We spoke with Allers about awards season, women in animation, and why we still don’t see enough anthology animation at the multiplex.
We spoke with Martino about merging the worlds of 2D and 3D animation, and why a Charlie Brown who is actually recognized and praised isn’t much of a stretch for Schulz.
The outspoken animation legend speaks with Cartoon Brew about his new film “The Last Days of Coney Island” and other topics.
One of only two female directors currently at Disney Television Animation, Aliki Theofilopoulos speaks frankly about the ups and downs of her career in the animation industry.
The former Disney animator speaks about the challenges of creating an international co-production spanning more than a half-dozen countries, numerous visual styles, and almost a decade of production time.
Artist and filmaker Till Nowak is a rare talent who can work across art forms and scientific disciplines, until his viewers are left disoriented and dazzled.
Tensions build to an explosive breaking point for a group of automobile drivers in Nate Theis’ satirical new short “Driving.”
“The car is a tool of freedom, but it’s also destroying the planet,” says Claude Cloutier about the subject matter of his new animated short.
Yonebayashi’s second feature “When Marnie Was There” arrives on Blu-ray next week.
“The Iron Giant: Signature Edition,” director Brad Bird’s remastered masterpiece of war, peace, and paranoia, returns to theaters this Wednesday and Sunday, with new scenes courtesy of Duncan Studio.
In a wide-ranging conversation, Genndy Tartakovsky talks to Cartoon Brew about the challenges of making “Hotel Transylvania 2” and what he’s trying to do next.
What is life like after receiving an Oscar nomination? Dutch filmmakers Job, Joris & Marieke share their experiences.
The Montreal-based animator is accruing recognition for animated films that make audiences think and feel across geographical boundaries.
The director of Mexico’s leading animation conference speaks with “Cartoon Brew” about the future of Mexican animation.
How an indie animator in New York City added a unique animated touch to a major Hollywood film.
The minds behind “Shaun” hold forth for an informative half-hour on making (much) more with (much) less.
Butch Hartman knows a thing or two about working with a network — which is why he’s starting and funding his own.
After directing Pixar’s “Blue Umbrella,” Saschka Unseld has moved into the world of VR filmmaking.
Interactive, immersive animation experiences are now a reality.
“The biggest strength indie animators have is that we can do every aspect of production,” says Smith.
Annecy’s Marcel Jean and Mickael Marin speak with Cartoon Brew about the Annecy festival, which begins today in France.
Hand-drawn animation like you’ve never seen before.
Eric Power’s one-man feature combines ultra-violence with the delicacy of cut-out paper animation.
The great Dutch shorts director turns 75 years old today and he’s not slowing down one bit.
C.H. Greenblatt, creator of the animated series “Chowder,” is back with a new series, “Harvey Beaks,” that premieres this Sunday on Nickelodeon.