Un Regard Moderne (Paris)

Un Regard Moderne
Storefront and interior. Click for bigger version

A few months ago, I solicited suggestions from readers about what to see and do while in Paris. I never did a follow-up but today I wanted to write about a highlight of that trip: Un Regard Moderne, one of the coolest bookstores I’ve ever visited. The tiny shop, located at 10 rue gît le coeur 75006 Paris, is a place that claustrophobics would be well advised to avoid. It houses thousands of volumes, mostly related to art, comics and pop culture, in two crowded rooms, with all the books precariously piled atop one another, in seemingly random order, and quite ready to topple at any given moment. The store is cramped so much so that the owner only allows four to five people in the store at any time. When we there, there were only four people and it was quite a challenge moving around.

What impressed me most was the owner’s stock which was extremely up-to-date. In fact, we found many books there that we didn’t find at the better known comic stores in Paris, including titles like Three Trees Make A Forest, I Am 8-Bit and The Mischievous Art of Jim Flora.

Also fascinating was the owner’s encyclopedic knowledge of every book crammed into his shop. My travel companions were author and video game designer David Calvo and Marseilles-based musician Guillaume Pervieux, and when my friend David inquired about an obscure graphic novel that he’d been looking for, the owner had dug the book out of one of the piles within a few minutes.

The owner generously allowed me to take a video of his store and I posted it onto YouTube a while back. The quality is fairly poor but it should offer some sense of what the store is like. Definitely worth a visit if you’re in the neighborhood.

Monte Schulz on the Peanuts Book

peanutswide1.jpg

Charles Schulz’s son, Monte Schulz, has posted a new in-depth comment on Cartoon Brew detailing some of the family’s specific objections to David Michaelis’ new book. If the book’s gross inaccuracies (which Schulz points out) are true, and I have no reason to believe they’re not, this would be a seriously flawed work of historical research. I feel it’s important to draw attention to the family’s complaints as it provides valuable information to potential readers of the book. It’s also a viewpoint that counters some of the raves that are appearing in the maintream, like this glowing New Yorker review by John Updike.

(Note: To keep the discussion from breaking into numerous threads, comments are closed for this post but can be continued in the other post with Schulz’s comment.)

Earlier Stories:
Schulz and Peanuts: A Biography
More on the Schulz book

Brew Radio (again) on Wednesday

mickeyradio.jpg

Yours truly will be broadcasting once again, live on Shokus Internet Radio this Wednesday October 17th from 4pm to 6pm Pacific time (that’s 7pm to 9pm for you in the Eastern Time Zone).

Stu Shostak and I will be discussing Terrytoons, my new books, and the upcoming DVD releases of classic animation. If you have a specific question you want answered, call in during the broadcast toll free (888) 746-5875. The first hour will be open for listener Q & A.

Serge Bromberg in Brooklyn

tobypup22.jpg

Calling all New Yorkers. Check out Treasures from a Chest at the Brooklyn Academy of Music (BAM) this Friday.

The annual program, mostly live action, presents rare silent films curated by film preservationist/entertainer Serge Bromberg (artistic director of the Annecy International Animation Festival). Bromberg’s Lobster Films archive is one of the best in the world – and Serge is one of the world’s great animation historians and film preservation heroes. The program at BAM is distilled from nearly 200 pounds of old film discovered in a hidden chest in a house in France, and includes comedies, fantasies, trick films, newsreels, cartoons, and “talkiesâ€? selected to recreate the magic of the first cinema screenings. Bromberg will be present for live piano accompaniment and commentary. If I were in New York on Friday, I’d have a front row seat (as it is, I’ll be in Burbank celebrating June Foray that night). Click here for more information. Go!

Raggedy Ann Reunion

raggedyimg1.jpg

ASIFA-Hollywood is planning a special screening and panel discussion in honor of the 30th Anniversary of Richard Williams’ Raggedy Ann & Andy: A Musical Adventure. This event will take place on Saturday November 17th in the Mark Goodson Auditorium at the American Film Institute (2021 N. Western Blvd.) in Hollywood. At 3pm, a rare CinemaScope 35mm print will be screened, followed by a panel discussion at 5pm with a large group of production personnel. Light refreshments will be available.

Williams’ Raggedy Ann was the subject of John Canemaker’s first book, and the film was unique at the time, as it was based in New York (with satellite studios in L.A. and London). Veteran animators, such as Art Babbit, Grim Natwick, Emery Hawkins, Tissa David, Gerry Chiniquy, Willis Pyle, Corny Cole, Irv Spence and Williams himself, were joined by a who’s who of talented newcomers including Michael Sporn, Eric Goldberg, Tom Sito and Dan Haskett. This event is a benefit for the ASIFA-Hollywood Animation Archive. Admission will be $15 for ASIFA members, $20 for non-members.

