACKY’S DIARY, among many other animated projects (including YELLOW SUBMARINE) — will be honored by The Writer’s Guild of America, West with their Lifetime Achievement Award for Animated Cartoon Writing.The event will take place on Thursday, November 4, 2004, at the Writer’s Guild of America, West headquarters at 7000 West Third Street, Los Angeles, CA 90248, 323/951-4000. A reception begins at 7:00pm and the awards ceremony starts at 8:00pm. Reservations are NOT necessary.

There’s an insightful interview with Brad Bird at AnimationTrip.com. Here’s Brad talking about creating personality through movement:

One of my problems with full animation is, often times, people do beautiful movement, but it’s not specific movement. Old people move the same as young people, women move the same as men, and fat people move the same as thin people… and people don’t move the same. Everybody moves differently. If you guys were to just freeze the way you are right now, you’re both here, sharing this moment, but in very unique ways. [Brad looks at Chris] Like, you’ve got no shoes on but you’re nicely dressed at the same time. You’re kind of off to one side, but your head is counterbalancing it, tilted to the other side like that…it’s specific to you. I wish more people would pay more attention to how things move. I don’t mean just studying how things move…that’s important to know how weight shifts and all that. But it’s also the attitude of people. I feel that a goal that we set out in this was to have every single character have their own way of moving and have it be very specific. And even though it may change from animator to animator, we came to a very specific agreement on who this character was and what kind of moves they would do.

I hope you are a member of ASIFA-Hollywood. If so, you are getting an invitation in the mail to see THE INCREDIBLES, free, opening day, with Brad Bird in person. You need to be a member and you must RSVP. More info at Asifa-Hollywood.org

Tom Sito has written a very nice remembrance of Disney legend Frank Thomas and what his passing means to the animation community. It is posted at SewardStreet.com.

The Los Angeles comics and animation scene lost a big man today – Bill Liebowitz, owner of Golden Apple Comics passed away this morning from a heart attack.This is sad news indeed. When I first arrived in L.A. in 1986, I asked a friend where the best comic book store was. I was told Golden Apple, and set out to find it. I met Bill behind the counter on my very first visit. He welcomed me to L.A. as one ex-New Yorker to another. I think I’ve seen Bill almost every week since that time. I happen to live a block away from the store at the present time.Bill always reminded me of Phil Sueling, the New York comic book impresario, whom I had also known. Bigger than life, big hearted, open minded and forward thinking. Bill always greeted me with a nickname, “Mr. Animation”, because he knew of my interest in said genre. When I started Streamline Pictures, Bill supported our efforts and was the first to order, and in large quanity, our anime videos. Bill always displayed my books and we did several book signings. In fact, I’m currently doing some lectures locally, this month, due to Bill, and I’ve been helping him arrange an IRON GIANT reunion dvd signing event (Nov. 20th). I was very proud when Bill’s store (and wife Sharon) were featured in the movie FREE ENTERPRISE.I’m still in shock over this news… Check out Golden Apple this week, either in person or on-line – it’ll always be a great store, but it won’t be the same.

Insert your own wise-ass comment here.

A couple Brew readers wrote in to correct some of my recent sloppy reportage. In this ITEM posted on paid product placements in animation, I incorrectly wrote that SHORTIES WATCHIN’ SHORTIES was a new series. The first season actually premiered earlier this year and this week is the premiere of the show’s second season. But I think I’m still correct about calling the show ‘craptacular.’

Another Brew reader wrote in regarding the same topic and tells me that the NY TIMES also misreported something in their ARTICLE on product placements. The TIMES said that the product references in FATHER OF THE PRIDE were inserted gratis. Apparently, this is untrue. This reader has it on good authority that while NBC did not get paid, DreamWorks has received monetary compensation for some of the show’s product endorsements.

And finally, yet another Brew reader wrote in to say that product placement in animation is not a new phenomenon. According to this person, Disney has engaged in such activities dating back to the Eighties: “Coca Cola was one of several companies that got ‘placement’ on the streets of New York for OLIVER AND COMPANY. The artists were thrilled. During production of the feature, Coke put in soda machines all through the studio which dispensed free soda.”

