Paul Dini on Contemporary Animated Films Paul Dini on Contemporary Animated Films
Feature Film

Paul Dini on Contemporary Animated Films

Do you hate the pedestrian state of storytelling in today’s animated features? Probably not as much as Paul Dini does. Dini, best known for writing on the animated Batman and Superman TV show, has posted a long essay on his blog tearing apart the contrivances of contemporary animated features. An excerpt from Dini’s rant:

“Your primary objective as a modern animation feature storyteller is to get the audience members emotionally charged (i.e., distracted from logic gaps and not thinking too much) so they will be ready for your big finale. This usually consists of the hero defeating the villain (almost always by some initial violent action of the villain that the hero has “cleverly” used to boomerang back on the bad guy; real heroes never being allowed to slay dragons on their own these days) and the villain falling to their death from a great height, the only acceptable way for a baddie to meet their end in a cartoon (Gaston, Frollo, the bear in “The Fox & The Hound,” Scar, the poacher in “Rescuers II”, anyone notice a trend here?). If the villain can trip over the edge while trying to get in one last cowardly stab at the hero, so much the better. The demise of the bad guy puts everyone in a good mood, so the sidekicks fire up the juke box, or strike up the band, or simply break into song, and while the hero and heroine share a modest kiss, everyone rocks out over the end credits.”

(via Mayerson on Animation)