This Sunday at the BFI Southbank in London, the British Film Institute, in association with the Academy of Motion Picture Arts & Sciences, will present the UK/European premiere of the reconstructed work print of Richard Williams’ “The Thief and the Cobbler.” Williams will discuss the film afterward with film critic David Robinson.
West Coast residents are in luck: if you can’t make it to an international film festival, the festival is coming to you.
There is just one annual animation award in the United States that is older than the Oscars and that’s the ASIFA-East Animation Festival. This year’s ceremony will mark the 45th year in a row that the festival has been presented. It takes place this Sunday, May 18th, at the New School’s newly built Tishman Auditorium (63 5th Avenue in Manhattan).
“DreamWorks Animation: The Exhibition” opened last month at the Australian Centre for the Moving Image (ACMI). Clearly inspired by “Pixar: 20 Years of Animation,” which was shown at the Museum of Modern Art in New York back in 2005, the DreamWorks show includes over 400 items, and covers the studio’s twenty-year history right up to the present—there are displays about “Mr. Peabody & Sherman” and “How to Train Your Dragon 2,” which will be released next month. It is the largest exhibition in the twelve-year history of the ACMI.
The exhibit “Chuck Jones: Doodles of a Genius” has opened at the Bowers Museum in Santa Ana, California. We’ve previously written about the show, which features random non-production doodles by the great Golden Age theatrical short director, and now we have a preview of some of those doodles on display thanks to the official Chuck Jones Tumblr.
The Walt Disney Family Museum has opened a new exhibit focused on one of the studio’s legendary Nine Old Men: “Leading Ladies and Femmes Fatales: The Art of Marc Davis.” The show will be up through November 3. Unlike the museum’s current Mary Blair exhibition, the Davis show is much smaller, with around 70 pieces on display.
This fall, the city of Hokkaido, Japan will present the first-ever animation festival to take place entirely in an airport. The New Chitose Airport International Animation Festival will make use of the Hokkaido airport’s well-equipped facilities, including its 377-seat theater with 3D capabilities.
Next Wednesday, the animated duo of Jeff Twiller and Randy J. Johnson will host their own animated film screening in Brooklyn. It’s a legit line-up of animated shorts, with perceptive cinematic commentary supplied inbetween the films by Twiller and Johnson. Thankfully, they happen to be animation experts.
Any exhibition that “…aims to demonstrate the centrality of animation to contemporary global culture…” is worth our attention, and the UK’s Barbican Centre-produced “Watch Me Move: The Animation Show” has been doing that at museum venues since 2011. This June, it comes to the Frist Center for the Visual Arts in Nashville.
“Animated cinema is the demiurgic art par excellence: matter comes to life and is transformed in the hands and imaginations of the creators. They, more than anybody, know about the secret life of objects.” This description, comes from the exhibition “Metamorphosis: Fantasy Visions in Starewitch, Švankmajer and the Quay Brothers,” now playing at the Centre de Cultura Contemporanea (CCCB) in Barcelona, Spain, and it’s a good summary of the work of these four visionary animators.