A few random notes on the French animated feature Persepolis:
Ã¢â‚¬Â¢ Upon winning the best animated feature prize from the NY Film Critics Circle, Persepolis creator Marjane Satrapi said, “In France, they always call the New York critics tough bastards. So thank you, my bastard friends.” Animation director Michael Sporn responded on his blog, “ItÃ¢â‚¬â„¢d be nice to hear what she might say if she wins an Oscar. SheÃ¢â‚¬â„¢ll get my vote.”
Ã¢â‚¬Â¢ The Academy of Motion Picture Arts and Sciences announced yesterday the nine films which are advancing to the next round of voting in the Foreign Language Film category. Persepolis, which was France’s entry, was snubbed and didn’t even make the shortlist. I’ve been opposed to the Oscar’s Animated Feature Film category from the very beginning for the simple reason that it continues to ghettoize the art form. Academy voters don’t feel compelled to recognize the merits of animation as film when they know that a special category exists solely for animated features. As the art form continues to mature with films like Persepolis, the flaws of the Animated Feature Film category will only become more and more evident.