“Flapjack” Creator Thurop van Orman Wrestles Fan in Ottawa

Flapjack

The Marvelous Misadventures of Flapjack creator Thurop van Orman has taken fan interaction to a whole new level. This video (reposted HERE) recorded during the Ottawa International Animation Festival, which is happening right now, shows Thurop wrestling one of his fans to the ground. Here’s the setup, according to Andrew Stewart, who filmed the action:

A few of us were talking with Thurop (guy who created the show Flapjack.) and Steve Smith faked wrestled with him, but then Thurop took him out into the bushes. Steve then challenged Thurop to a 2nd match 10min later and this is that match!

Rest assured that this kind of wrestling is considered perfectly normal by Thurop, and according to Stewart’s followup tweet, might even be a kind of kinky foreplay in the van Orman household: “Thurop said he loves to wrestle and he does that with his wife too. He said she cheats by pulling his beard.”

Add this as one more reason why LA artists should consider attending Ottawa: if you’re looking for a good place to bodyslam your fans into the ground, Canada and its universal health care system beckons!

MONDAY in L.A.: “Cartoon Dump!”

Moodsy the Clinically Depressed Owl cannot be in Carton Dump this month because he’s in rehab for his auto-erotic-asfyxiation addiction. (In a very emotional group therapy session this morning he got all choked up.) So this Monday’s show will be guest-hosted by Andy Kindler and Dumpster Diver Dan with a sensational line-up of stand-up comedy guests mixed with the usual assortment of unbelievably awful cartoons.

Monday, September 26 at 8:00pm – Special guest host Andy Kindler, plus Melissa Viallasenor, Hugh Moore, an incredibly jet-lagged Jerry Beck, and special guest star Greg Proops!

Where? The Steve Allen Theater, 4773 Hollywood Blvd. • Free Parking! • Advanced Tickets here • Phone: (323) 666-9797 • Map & Directions

We’ve Created A Bronster!

As the second season of My Little Pony: Friendship Is Magic commences, it’s worth another look at the post that started the phenomenon known as The Bronies.

Amid’s commentary on the state of TV animation, which was directed towards a professional audience, was interpreted differently by younger animation fans who aren’t as familiar with industry lingo like creator-driven animation. The unexpected reaction to the article spread on 4chan’s /b/ and sparked a world-wide fandom for this innocuous children’s show, leading to obsessive sites like this and this.

Now the folks at Know Your Meme have created the video history of this show’s popularity (and done a pretty good job of mangling the pronunciation of Amid’s name in the process):

(Thanks, Kelly Toon)

FOR SALE: “Foodfight!”

We’ve been posting about Foodfight! since 2004 (the year Cartoon Brew began!) and every year we wonder if it will ever be released. (Click the Foodfight! tag to see all of our coverage.) It’s becoming The Day The Clown Cried of animated features. How bad can it be?

This bad: I spotted this classified ad (below) printed the latest issue of The Hollywood Reporter (9/23/11):

So, next Monday you can purchase the film, lock, stock and barrel from Fireman’s Fund Insurance Company, who obtained the rights when C47 Productions and Threshold Animation Studios defaulted on their loan. That is, of course, if you have at least $2.5 million dollars to throw at a film that looks like this: Click here to see Foodfight! trailer.

David OReilly and NMA Collaborate on a Short

The inevitable has happened: CG provocateur David OReilly has partnered with Taiwan’s Next Media Animation, whose mocap news reports are at least as truthful as anything you’ll see in the mainstream media. The resulting short, Children’s Medium Used for Dissemination of Truth, is exactly what you’d expect of a collaboration between these two non sequitur aficionados in that it’s totally unexpected.

An Appreciation of the Animated GIF and Gif Shop

“Animated GIFs are the web’s vinyl records,” wrote Jamie Zawinski on Twitter a few months ago. It’s a sly but accurate observation. In the face of Flash and streaming video, the animated GIF, which has been around since the 1990s, has refused to fade away. It remains a ubiquitous part of Web culture and inspires countless memes amongst a new generation of Web users. While the underlying technology of the animated GIF hasn’t changed, artists continue to explore new approaches to the form, such as cinemagraphs and the recent animated GIF comics trend.

