Five-time-Academy Award winner Ken Ralston offers his thoughts on past projects and the future of vfx.
Alberto Vázquez made history tonight at the Goya Awards, winning both the animated feature and short film prizes.
Is feature quality possible in a tv series? Rodrigo Blaas tried to find out with Dreamworks’ new hit “Trollhunters.”
How Blue Sky’s Chris Wedge went from animation to live-action for ‘Monster Trucks’.
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.
“I feel like I have learned more in the last three-and-a-half years than on anything else I’ve done before.”
“Pacific Heat” co-creator Rob Sitch talks to Cartoon Brew about making an adult series for Australians.
The Oscar-nominated duo talks to us why they wanted to make their latest project as an interactive storybook app.
A deep dive with researcher Paul Debevec, who has been pivotal in some of the biggest innovations in vfx, including photoreal digital characters.
One of the most important executives in vfx, Marvel’s Victoria Alsono, gives a rare interview on how the studio approaches visual effects on its blockbuster superhero films.