ASIFA-Hollywood’s Archive Blog has started posting images from Mary Blair’s long-out-of-print Golden Book of Little Verses and archivist Steve Worth promises to post more Blair artwork later this week. Worth has also posted an endorsement letter from June Foray about the goals of the ASIFA Archive.

Miayazki is the talk of several websites right now (due to his films being showcased this month on TCM), but another international filmmaker equally worthy of such praise is France’s Michel Ocelot. His features and shorts are rarely shown in the U.S., but next month Ocelot will be on hand at the Museum of Modern Art to introduce his latest feature Kirikou and The Wild Beasts. The screening is part of a MoMA series called Grand Illusions: The Best of Recent French Animation, which will be presented February 23-March 6, 2006.

This primer on contemporary French animation will showcase: a Ruritanian romance (Paul Grimault’s marvelous The King and the Mockingbird), a swashbuckling adventure (Jean-François Laguionie’s Island of Black Mor), an ecological parable (Jacques-Rémy Girerd’s Raining Cats and Frogs), an African folktale (Michel Ocelot’s Kirikou and the Sorceress), a dark Russian fable (Francis Nielsen’s The Dog, the General, and the Birds), and a film that defies all pigeonholing (Sylvain Chomet’s Triplets of Belleville).

Excellent films, historically significant and highly entertaining. Go.

Good stuff worth checking out.

Nate Pacheco: Talented artist and Flash technical guru who has worked on Renegade’s HI HI PUFFY AMI YUMI and ELMO AARDVARK Web cartoons, among many other things.

Brandon Scott: A student at Sheridan whose paintings have a distinctive sense of color and design.

Miles Thompson, of animation and painting fame, has started his own blog.

Clarke Snyder has started a new blog, Inspiration Grab-bag, where he’s posting artwork that inspires him. So far, lots of terrific frame grabs from Disney’s PIGS IS PIGS and scans of Mel Crawford illustrations.

We asked yesterday evening for artists to send in their thoughts about the Disney/Pixar deal. Below are a select number of the responses we received. The feelings are mixed between excitement, cautious optimism and outright disappointment.

Perhaps the best comment of the day.
From former Disney animator and director Will Finn:

This is like seeing the orcs being driven out of Middle Earth. I am overjoyed.

From the legendary Floyd Norman:

Not too many guys can say they’ve worked for both Walt Disney and John Lasseter, so I can offer a unique perspective.

Different cultures at Disney and Pixar? Naw, it’s the same culture. Eisner’s managers simply choked all the creative life out of Disney. The Disney culture is finally returning to Disney. Ed Catmull, Steve Jobs and John Lasseter will be returning it shortly. This is good news for all of us who love animation, and the Disney legacy in particular.

From a ‘CalArts alumni’:

Can you believe that? An animator in charge of Feature animation? Am I dreaming? Is Walt smiling right now? An artist, who has made short films, and feature films, studied figure drawing, can draw and animate, used an Oxberry camera, went to Cal Arts, and loves the medium to death…is in charge of animation? Is there anything better that this? Pinch me I’m dreaming. I can’t sit still, I can’t wait any longer…give me more great stories and characters!All hail John Lasseter!

NY director/animator Michael Sporn:

Ever since the advent of PIXAR, animation has been in flux. The computer continues to readjust the medium. PIXAR, again, is the player and it can only help the artform (for at least a short while). Jobs will be lost and shifted and reprogrammed. Hopefully, the films will get better. Hopefully, 2D will show up somewhere on the horizon and that will grow as well (I have a vested interest in 2D).

At the very least, Disney now has someone who knows the problems and knows the different media we use. That can’t be bad.

Remember that Eisner and Katzenberg, revitalized animation before they brought it down to where it is now. It only took a few years for that part of the soap opera to happen. Before them, there was only Don Bluth and maybe Spielberg and a lot fewer jobs.

From an ‘old-school’ Disney Feature artist who has worked there since the 1980s:

After seeing John Lasseter attempt to introduce computer animated film techniques at Walt Disney Feature Animation in 1983 (the Where The Wild Things Are test) to no avail, and after living through the two-picture-a-year toon boom flood of the 90’s, and then watching in amazement the strange paradigm shift that forced some of the best 2D talent in the world out the door along with the award winning directorial team of Ron Clements and John Musker, has made my 23 year career with Walt Disney Feature Animation quite a ride. But the thought of John Lasseter coming back home to Disney at this time of loss and creative confusion is nothing short of a miracle. WOW…

(click on image for larger version)

The drawing above is from somebody who prefers to remain anonymous. He also writes:

As a former Disney Feature Animation artist, my initial reaction upon hearing the news was expressed in this little doodle. Just soaking it all in at the moment…I can’t really see a downside at this point, given that it seems as if the creative reins at Animation are being handed over to Pixar. I almost have to pinch myself: John Lasseter is now Creative Head of both Disney Animation AND Pixar Animation Studios (and Principle Creative Advisor to WDI )…wow !

