A backhanded compliment if ever there was one. Live-action director Guy Ritchie says he was so inspired by Brad Bird’s THE INCREDIBLES that he’s decided to set aside live-action and make a “children’s animated film.” Because after all, INCREDIBLES was nothing more than a kiddie cartoon anyways. Emru Townsend at fps magazine eloquently explains everything that is wrong with Ritchie’s announcement so I don’t have to.

Jeffrey Katzenberg says in the NY TIMES that he didn’t have much hands-on involvement in the upcoming Wallace & Gromit feature: “Any coaching that Nick [Park] and Steve [Box] got from me, or anybody, was incidental. From the beginning, their instincts have been perfect.” Lack of Katzenberg meddling also means that we might finally see a DreamWorks cartoon that is entertaining and enjoyable.

If you live in L.A. and can’t get to Ottawa next week - several screenings at Disney Concert Hall’s REDCAT Theatre in October might help. From Thursday Oct. 6th through Saturday Oct. 8th there will be three screenings of New International Animation.On October 6th, NEW ANIMATION FROM HONG KONG, CHINA AND JAPAN will feature several new shorts and the acclaimed Chinese feature MY LIFE AS McDULL. Friday night, October 7th, showcases HIGHLIGHTS FROM THE ANNECY FESTIVAL which includes new shorts by John Canemaker, Anthony Lucas and Ali Taylor. On Saturday night, PHANTOMS AND DREAMS is a program of more personal and experimental work, by the likes of Maureen Selwood, Raimund Krumme and Alex Budovsky, among many others. All programs start at 8pm. For more info check www.redcat.org

Reader Lynn Fava reports:

I don’t know if you have any Dollar Tree stores near you, but thought you might want to know that they are carrying Chuck Jones’ book “Daffy Duck for President” for (you guessed it) $1 each.

Out west we have the 99 Cents Only stores which seem to carry the same stock. I haven’t checked my local one yet, but the book is certainly worth a dollar.

Reader Aaron Neathery sends in this observation:

I saw this on Ebay and had to share. I really, really don’t understand Pachinko, but the new (not too bad) QT clips on the Sammy site do give me a hankering for some fever dream-inspired Popeye anime. Frankly, I think King Features should consider it. After all, through the work of Popeye fan Osamu Tezuka, the Fleischer style lies close to the roots of anime and manga. A Japanese production would probably maintain more fidelity with Segar and Fleischer than past American efforts (Popeye and Son). Lord knows I’d watch it.

Studio 360, a program on Public Radio International, ran a 7-minute segment last weekend on the end of hand-drawn animation at Disney. The piece has some nice comments from historian John Canemaker and animator Tony West (co-director of DREAM ON SILLY DREAMER). The show also did a shorter segment about the passing of Joe Ranft with more thoughts from Canemaker. You can listen to both segments at the Studio 360 website, but I have no idea how long the audio files will be available, so you may want to head over there soon.
(Thanks, Ovi Nedelcu!)

Update: Tom writes in, “Your readers might want to know that they have a podcast feed at Studio 360. The episode on the end of Disney hand-drawn animation can be downloaded, for a limited time,
HERE.”

Here at Cartoon Brew, our general focus on entertainment-related animation makes it easy to forget that animation is a sophisticated visual medium that can also be used to educate and inform audiences. I was reminded of this when I ran across a new animated short by Lutz Vogel and Benjamin Stephan called TRUSTED COMPUTING, a visually striking “message film” about the potential hazards of the computer industry’s move towards a trusted computing platform. The film offers an introduction to this technology in layman’s terms, and gets across its point in a surprisingly effective manner, especially for a non-technical person like myself. Well worth checking out.
(via Plasticbag.org)

We know that a lot of animation exec types read this site so here’s a message for you folks. Following the destruction of Hurricane Katrina, the School of Art at Louisiana State University is desperately seeking art supplies for children, college students and displaced adult artists. Dori Littell-Herrick, the chair of animation at Woodbury University, believes the animation industry can help. She writes:

I was very moved to hear, among all the calls for water, for food, for emergency supplies, a call for sketchbooks and markers, crayons and paint, for the artists, the art students, and the young people of the Louisiana area, who need a way to put their grief and fear and loss down in the form of art.

I’m asking how the animation community can come together and help, and asking you to pass this up the line at the studios to ask if they can help.We all know that loads of paper, pencils, markers and other art supplies sit around in studios, unused, only to get thrown away. How many of us have pulled supplies out of the trash can and taken them home. Now there is a place in need of all the supplies we can muster.

Below is the original call for help from Stuart Baron, director of the School of Art at Lousiana State University. Contact details are included:

This is the only expedient way to contact you that I can think of and am making the following appeal.

I am asking for your help in the ongoing efforts to aid the people of New Orleans and Louisiana. Here in Baton Rouge we have a great need for art supplies for the evacuees who are being housed and educated in the city and at LSU. We have four cohorts in desperate need of supplies: children and adults now living in shelters throughout the Baton Rouge area, children who are entering the public schools whose budgets are currently overtaxed and overwhelmed by the doubling of enrolled students, college art students from New Orleans now enrolled at the School of Art at LSU, and professional artists who have lost not only their supplies but their life’s work.

The East Baton Rouge Parish School System is a separate entity and one that I cannot speak for, but the others are those that I can directly reach in this effort. Any art supplies, especially drawing pads, sketchbooks, pencils, markers,watercolor sets, crayons, charcoal, printmaking supplies, sculpture tools, papers, rulers, t-squares, and anything else that is not toxic or dangerous (e.g. oil paint chemicals) is sought to give these souls ways to express their feelings and impressions of this unmatched national tragedy as well as diversion and solace in their uprooted circumstances. Of course, any gift in kind to the University has tax benefits, but your heartfelt willingness to help us in this time of abject need will not go unappreciated or publicly unnoticed. I cannot possibly explain to you the depth of hardship that now exists and the necessity for life-sustaining support. Art is such a powerful means of achieving those true expressions of loss, fear, confusion, grief, and, most importantly, hope, which words alone cannot convey. No donation would be too small.

Please, please help us by providing what you can. This is only one form of positive intervention, coming quickly from the entire country, that will enable the people and artists of the greater New Orleans area and Mississippi to sustain any possibility of a future whatsoever. All donations can be sent directly to the School of Art office at the address below.

Respectfully,
Stuart Baron
Director, School of Art
Louisiana State University
123 Art Building
Baton Rouge, Louisiana 70803
225.578.5414 (office)
225.578.5424 (fax)
baron (at) lsu.edu

If your studio is capable of helping, let us know, and we’ll keep Brew readers posted on what the animation community is doing to help Katrina victims.
(via ASIFA-Hollywood blog)