In Part 2 of our 20th anniversary oral history of Space Jam, the crew discuss tackling new techniques for 2D animation, and gearing up for the vfx.
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We look back at the making of Michael Jackson’s “Black or White” music video on its 25th anniversary.
The creators of the Finnish cross-media brand “Gigglebug” share their unconventional app-to-broadcast journey.
Acting instructor Ed Hooks explores the animated performances of this year’s five feature animation nominees.
“Prologue,” he says, “is the only thing so far in my career that I’ve ever been really been pleased with.”
Aardman’s low-budget, big-picture animation continues to compete in our blockbuster marketplace, with stop-motion animation more real than hyperreal CGI.
An homage to “Blazing Saddles,” “Blazing Samurai” is a global animated affair.
One of only two female directors currently at Disney Television Animation, Aliki Theofilopoulos speaks frankly about the ups and downs of her career in the animation industry.
“The Iron Giant: Signature Edition,” director Brad Bird’s remastered masterpiece of war, peace, and paranoia, returns to theaters this Wednesday and Sunday, with new scenes courtesy of Duncan Studio.
What would a Looney Tunes cartoon look like without any comedy? Watch this to find out.