
The Animation Workshop, a school in Viborg, Denmark, has posted this year’s crop of student films onto their Vimeo page. The school has embraced the model of successful French animation schools, like Gobelins and Supinfocom, that encourages students to work in teams. Like those schools, the Workshop’s films exhibit the same strengths (incredible production values and technical craftsmanship) and weaknesses (stories lacking point of view and personal voice).
I haven’t watched all of The Animation Workshop’s graduation films yet (the program is 3-1/2 years hence the mid-year debut of these films), but among the ones I have seen, The Backwater Gospel is a visual standout. The film offers a fresh look that I haven’t seen before, although Luis Cook’s The Pearce Sisters could be considered a stylistic forefather.
The Backwater Gospel filmmakers–there’s eight of them–made a sincere attempt at stylization, not only in how they textured the characters and used flat lighting, but how they fused that together with a restrained style of movement that doesn’t immediately yell out, “I’m CG!” In particular, I love the stylized mouth shapes of the hobo character, which have a nice sculpted look.
Drenched in grim atmosphere, every frame looks like a fully rendered illustration; the effect of seeing the characters move through space so effortlessly appeared jarring at times because my eyes didn’t expect to see illustrations moving like this. Terrific use is also made of Flash, which is seamlessly integrated into the CGI.







