Toon Boom Launches Remote Animation Training Courses
The courses are tailored to artists at various career stages. They start on May 23.
The courses are tailored to artists at various career stages. They start on May 23.
The agency will work with the character “in all areas, including tv, film, and brand strategy and commercial endorsements.”
Praxinos manager and co-founder Elodie Moog joined us for a brief Q&A about the software.
A music video for John Legend’s “When You Can Fly,” a song from the vr experience “Crow: The Legend.”
Joseph Wallace spent almost six years developing “Salvation Has no Name.” Weeks into the shoot, he had to shut it down.
Kanter oversaw the launch of Disney Junior and the development of many Disney tv shows.
Fifty percent of production spending in Ireland is now animation.
The Chinese government has found a new use for animation: spreading anti-U.S. propaganda.
If March was defined by the shock of the coronavirus’s global spread, April is when we started to really see its repercussions for animation, and glimpse how the industry may change for good.
Welcome to the first episode of Cartoon Brew’s new podcast hosted by Jen Hurler.
In this anijam, animators depict positive things they have experienced, seen, or thought in the midst of this strange time.
The company’s animation studio has produced a segment of Netflix’s “Love, Death & Robots,” Disney’s “101 Dalmatian Street,” and music videos for Gorillaz
Her résumé also includes “Brave,” “The Book of Life,” “Elf,” and an eight-year stint as a layout artist during the Disney Renaissance.
In a guest piece, industry executive Aaron Simpson explains how the animation industry had been preparing for this disaster for decades without even knowing it.
The veteran executive served as the programming block’s creative director at its launch in 2001.
“Trolls World Tour” did well on video-on-demand. Universal wants to repeat the formula. Theaters are furious.
Paramount and Hasbro’s Entertainment One will produce the film, with a script from the writers of Marvel’s “Ant-Man and the Wasp.”
Top French animation directors tell the César Awards: “We wish to state, once again, that animation is not a genre.”
A slapstick avant garde film…
Warner Bros. gave up on a previous partnership with the toy company after their movies yielded diminishing returns.
Until theaters reopen, films that are launching on streaming or VOD services will still qualify for the Oscars.