David OReilly conquered the world of indie cg animation in less than a decade. Now he aims to repeat that success in games with his stunning new work Everything, out today on Steam.
“Lamput” is a fresh look for Indian animation. We spoke to creator Vaibhav Kumaresh to learn how he connected with Cartoon Network for the series.
The animation and design of ‘The Boss Baby’ is a deliberate throw-back to old-school styles.
After 20 years in the industry, Oscar-nominated short filmmaker and commercial director Grant Orchard discovered that tv series production has its own unique challenges.
Made in America with Chinese money, does “Rock Dog” represent a future for animated features?
How Chris McKay immersed himself in the world of Batman for the latest Lego adventure.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Alberto Vázquez made history tonight at the Goya Awards, winning both the animated feature and short film prizes.
Is feature quality possible in a tv series? Rodrigo Blaas tried to find out with Dreamworks’ new hit “Trollhunters.”