Hell hath no fury like a fanboy spurned, but that usually doesn’t occur until after the film in question has been released to theaters. Tired of having their expectations dashed by disappointing news of the long anticipated live-action “Akira” adaptation, fans completed their own live version of a trailer for the popular manga-turned-anime, one that attempts to “do ‘Akira’ justice” by following the source material as closely as possible.
Laika does amazing work as an animation studio, no doubt about it, but the studio’s history is somewhat less admirable. The company was built on top of Will Vinton’s eponymous Portland studio in a shrewd corporate takeover by multi-billionaire Nike co-founder Phil Knight. After Knight took control of the company in 2002, he placed a failed rapper named Chilly Tee with slight experience in animation, who also happened to be his son Travis Knight, in charge of the entire company.
“Jellyfish Eyes” marks the feature film directing debut of Japanese superstar artist Takashi Murakami. Described as a post-Fukushima sci-fi fantasy, the $7 million live-action/CGI hybrid film incorporates Murakami’s goofily-styled creatures throughout, as well as an appearance by his fine art character Miss Ko2.
“DreamWorks Animation: The Exhibition” opened last month at the Australian Centre for the Moving Image (ACMI). Clearly inspired by “Pixar: 20 Years of Animation,” which was shown at the Museum of Modern Art in New York back in 2005, the DreamWorks show includes over 400 items, and covers the studio’s twenty-year history right up to the present—there are displays about “Mr. Peabody & Sherman” and “How to Train Your Dragon 2,” which will be released next month. It is the largest exhibition in the twelve-year history of the ACMI.
Cartoon Brew-ED is our new educational initiative that is edited by veteran animator and teacher Colin Giles. This new forum offers helpful animation tips, links to learning resources, and original educational content.
In his never-ending quest to be recognized as a serious thespian, character actor Andy Serkis continues to minimize the role of the animators who make his performances possible. With each interview he gives, Serkis seems to do more and more of the work, and the animators less and less. About the only thing Serkis doesn’t do at this point is build his own motion capture rigs and provide his own craft services.
Will Ferrell and “Anchorman” director/writer Adam McKay are developing a CGI-animated “Flintstones” pic. Chris Henchy will write the script.
Marc James Roels and Emma De Swaef are an animation duo from Ghent, Belgium. Their work has gained extensive notoriety in the past few years, after their 17-minute wool-animated short “Oh Willy…” swept the festival circuit, racking up countless awards and charming the hearts of audiences across the globe.
Following the success of the “LEGO Movie”—$457 million to date—Warner Bros. is getting back into feature animation in a big way.
For the fifth year in a row, we are pleased to announce our annual Cartoon Brew Student Film Festival. The mission for the festival is simple: to honor student-produced animated shorts and share them with the widest possible community of industry decision-makers, fellow students, and animation enthusiasts from around the world.
Based on a true story, “Cruising” follows a young man through an extrovert’s dream and an introvert’s nightmare—the chaotic and cacophonous world of forced-fun aboard an insular cruise ship. His initial inability to accept his environment drives him to suicidal fantasy, where he learns to cope with his stressors, discomfort and anxieties.
Ralph Bakshi pulled himself away from his drawing desk in New Mexico to chat with Cartoon Brew about his legacy, his latest project “The Last Days of Coney Island,” which he recently funded on Kickstarter, and what he really thinks about the computer’s role in animation these days.
The exhibit “Chuck Jones: Doodles of a Genius” has opened at the Bowers Museum in Santa Ana, California. We’ve previously written about the show, which features random non-production doodles by the great Golden Age theatrical short director, and now we have a preview of some of those doodles on display thanks to the official Chuck Jones Tumblr.
The Academy of Motion Picture Arts & Sciences has announced the finalists for the 41st Student Academy Awards. The awards ceremony will take place on Saturday, June 7, at the DGA Theater in Hollywood. Among the five categories, one of them is dedicated entirely to animation, and another category—Alternative—includes animated films in it, too.
The Walt Disney Family Museum has opened a new exhibit focused on one of the studio’s legendary Nine Old Men: “Leading Ladies and Femmes Fatales: The Art of Marc Davis.” The show will be up through November 3. Unlike the museum’s current Mary Blair exhibition, the Davis show is much smaller, with around 70 pieces on display.
Believe it or not, one of the best online sources for animation history buffs is YouTube. Amazing and rare materials, often digitized from private film collections, is posted regularly on the streaming site. You just have to know where to look.
A look at animation history via Cartoon Brew’s archives.
While this week’s “Steven Universe” opened a lot of doors as far as characterization and parallels, it was simply okay. Mr. Pizza was comical relief but other than that you had to dig for the entertainment.
A boy who seeks only survival is challenged by his dog who seeks only his attention.
During YouTube’s splashy Brandcast upfront event on Wednesday, DreamWorks announced the launch of DreamWorksTV, a new streaming children’s channel that will offer original animated and live-action programming, as well as vintage animation content.
A look at the work of Romain Barriaux, Cartoon Brew’s Artist of the Day.
Sony announced today that their all-CGI “Smurfs” pic, directed by animation veteran Kelly Asbury (“Shrek 2,” “Gnomeo & Juliet”), will be pushed back from its original 2015 release date to 2016.
This fall, the city of Hokkaido, Japan will present the first-ever animation festival to take place entirely in an airport. The New Chitose Airport International Animation Festival will make use of the Hokkaido airport’s well-equipped facilities, including its 377-seat theater with 3D capabilities.
Directors who have graduated from CalArts’ character and experimental animation programs have generated over $30 billion in box office grosses since 1985. However you slice it, that’s a remarkable amount.
For the past few days on Cartoon Brew’s Instagram account, we’ve been running a series called 25 Cartoonists You Should Know. The entire series is below, and yes, the list could easily be twice as long and still incomplete.