Ty Wong Paintings on Display

Ty Wong
Ty Wong standing in front of his illustrations for The Wild Bunch at the opening of the show a couple weeks ago. (Matt Petit/©A.M.P.A.S.)

The Academy of Motion Picture Arts & Sciences recently opened a new show at their LA headquarters called “The Art of the Motion Picture Illustrator.” The show recognizes the work of three illustrators who worked in the art departments of live-action film studios: William B. Major, Harold Michelson and Tyrus Wong.

To animation fans, Wong is best known as the artist who devised the lyrical watercolor art direction of Disney’s Bambi, but this exhibit examines his film career following his brief stint at Disney. For twenty-five years afterwards, Wong worked at Warner Bros. creating storyboards and illustrated key sets for live-action films such as The Sands of Iwo Jima, Calamity Jane, Rebel Without a Cause, Around the World in 80 Days, Auntie Mame, Harper, and The Wild Bunch. The exhibition runs through December 16 and admission is FREE. Gallery hours are Tuesday through Friday (10am-5pm) and weekends (noon-6pm). The Academy is at 8949 Wilshire Blvd. Beverly Hills, CA.

Ty Wong Painting
Set design painting by Wong for an unidentified Warner Bros. musical

10K Comments on the Brew!

Comments Please

We reached a milestone earlier in October that I think is worth mentioning: 10,000 reader comments on Cartoon Brew. We only launched comments in mid-February of this year, and we reached the 10,000 mark in under 8 months, which averages out to around 42 comments a day.

What has surprised both Jerry and I is not just the sheer number of comments but the consistently high quality of participation that we receive from industry professionals, cartoon buffs, and animation students alike. Sure, online discussion by nature lends itself to some silliness, but there’s also a lot of lively, passionate and informed discussion on the Brew. For this the credit has to go to our readership, which certainly must be one of the most knowledgeable animation communities on the Internet.

Comments moderation is not an easy task for us and takes up a significant amount of time. That includes fixing people’s links and formatting, emailing readers when a comment is inappropriate or off-topic, despamming comments that accidentally end up in the spam filter box (over 25,000 pieces of spam to date), and in general, keeping things in order. However, we believe that the effort has been more than worth it; we’ve learned a lot from the comments and feel it adds a valuable dimension to the Brew. So here’s to the next 10,000 comments and beyond.

Out of curiosity, I wanted to see what the most commented upon posts were on the Brew. These posts by no means represent the finest comments, but they are revealing in that they highlight what has generated the most reaction amongst our readers. As it turns out, bad animation will do the trick every time.

119 comments: New George of the Jungle in Flash

118 comments: Worst. MoCap. Ever.

116 comments: How Many Licks Does It Take To Make It CG

109 comments: Brew Review: Aqua Teen Hunger Force Movie Film

108 comments: Here Comes Trouble

105 comments: Imitation is the Sincerest Form of Incompetence

More on the Schulz Book

Schulz and Peanuts

There’s a lot more reaction appearing online to David Michaelis’ new book Schulz and Peanuts: A Biography. In the Wall Street Journal, Calvin and Hobbes creator Bill Watterson gives the book a positive review, saying that Michaelis has written a “a perceptive and compelling account of Schulz’s life” that “finally introduces Charles Schulz to us all.”

Editor & Publisher has an excellent piece highlighting many of the revelations in the book and the family’s objections to them.

Charles Schulz’s son, Monte, who we’ve already pointed out isn’t pleased with the book, posted a comment on our previous Cartoon Brew post further detailing his objections. Here’s his comment in full:

“The point of objection to this biography of my father is how much is simply untruthful, and deliberately so. There are many factual errors throughout the book; there are people who are give authority to speak about our family who have no insight to do so; and there are so many elements of my father’s life that David deliberately left out of the book, that it really is impossible for anyone outside of our family, or Dad’s circle of friends, to come to any genuine conclusions. I can tell you absolutely that he was not a depressed, melancholy person, nor was he unaffectionate and absent as a parent. Honestly, the quote I’ve really wanted to give the press, after reading both the early of the manuscript and the final book, is this: “The book is stupid, and David Michaelis is an idiot.â€? That said, I had a six year on-going conversation with him about this book, and like David quite a lot. But I was shocked to see the book that emerged, because it veered so drastically away from what he told us he intended to write. Which is why we’ve been so militant in our response. Incidentally, the material David edited out of the book is even more outrageous. The fact is, after reading the book, I decided I’d learned more about David Michaelis than I did about my dad. I found that interesting.”

