Danny Hayes, a guy who worked on Coraline, complains in Bitch magazine that the Coraline production was too much of a boys-only club. Says Danny:
Make no mistake — Coraline (the just-released stop-motion feature made by Laika Productions right here in Bitch’s hometown of Portland, OR) may be a girl’s story, but the animation industry is still very much a boys’ club. Stick around for the credits after the film and you’ll see that the screenwriter, director, editors, most of the animators, and the “Based on the Novel by” guy are all dudes. This tidbit may come as a surprise, but it shouldn’t. Men were at the helm of almost every major animated feature in recent and not-so-recent history, including those movies that have been embraced specifically by female audiences.
But what does keeping female voices out of the upper echelons of the movie machine do to the industry as a whole?
In my (admittedly limited) experience, it creates a stressful, and at times hostile, work environment. From Henry Selick (the movie’s sometimes maniacal leader) on down, there was definitely a machismo feeling on the set. Competition among co-workers and an assembly-line type of atmosphere was imposed on employees, most of whom were there because of their obsession with the art form but let down by the studio’s poor treatment of its workers.