Wall•E director Andrew Stanton talks with Christianity Today about some of the Genesis-related themes he incorporated into the film. The interview also offers a good explanation for why all of the film’s humans are depicted as fat babies.

There seem to be some biblical themes in this film. WALL•E is sort of like Adam, the only “guy” on earth, lonely, longing for a companion …

Andrew Stanton: Yes, and that’s certainly why I picked EVE as an appropriate title for the female robot. But “Adam” just didn’t have the underdog ring to it as the main character. WALL•E was a little bit more sad sack–and I could find an acronym that could work for that. But definitely it had that first man, first female theme. But I wasn’t trying to replace man in the bigger story. I just loved the poetic-ness that these two machines held more care for living and loving than humanity had anymore.

There’s also a bit of Noah’s Ark story here, with the humans on the space station, waiting for a chance to repopulate the earth–but having to wait till EVE comes back with plant life to indicate it’s okay.

Stanton: I wasn’t using the Noah’s Ark story as a guide, but through circumstances, I loved the parallels of EVE almost being like this dove, of going down for proof that it’s time to come back. It just worked in that allegory, so I ran with it.

Amid Amidi

Amid Amidi is Cartoon Brew's Publisher and Editor-at-large.