Why is Hollywood obsessed with making animated films based on intellectual property that doesn’t have any stories, characters, or mythologies?
“Bambi” offered a warning to humanity, but no one listened.
Old man yells at computer graphics, vfx supervisor corrects him.
Jeffrey Katzenberg’s plan to re-invent short-form web video — “New TV,” he calls it — sounds an awful lot like his approach to Dreamworks Animation.
“The Good Dinosaur” is as depressing as the movie about “the guy who got raped by a bear,” says Trey Parker.
A peek into the future of animation.
Why did the Academy invite a record number of animation artists to join their organization this year?
The Chinese government doesn’t want you to see this animated feature.
The Walt Disney Company has won 9 out of the last 10 animated feature Oscars. Now its animation president wants to help write the Oscar rules.
European producers aren’t following the same path as American animation producers. Here’s some of the key things they do differently.