He’ll stop asking for an Oscar when he gets an Oscar.
Category: motion capture
The Golden Globes, awarded annually by the Hollywood Foreign Press Assn., has revised its rules for the animated feature category. The winner of the category has gone on to win the Oscar in six of the last seven years.
Like its predecessor, “Planes: Fire & Rescue” opened in third place at the U.S. box office. The new film, however, grossed only $18 million, or 19% less than the opening of the first “Planes.”
Actor Andy Serkis may have changed his tune somewhat from earlier this spring when he insisted that animators do nothing but add ‘digital makeup’ on top of his acting.
The animated feature “JOYFLUID” opens in a limited number of IMAX 3D theaters in Mexico this Friday. The Mexio City-produced motion capture animated film was directed by Alejandro Rodriguez Huerta and made by the Rodriguez Brothers Animation Group.
“Entertainment Weekly” has published a piece on the upcoming “Dawn of the Planet of the Apes” without once mentioning the terms ‘animation,’ ‘motion capture,’ or ‘performance capture.’
Our post on Andy Serkis’s inflammatory rhetoric about the limited role of animators on his motion capture performances generated a robust, often heated, discussion in the comments. By far, the most informative comment was provided by 3-time Oscar winner Randall William Cook, who was the animation supervisor and designer at WETA on the “Lord of the Rings” trilogy that was released between 2001 and 2003.
In his never-ending quest to be recognized as a serious thespian, character actor Andy Serkis continues to minimize the role of the animators who make his performances possible. With each interview he gives, Serkis seems to do more and more of the work, and the animators less and less. About the only thing Serkis doesn’t do at this point is build his own motion capture rigs and provide his own craft services.