‘Raya And The Last Dragon’ Co-Director Carlos López Estrada To Helm ‘Your Name’ Live-Action Remake
López Estrada is the third different director who has been attached to the remake.
López Estrada is the third different director who has been attached to the remake.
The Irish studio will expand Princess’ output capacity as it targets new genres and new markets.
The world of animation is as much about storytelling as it is about technique. Animation Mentor’s latest student showcase is a testament to this fact.
Netflix’s most-nominated project is “Maya and the Three;” Disney’s is “Ciao Alberto.”
The projects are from Belgium, Croatia, France, and Czech Republic.
“I know how to do every job in animation, so I’m gonna just sit down and do this,” Kopp says of his decision to go indie.
The Chinese streaming platform notes that it has seen a boom in demand for adult animation.
One of Eastern Europe’s biggest animation get-togethers, this year’s CEE will be hybrid, with most events available to watch online.
Animation and live-action director Clay Kaytis believes it’s time for all directors to be covered by the Directors Guild of America.
High profile original fare is joined by a glut of holiday themed programming in our November animation streaming guide.
The co-heads will begin their four-year term on November 1 and steer Warner’s DC output across film, tv, and animation.
Kamentsky’s camera-less, abstract pieces combine technical innovation with frequently absurd, comical, and saucy storylines.
Critics have called it “overstuffed” and “unfocused,” yet most were happy to forgive those faults thanks to the film’s virtues.
Illustrator Pablo Lobato, who had never worked in animation prior to this film, had to both learn – and unlearn – craft and skills to design characters for stop motion.
Other prize winners included features ‘My Father’s Dragon’ and ‘Aurora’s Sunrise’ and the short film ‘Ice Merchants.’
For nearly three decades, Rankin/Bass produced animated specials, series, and films that still endure today.
The acquisition gives Sony access to Pixomondo’s extensive virtual production capabilities.
Creators Seth Rogen and Evan Goldberg call it a “soon-to-be-legendary televised masterpiece.”
“I wanted to have evidence of [stop motion’s imperfections],” says Selick. “I think the audience needs to work a little bit to make the magic real, but then the movie means more to them.”
Despite being a kids’ series, the show “touches on ‘adult themes’ and illuminates our shared traumatic experience,” according to its creators.
Works from as far back 2019 are eligible for this year’s awards, creating a familiar field of nominees.