Through the end of August, the Tobey C. Moss Gallery (7321 Beverly Boulevard, LA, CA) has on display a show of animation artwork by Jules Engel. It’s a fairly small selection of artwork but includes pieces from Engel’s work on Disney’s Fantasia, UPA and Format Films color keys, and drawings from his personal short films. This Thursday, August 2, from 7-9pm, I’ll be doing a signing of Cartoon Modern in conjunction with the show. We’ll also be doing a short screening that highlights his UPA work and includes rare interview clips with Engel. Brew readers who’d like to attend can rsvp by tomorrow either by sending an email to tobeymoss [at] earthlink.net or calling the gallery at (323) 933-5523.

Former Animato! editor and current PC World editor, offers a nice Comic-Con trip report on his blog. He perceptively points out how the Con today has little to do with its original mission statement:

The crowding would seem to have something to do with Comic-Con’s complete refusal to limit its scope or differentiate between the important, the worthwhile, and the abysmal. It certainly isn’t following its mission, which reads as follows:

Comic-Con International is a nonprofit educational organization dedicated to creating awareness of, and appreciation for, comics and related popular art forms, primarily through the presentation of conventions and events that celebrate the historic and ongoing contribution of comics to art and culture.

I have nothing against Sarah Silverman, but I fail to see how her TV show is relevant to that mission. I don’t understand why there are booths hawking swords and hard drives, or why it makes sense for Playboy Playmates to be signing photos on the show floor. It rankles me that the con’s program book celebrates every comic, TV show, and movie it mentions as a hit, a masterwork, or both.

If you have a Con trip report on your blog, share the link with us in the comments section of this post.

Strange stuff! Good things and scary things abound. Here are just a couple of my comic book finds from this year’s San Diego Comic Con (Click on covers above to see a larger version).

Right to Left: SINBAD JR. is one of the favorites in my Worst Cartoons Ever! shows, especially the Sam Singer version which this particularly ugly comic seems to be based on. • I bought this horrible copy of ARCHIE No. 114 for a buck, mainly because I couldn’t take my eyes off the strange cover. Click on it to get a better look. What is the “gag” here? Archie comics at this time (1960) usually featured a cover gag situation unrelated to the inside of the book. I couldn’t figure out why Archie was being arrested by a realistic policeman (and on what charges?). It turns out this cover is related to a story inside, one in which Archie’s knowlege of the Spanish language helps save a boy’s life. • I don’t know how many Broadway plays or movie musicals were adapted into comic books, but Meredith Wilson’s THE MUSIC MAN is one of my favorites. I never saw this comic book adaptation before, but it’s quite good, all things considered. • How about this 1946 NEW YORKER cover by Abe Burnbaum? Some guy was selling old New Yorker’s for $3 bucks. As a film collector and part-time projectionist myself I couldn’t resist this great cover – and a great issue loaded with ads, cartoons and articles.

But the scariest thing I got at the Con, hands down, was this free “Temporary Tattoo” handout at the Warner’s booth:

Amid’s gone. I’m still here. Look who I met this afternoon at the Mattel Hot Wheels booth (where they were selling a very cool limited edition Hot Wheels 1966 Batmobile). Spent the day trolling several panels and walking the dealers room (Yes, they still sell comics – I’ll post some I bought later this week). Photo snapped with my funky Motorola cel phone.