Next Friday, April 18th, Katsuhiro Otomo’s “Short Peace” will make its U.S. theatrical debut.
While animation is most often used as an entertainment form, it can also used to educate, and increasingly, to advocate for social causes. We saw animation yesterday for a gun safety PSA in the United States, and now we turn to Australia where Universities Australia is promoting its Keep It Clever Australia campaign to stress the value of public funding for university education and research.
Animator and director Stephan Franck (“Iron Giant,” “Despicable Me”), who was recently nominated at the Annie Awards for his work on “The Smurfs: The Legend of Smurfy Hollow,” premiered a collected paperback version of his adventure comic Silver at the Emerald City Comic Convention last month.
Every day at least 6 children age 0 to 18 are injured in an unintentional shooting, and 75% of gun shot injuries to children under ten that are serious enough to require hospitalization are due to unintentional shootings.
To commemorate ten years of Cartoon Brew, I thought it would be fun to revisit our posts from earlier years. What happened in animation last year? Five years ago? Ten years ago?
Helium Harvey is a curious boy exploring his backyard. After breathing in helium to change his voice, he turns into a balloon and goes on an airborne adventure around the world.
Nickelodeon is making a concerted effort to promote its renewed dedication to creativity at its animation studio. This week, they will open an art exhibit, “Butt What Is Art? A Sanjay and Craig Fine Art Retrospective,” at California State University, Fullerton’s Atrium Gallery (Pollak Library). The exhibit will focus on art created for, and inspired by, the series about an Indian boy and his talking snake:
Cartoon Brew officially launched on March 15, 2004. A decade is a long time to be doing anything, but it feels like an especially long time to be blogging daily. As we head into the site’s 10th anniversary year, here are some reflections on where we’ve been and where we’re headed.
On Sunday April 13, as part of the Bird’s Eye Film Festival, the Barbican art centre in London is set to hold an event to mark the centenary of animator Joy Batchelor. Speaking at the event will be Joy’s daughter Vivien Halas; author and former Channel 4 commissioning editor for animation Clare Kitson; BFI animation curator Jez Stewart, and film critic Brian Sibley, whose work includes books on Disney and Aardman.
A Doraemon/Akira mashup for the 2020 Tokyo Summer Olympic Games.
Rotterdam, Netherlands-based Wouter Tulp creates a variety of narrative illustration work for children’s books, editorial use, and animated films. Also a skilled caricaturist, Tulp sketches and paints some well-known heads with humor and embellishment.
Mark Mayerson, a TV show creator, animator, and teacher, has written what may be the single best thing I’ve ever read about the contemporary animation pitching process.
Sony Pictures has demanded the removal of the CGI short film Sintel from YouTube due to a claim of copyright infringement. One small problem: they don’t actually own anything in the film.
Bristok, UK-based Finnish artist Ross Hvidsten creates a unique range of work that includes experiments in 3D animation as well as traditional drawing.
Dolphin Burger Studios, a workshop for disabled artists and animators in Brighton, England, has produced a fan-remake of the memorable stop-motion music video for Peter Gabriel’s “Sledgehammer.”
The French animated feature “Ernest & Celestine” continues its expansion into U.S. theaters this weekend. Here is a list of everywhere that it’s playing.
Bruce Timm has completed a new short entitled “Batman: Strange Days” which will premiere on Cartoon Network next Wednesday, April 9th, following an episode of “Teen Titans Go!” (6:30pm ET/5:30pm CT). The monochromatic piece, which was created as part of this year’s 75th anniversary Batman celebration, pits Batman against Dr. Hugo Strange, a classic “Detective Comics” villain who predates the Joker and Catwoman.
An ‘Anijam’ is a collaborative animation where various artists create individual short animated segments that are linked together to make one larger film. For the first time in Canadian history, 15 of Canada’s most acclaimed independent animators have come together to create a collaborative animated film. “Yellow Sticky Notes: Canadian Anijam” is an innovative and global approach to animation filmmaking and unites animators from coast to coast, from Vancouver to Halifax and all parts in between, to self reflect on one day of their lives using only 4×6 inch yellow sticky notes, a black pen and animation meditation.
When you think of countries that are known for their animation, Brazil is probably not among the first that comes to mind. However, the country has nearly a century-long history of producing animation, and while historically most of the animation they have made hasn’t been seen outside of its borders, there have been notable contributions to the art form throughout the country’s history. With the animation industry growing quickly in Brazil—they are ranked seventh for countries that visit Cartoon Brew most often—it is a great time to explore the country’s animation legacy.
Starting out as a side character in the Wallace and Gromit short “A Close Shave” (1995), Shaun the Sheep became an unlikely franchise star. After getting his own line of merchandise and a spin-off television series (which was popular enough to spawn its own spin-off, “Timmy Time”) Shaun is set to become the subject of Aardman’s next feature in spring 2015. The film currently doesn’t appear to have a U.S. distributor.
This is a rare demo of Pixar’s proprietary animation system called Presto. The program was written originally for “Brave” and is being used on all of the studio’s upcoming films. It offers animators a deep level of control within a real-time, interactive environment.
JooHee Yoon is an artist on the East Coast of the United States who creates illustrations using printing and drawing techniques.
Giannalberto Bendazzi’s “Cartoons” is an indispensable animation history book . Why won’t any American publisher take a risk on the updated version?
A film about design. If for one day you had the power to make your world work better, what would you change?
Born in 1984 in Aichi Prefecture Japan, Tatsuhiro Ariyoshi is an independent animator who lives and works in Tokyo. He graduated from the Musashino Art University (Department of Imaging Arts & Sciences) in 2009, followed by a graduate degree from the animation department at the Tokyo University of the Arts.