Making an independent animated short is hard. But what if you had the power of Pixar’s animation toolset and renderfarm behind you?
Chris Renaud talks about comic influences on “The Secret Life of Pets,” Illumination’s unconventional workflow, and the studio’s fluid production process that allows humor to be added in during every stage of production.
Nearly 60 musicians were enlisted to create the recent “Steampunks” musical episode of Nick’s “Harvey Beaks.”
In the new frontier of vr animation, basic film concepts like cutting and editing can become huge technical challenges.
Bastien Dubois talks to Cartoon Brew about the challenges of transitioning from an indie filmmaker to a TV series creator.
Rémi Chayé’s unique hand-drawn feature is earning plenty of accolades, but finding an audience isn’t easy.
“Our primary goal is to broaden and redefine the perception of animation in the US.”
Steve Cutts may not be a household name, but his viral films got him the gig of a lifetime.
“Prologue,” he says, “is the only thing so far in my career that I’ve ever been really been pleased with.”
Lepore spoke with Cartoon Brew about the tactile wonder of stop-motion, gender and merit in animation, and why guest-directing ‘Adventure Time’ is a resume-stuffer that’s hard to beat.