The Deadline To Submit Animation Projects For The Third Quirino Awards Is December 12
The awards, which honor animation from Latin America, Spain, and Portugal, will return to Tenerife on April 16–18, 2020.
The awards, which honor animation from Latin America, Spain, and Portugal, will return to Tenerife on April 16–18, 2020.
“Good artists copy; great artists steal” is not the best motto if you work in the animation industry.
Praxinos manager and co-founder Elodie Moog joined us for a brief Q&A about the software.
Animators who worked on the film are sharing their reels online.
South Korea’s Studio Goindol is combining animation with ASMR sensations to create a new brand of calming animation.
A civic group alleges that “Frozen 2” is screening on over 88% of the country’s movie screens.
The Studio Ghibli library will soon be easier than ever to watch in the U.S. and Canada.
See the complete list of 2019 Annie Award nominations.
Animator Sam Cabanac wrote down 31 lessons he learned while working on “Klaus” — then published them all online.
Director Jérémy Clapin walks us through the making of his new feature “I Lost My Body.”
YOU can run Disney now.
Many of these films will only be available for a limited period of time so watch them now!
We all wait for something to happen. However, nothing does…
Michael Ouweleen will serve as interim president of cartoon Network.
The festival will feature screenings, masterclasses, dance, live readings, a drag queen, and more.
A young boy who loves to draw and build ferris wheels encounters strange creatures that turn his life upside down.
Upcoming animation events in Budapest, London, and Ljubljana.
Thanks to Youtube’s new implementation of U.S. law, animators may be at risk of losing most of their revenue from the video hosting site.
Disney’s sequel is a huge hit — but the studio is presenting it as an even bigger success than it is.
A take on the giant-impact hypothesis, a collision event that is thought to have birthed the moon and changed Earth to be as we know it.
No cute sidekicks, few songs, strange plot holes, and plenty of Plato: Disney’s 2001 feature is a masterpiece, according to this video essay.