UPDATE: A new in-depth comment from Charles Schulz’s son, Monte Schulz, as well as his sisters Amy and Jill, can be found in the comments below.

Song of the South plays Philly

sos420.jpg

I don’t know how this happened, but I just found out that Song of the South had a public performance in the Philadelphia last Tuesday night. The Chestnut Hill Free Library showed it twice, apparently without protest. Sam Adams of the weekly Philadelphia CityPaper gave the film a plug with a nicely written overview.

Was this an authorized showing – or did they screen an old VHS? Can any institution book the film? When will Disney release the film on DVD? Inquiring minds want to know.

Brickfilms and the Amateur Animation Community

Brickfilm

There was a front page article in last weekend’s Wall Street Journal about the brickfilm community. Brickfilms is a general description for any film made using LEGO bricks, and most of these shorts employ a stop-motion animation technique. For more information about brickfilming, see the definitive online resource BrickFilms.com.

I wish somebody would do a more in-depth exploration of all the new animation filmmaking techniques that have emerged as a result of today’s abundance and accessibility of digital technologies. Thanks to new ideas like Flash, Machinima, and brickfilming, there are more people producing animation today than there have ever been in the history of the art form. There are easily thousands, if not tens of thousands, of creators who are currently making their own animated shorts. Granted, in most cases these animated pieces are unable to transcend the novelties of their techniques and truly resonate as films, but the simple fact that there are so many people producing animation independently is a notable paradigm-shifting moment in the animation world.

It used to be that animation was the realm of specialists. Even a couple decades ago, an amateur would have to make a significant investment in resources to produce anything. Today, however, any 9-year-old can create animation using the laptop and digital camera in front of them. To my mind, this mainstreaming of animation production is one of the most exciting developments that has happened in years. It has yet to pay off in any appreciable manner but I can’t help and think that with so many young people knowledgeable about the animation process, good things won’t come from it.

UPDATE: I just noticed that the top post on BoingBoing is about the first brickfilm festival in Europe, which will take place tomorrow in Sweden.

(Image at top of this post from the brickfilm Gefunden – Found by GoLeGo. Watch it here)

Disney in Argentina, 1941

disneysketch.jpg

We’ve all seen the 16mm color footage of Walt Disney visting South America in 1941. Now, courtesy of the Buenos Aires Ministry of Culture website, comes a segment from a 1941 newsreel (in Spanish) showing a little more of Mr. Disney’s trip to Argentina. Couple of nice shots of Disney signing his name and sketching (sketch above right) with Argentine cartoonist Ramon Columba (sketch above left).

Anyone care to translate the narration?

(Thanks, Oscar Grillo)

Cartoon Dump #5: Spunky and Tadpole

spunkytadpoles420.jpg

A little boy and his brain challenged teddy bear.

Spunky and Tadpole was one of the worst cartoon shows ever made. Originally distributed in 1958 by Guild Films, the show was quickly outclassed in every department by Hanna-Barbera’s Huckleberry Hound and trounced by all other kiddie competition. Your tip off that this going to be awful is the cheesy title card touting “Beverly Hills Productions.” There is nothing Beverly Hills about this production!

On the plus side, it does feature Don Messick doing voices… however, the ugly artwork, minimal animation and shoddy production values justify its place in the Cartoon Dump. The fifth episode of our original live-action/animation podcast is now up on CartoonBrewFilms.com

2D or Not 2D Animation Festival

2dfestimage.jpg

The second annual 2D OR NOT 2D Animated Film Festival will be held at the New Everett Theatre in Everett, Washington, on November 2nd and 3rd.

This year’s fest is promising to be even bigger and better than last year. The theme of Friday night’s event (11/2) will be Girls Night In (Animation), hosted by Nancy Beiman (Ex-Disney animator), Kathie Flood (Microsoft Games Producer) and Kureha Yokoo (Pixar supervising animator). On Saturday afternoon, artist/designer/animator Michel Gagne will show a unique selection of his amazing work for publishing, TV and the Movies. Saturday evening’s keynote speaker is Don Hahn (producer of Disney’s The Lion King, Beauty and the Beast and Tim Burton’s The Nightmare Before Christmas).

There’s also an international animation competition, meet-and-greet networking opportunities and special feature screenings. For festival information contact Ken Rowe, Festival Director at ken-at-animaticus.com, or visit 2dornot2d.org. For ticket information contact The New Everett Theatre.