The Brewmasters – Jerry Beck and Amid Amidi – would like to thank Ken Pontac for being our “Guest Brewer” the last couple months and delighting us, and other readers, with tales from his animated sojourn to Iceland. You can see the results of his trip on Nick’s TV series LAZYTOWN. This will be Ken’s last entry on the Brew. We’ll be joined by a new guest blogger on November 1. Thanks, Ken!

Tuesday, August 3, 2004
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The Sunday pub tour with Thorir was fantastic (the parts that I remember, anyway). I was somewhat negligent in taking pictures or writing down the names of any of the places we went, but here are a couple of images that I probably took, because they were in my camera:

I remember a few things about that night:

> I ate three hot dogs, a slice of pizza, and a big old sandwich.

> I won a jackpot in a slot machine.

>I killed many Vikings.

After drinking until 4AM, the next day was pretty much a waste. I have no recollection or documentation of Monday at all. I was probably in an embarrassing stupor or some such thing.

That brings us to today, when I stepped outside my door to go to the little cafe that’s my home away from home, and while walking down the street saw a woman so remarkable-looking that I was compelled to take her photograph. One thing led to the next and soon she was joining me for a chat and a groove in the little cafe. It turned out that this formidable Amazon was Andrulla Blanchette, Ms. Olympia 2000. We chewed the fat for half an hour, then Andrulla had to hop on a plane to her next She-Hulk-style adventure.

Later that morning I enjoyed a ninety-minute soak and massage at the Nordica Hotel Spa, then cabbed it back to the hot dog stand to undo any of the medicinal benefits of that experience. This was followed with a quick nap and some intense LAZYTOWN writing, all washed down with a delicious dinner of Icelandic sushi (no whale or baby seal included). A few hours later I hooked up with Thorir at Club Nasty to listen to Long John Baldry. The place was packed, but we snagged a corner by the bar where I was able to buy drinks and shoot some great bootleg video of the legendary bluesman. This was the best day in Iceland ever! – Ken Pontac

Today is the official publication date of the new book ANIMATION ART which I participated in as a writer and General Editor.The book is a 384 page “coffee table” book, a lavishly illustrated general history of worldwide animation, attempting to touch upon every significant filmmaker, event, studio, trend and technique during the last century. It also has a groovy giant eyeball on the cover (that wasn’t my idea).The book was written by a number of animation experts, including myself, Harvey Deneroff, Michael Mallory, Chris Robinson, David Gerstein, Keith Scott, Graham Webb, Mark Mayerson, Harry McCracken, Fred Patten, Will Ryan and Ray Pointer. If you need a crash course in animation history – this one’s for you. To order it from amazon.com, click here.

On his excellent blog AniPages Daily, Ben Ettinger discusses a show that airs on NHK (“Japan’s PBS,” as he puts it) called DIGITAL STADIUM. The program, on the air since 2000, screens short films by up-and-coming animators. Far from just a random showcase of films, each week’s selection of shorts is curated by well known Japanese animation directors. Following the films, there is a roundtable discussion between the filmmakers. At the end of each show, they select a “Hall of Fame” film and again at the end of the season, choose a grand prize winner. All of the “Hall of Fame” films can be viewed ONLINE. Leave it to the Japanese to innovate once again and create an insightful TV program that treats animation with respect.

My pals Tom Sito, Roger Shulman and Heather Kenyon are appearing on a panel together on Wednesday night, for the Learning Annex in L.A., simply titled: Learn About Careers in AnimationThe panelists will discuss the state of the animation industry today, where the jobs are – in movies, TV, direct-to-video, traditional drawn animation vs. CGI and the development process. Panelists include:Jeff Howard (moderator): Director of creative affairs, DisneyToon Studios.
Saul Blinkoff and Elliot Bour: Directors, DisneyToon Studios.
Karen Foster: Development executive, Dreamworks Animation.
Heather Kenyon: Director of development, Cartoon Network.
Tom Sito: Director (Osmosis Jones), Animator and storyboard artist.
Robert Souza: Story artist on Shrek, Spiderman and Pocahontas II.
Roger S.H. Schulman: Screenwriter/producer. Credits: Shrek, Balto, Mulan II and The Jungle Book II.Wednesday, October 27, 2004 from 06:45 PM to 09:30 PM. For more info click here.