There are many reasons for the extended reign of the animated GIF, prime among them the form’s emphasis on cycles (or loops). Rhythmic repetition was a staple graphic technique of theatrical animation during the 1920s and 1930s before being cast aside in favor of more realistic approaches to movement. The inherent beauty of cycled movement, which was cheapened by limited TV animation in the 1960s, has enjoyed a creative rebirth with the advent of the animated GIF. The animated GIF is also a remarkably potent form, and combined with good timing, it can deliver a surprising punchline as funny as any comedian’s joke. The British animator Cyriak has perfected this type of animated GIF. Perhaps the underpinning reason for the endurance of the animated GIF is its utter simplicity: it has no sound, generally last less than 10 seconds, and require no technical knowledge to create, thanks to the abundance of gif-making websites.

This brings us around to the latest development in animated GIFs: a new iPhone app (also iPad/iPhone Touch compatible) called Gif Shop. Created by Daniel Savage and Matthew Archer, the app, which costs $1.99, streamlines the GIF making process on the iPhone, and makes it easier than ever for anybody to create their own animation. While it’s possible to make any kind of animation using Gif Shop, because of the app’s integration with the iPhone camera, it lends itself particularly to the pixilation stop-motion technique.

Here’s a quick demo of how it works:

Daniel Savage, the app’s co-creator, foresees a social media component to Gif Shop as well, and believes it can become to animation what Instagram is to photos. “The concept of simply creating animated GIFs,” he writes, “evolved into a service that enables our users to share animated GIFs across their networks with no concern for hosting and file size limitations other services may impose. Since the initial concept, Gif Shop is no longer the first of its kind, but we think there is one key factor the others have missed: simplicity. It is extremely important to us that we take the tedious act of making a GIF and make it as fun and intuitive as possible.”

It’s exciting to see the emergence of easy-to-use animation software for smartphones. These apps have the potential to make the act of animating as second-nature to the general public as taking a photograph. That’s a revolutionary concept, especially when one considers that fifty years ago, there were at best a few thousand people in the entire world who could animate. Most of the people using the Gif Shop app aren’t professional animators, but then again, most people who take photographs aren’t Cartier-Bresson. It hardly matters that every animated GIF be a masterpiece. The real victory is that as more and more people animate, appreciation and understanding for the art form will inevitably grow. That may end up yet being the greatest legacy of the animated GIF.

“Cecelia and Her Selfhood” by Adrien Merigeau

Adrien Merigeau (co-director of Old Fangs) created this engimatic music video for the Irish band The Villagers and their song “Cecelia and Her Selfhood.” He made the film at his Dublin-based studio andmapsandplans. Merigeau is also the art director of
Cartoon Saloon‘s next feature Song of the Sea. (The studio previously made The Secret of Kells.) The video was animated entirely by Merigeau except for the stop motion sequence with the jackal and dragon that was animated by Eimhin McNamara.

The lyrics are a bit confusing if you take them at face value and appear to suggest murdering petty vandals, but that’s not the case according to the Villagers frontman Conor O’Brien: “I called it ‘Cecilia and Her Selfhood’ because I wanted to show the sister who ends up destroying the statue, I wanted the sister to represent the inner wicked of Cecilia herself, so it’s almost like someone destroying herself…like an analogy of that.”

(Thanks, Tomm Moore)

“Chipwrecked” trailer

While I’m off enjoying a week of the finest animation in the world at the Ottawa Festival, I leave you today with this prime example of CG/hybrid commercial moviemaking at its finest. This trailer was released a few months ago, I think while I was at Comic Con – but I thought it was worth posting here for the record. It’s the trailer for the 3rd sequel to Alvin and The Chipmunks, opening in the US on December 16th: Chipwrecked. Enjoy!

Jordan Belson, RIP

Jordan Belson

Experimental filmmaker and abstract animator Jordan Belson passed away on September 6 at the age of 85. He created more than thirty films between the 1940s and 2000s, and contributed special effects to the 1983 feature The Right Stuff. More details about his life can be found on his official page at the Center for Visual Music and in this New York Times obit. Unfortunately, Belson explicitly stated that he didn’t want his films to be posted on-line so if you’re unfamiliar with his work, you’ll have to remain unfamiliar with his work.

Film scholar Wheeler Winston Dixon wrote this eloquent tribute about Belson on his blog recently:

One of the most influential non-objective filmmakers of the second half of the 20th century, Belson’s work is most like that of John and James Whitney in its vision of a world of abstract harmony and beauty. In these ultracommercial times, the idea of someone dedicating themselves to an art form that costs a lot of money and not expecting to make a lot of money almost seems unthinkable, but yes, there was a time when people made films simply for the creative satisfaction it brought, to share their vision with the world freely. Belson was never a careerist, he was an artist, and while he never achieved notoriety outside of a small circle of enthusiasts, his influence was real and lasting.