Joe Campana

Amazing what a corporation will pay to purchase an outside company that will arrive to effectively implement a tried-and-true (then forgotten) production philosophy of concentrating on story, development of characters and letting the directors be the final word… So, what WILL become of the soon-to-be-laid-off (banes of the industry) “creative executives?” Hey, they’re so damn creative, maybe they’ll get together to start their own entertainment company. This is simply the best news to come from Disney in at least ten years - although Eisner’s recent departure is a close second.

Steve Segal

I used to work for John Lasseter at Pixar and I can tell you there is no greater supporter of animation, both computer and hand-drawn than Lasseter. I am a bit surprised at the buyout. I would have preferred Pixar stay small and keep doing what they do well. I am also concerned that he will spread himself too thin. But I am happy about Pixar having control over sequels of their own films. I would love to see Brad Bird do another Incredibles adventure. Toy Story 3 is in production at Disney without Lasseter’s involvement and the staff must feel uneasy right now (of course, they should have felt uneasy when they took the job). I look forward to some great improvements in Disney animation and some cool new ideas in the parks.

Darin Bendall

What bugs me the most is that this is just such a slap in the face to any idea of artistic integrity. Over the years, Disney has transmogrified from an animation studio into a global empire of consumerism whose main product these days is some kind of vague sense of ‘family-ness’ or something. They’ve forgotten their roots to such a degree that they thought the reason nobody wanted to see Pocohontas 2 is that it wasn’t, y’know, /computer pictures/. So shut the whole thing down. No wait, let’s just buy the best animation studio out there, and then WE will be the best again right?

The problem is that this is a company who has become so fucking bland that their very name has entered everyday English as a word meaning something along the lines of ‘to sanitize something to the point that it sucks.’ I just can’t see how that won’t happen here.

Any artists at Pixar, Disney or beyond with thoughts on what the sale means — for Disney, Pixar, the animation industry as a whole? Are artists at Pixar happy or disappointed with this deal? What about Disney artists? Email your thoughts over to amid at animationblast dot com. Your name will be kept anonymous if you want. I’ll post some of the more interesting ones on the Brew. Please keep your thoughts concise and to the point.

Here’s the email that Walt Disney Feature Animation President David Stainton sent out today.

From: Stainton, David
Sent: Tuesday, January 24, 2006
To: All Employees
Cc: Iger, Robert A.; Cook, Dick
Subject: passing the torch

hey everybody,

an old blessing reads: “may you live in interesting times.” well, apparently we are actually living in those times!

as a result of the changes announced today, i will be leaving animation after 14 amazing, exhilarating, frustrating, exhausting, and very wonderful years. this will happen quickly, as John and Ed are ready to jump right in. they are truly icons of our world, so i can’t feel TOO bad about passing the torch to them. please welcome them as warmly as you have welcomed me.

most of all, i want to make sure that you know the purchase of pixar is NOT about a lack of confidence by bob and dick in what we are doing. on the contrary, in recent days they have gone out of their way to praise what we’ve accomplished. they know what we know: we have rebuilt animation at this company, landed a hit our first time at bat in CG, built amazing teams at circle 7 and dts, and have a fantastic slate of projects going forward. these are great achievements, recognized by everybody who has watched us grow over the past three years. my real wish for you is to feel proud, confident and excited about where you are going.

as exciting as it will be for me to strike out in a new direction, my home will always be here. you’ve taught me everything. i will always love you, your talent, and the great movies you make.

best,
david

And don’t let the cute dog fool you. Just so there’s no mistaking about Stainton, here’s what the director of a recent Disney feature had to say about him, just prior to Disney’s purchase of Pixar. (Both director and feature shall remain unnamed to protect the innocent.)

I LOVE the idea of Lasseter taking over Disney Feature! The only thing that would be better is if David Stainton is tazered, maced, and peppersprayed, and then frogmarched out of the building, stuffed into a burlap bag and thrown into the LA river. Oh, and a video of the above in an easily downloadable format for my iPod.

In case you haven’t heard — now it’s official. Jobs is Disney’s largest shareholder. Any way you slice it - he’s now the big cheese. Pixar President Ed Catmull has become the President of the new Pixar and Disney animation studios. Lasseter is CCO (Chief Creative Officer) of the animation studios and Principal Creative Adviser of Walt Disney Imagineering. Link to official press release from Disney and Pixar.

Former ANIMATO! editor (and current PC WORLD editor) Harry McCracken asks the questions that are weighing heavily on the collective mind of the animation community right now. For example, “Does John Lasseter want to run Disney animation?,” “Will Disney stop releasing pap?,” “Might we see the Pixar folks make some hand-drawn features?,” and “Does the Pixar name disappear?” Harry’s insightful list of questions and thoughts can be found on his blog Harry-Go-Round. He also invites others to share their own questions about the merger.