> Archive.org has posted another industrial film worth checking out: MAN ON THE LAND, a 1951 UPA production designed by Bill Hurtz for the American Petroleum Institute. Not UPA’s best industrial work by a longshot, but still plenty of nice graphic work to recommend. (link via Jared Chapman)
> Garth House, ex-production coordinator on MUCHA LUCHA, has relocated to China to take a course in Maya. He’s documenting his experiences abroad in a fascinating on-line journal/blog: SWEET AND SOUR STORIES. (via fwak! blog)
> Couldn’t soak in enough of that Kricfalusi magic when John visited Los Angeles last month? Then you’ll want to head down to the Virgin Megastore (8000 Sunset Blvd., Los Angeles, CA 90046) this Tuesday, October 12, where John K will be making a special appearance to sign DVDs of this holiday season’s must-have animation release REN & STIMPY: THE COMPLETE FIRST & SECOND SEASONS — UNCUT. He’ll be signing from 7-9pm.
> Being a member of ASIFA-Hollywood really pays off around this time of year. They’re hosting a bunch of free screeenings in the coming months, including DISNEY’S TEACHER’S PET film (with the filmmakers present), THE SPONGEBOB SQUAREPANTS MOVIE, SHARK TALE (nice try DreamWorks, but not even a free pass will get me in a theater for this one), and Ron Diamond’s annual cartoon extravaganza “The Animation Show of Shows” which is notable this year because it will include a screening of RYAN with director Chris Landreth in person. See the ASIFA-Hollywood site for complete details.
> There’s an animation festival taking place in LA at the end of this month and not a single person I know has heard of it. I only learned about it when Bill Plympton mentioned it to me in Ottawa. It’s called ION INTERNATIONAL ANIMATION GAMES AND SHORT FILM FESTIVAL and it takes place October 29-31 at Culver Studios. It’s billed as a “convergence festival” and seems somewhat business-oriented. More details at IONFilmFest.com.
> Disney is claiming that they don’t owe royalties on a new PETER PAN-related book they published because the copyright on the work has expired. The PETER PAN copyright is held by the Great Ormond Street Hospital in London, which received it as a gift from PAN creator J.M. Barrie before his death in 1937. By withholding royalties, Disney is denying the hospital funds which would go towards helping sick people. There is no small irony that Disney would claim somebody else’s copyright has expired while the company simultaneously lobbies Congress to change existing laws that would extend its own copyrights.