[Image at top: From the film Allures. Copyright Jordan Belson, courtesy Center for Visual Music.]

(Thanks, Sterling Sheehy)

“The Scarf” by Carla Veldman

Today is World Alzheimer’s Day, which gives us the opportunity to share this 2010 stop motion film by Carla Veldman, who made it while attending Sheridan College. The film has played in over a dozen film festivals, including Annecy last June. It explores the topic of Alzheimer’s through the eyes of a young boy who finds it increasingly difficult to communicate with his grandmother, who is dealing with the onset of Alzheimer’s.

Going to Ottawa…

I’m en route to Canada right now to attend the 2011 Ottawa International Animation Festival, which starts tomorrow. (Above image was part of their 2009 ad campaign, which I thought was worth repeating).

New features being shown include Spain’s Chico and Rita, the Estonian Taevalaul (Sky Song), Keiichi Hara’s anime Colorful and Phil Mulloy’s Dead But Not Buried.

The programs and retrospectives look to be some of the finest ever assembled: Panels devoted to the Supinfocom Animation School, special guests Pen Ward and Thurop Van Orman, John Canemaker on Joe Grant and Joe Ranft, a spotlight on Aaron Augenblick, numerous competition screenings, not to mention my very own Cartoon Fight Club, a selection of the most violent Hollywood cartoons ever made. Too much for me to list here. Too much for me to see.

I’m not sure where I’ll be and when, but Friday morning I’ll be hanging out in the Arts Court Studio at 10:30am, available to sign books or just chat. Check the festival website for all the programming details. If you can make it to Ottawa this weekend, please do. It should be a blast!

“Ziggy” Creator Tom Wilson Dies at 80

Tom Wilson

Tom Wilson Sr., the creator of everyone’s favorite clumpy loser Ziggy, passed away last Friday, September 16, at the age of 80. I never knew much about Wilson until last year when I read the book Studio Cards. Wilson actually had a really interesting career in the Sixties and Seventies as the art director of the goofy Hi-Brows division of Cleveland’s American Greetings. Through his position, he helped encourage a lot of artists and writers including a young Robert Crumb.

The most complete obituary about Wilson that I’ve read so far is this one in the Cleveland Plain Dealer. I was surprised to see the article directly contradict Wilson’s own version of how he came up with the name Ziggy. It quotes one of Wilson’s former colleagues Tom McGreevey who says that Ziggy’s name was actually inspired by the barber of one of Wilson’s colleagues.

Because of some research I’ve recently done, I feel that I can add a bit to the story. The unnamed colleague was John Gibbons, a prolific greeting card writer who Crumb once called “Cleveland’s funniest person,” and Gibbons did more than suggest Ziggy’s name. He was also the concept person for Wilson’s illustrated book When You’re Not Around, published by American Greetings in 1969 and featuring a proto-Ziggy before he even had a name. Gibbons felt enough ownership as co-creator that he even tried to sell a Ziggy newspaper strip before Wilson sold his in 1971, and he was the strip’s primary writer in the early years. With both Wilson and Gibbons now gone, the true genesis of Ziggy may be lost to history, but it’s safe to assume the strip eventually became Wilson’s baby, and as time passed, came to reflect his personal viewpoint more than anyone else’s.

To bring this back around to animation, here’s the beginning of the delightful 1982 TV special Ziggy’s Gift which was directed by Richard Williams.

Children’s Books by Fucile, Goodrich, Klassen & Vischer

Animation artists have worked in children’s book publishing for almost as long as the animation industry has existed. The trend continues to this day; below are four recently published children’s books that were illustrated by artists who have extensive animation industry experience. And we’ll probably see more of these books for quite some time: in a rare bit of good news for the traditional publishing industry, this Publisher’s Weekly article reports that children’s book sales remain one of print’s strongest markets.

Tony Fucile
Mitchell’s License illustrated by Tony Fucile

Carter Goodrich
Say Hello to Zorro! by Carter Goodrich

Jon Klassen
I Want My Hat Back by Jon Klassen

Frans Vischer
Fuddles by Frans Vischer