Sixteen animated films are needed to enter and qualify in order for five animated features to be nominated for a Best Animated Feature Academy Award. This might be the film that tips the scale in favor of five nominees.

Zeitgeist Films is opening this French-Belgian co-production in New York next month and in Los Angeles in January. However, the distributor had not scheduled the required L.A. qualifying run, so filmmakers Stephane Aubier and Vincent Patar took matters into their own hands, filled out the Oscar submission forms and booked the film into L.A.’s Claremont 5 to play there between December 11th and December 17th.

The Film Forum in New York will play the film December 16th-29th. The Nuart in West L.A. will open the film on January 22nd. Check out the original TV episodes on Hulu.com.

Pssst! Be the first in LA to see A Town Called Panic this Saturday Nov 7 at 11am, as part of the AFI FEST at Laemmle’s Santa Monica 4.

An article in National Geographic discusses the results of an “uncanny valley” test on monkeys. Researchers showed monkeys three versions of a monkey on a monitor—one video of a real monkey; one stylized CG model; and one realistic “uncanny valley” animated face. Guess what happened? The research suggests that “given the choice, monkeys prefer to look anywhere other than at a realistic fake monkey.”

The monkeys looked more often, and longer, at the real deal and the unrealistic fake, study co-author Asif Ghazanfar said. “This is anecdotal, but they seemed to even avert their gaze from the realistic fake face, like they didn’t want to look at it,” said Ghazanfar, a Princeton psychology professor.

The article goes on to say:

The discovery may be important, for a couple of reasons. First, Ghazanfar said, it provides evidence supporting the theory that the uncanny valley is not a result of cultural preferences—it’s hardwired into our heads.

(Thanks, Arthur Metcalf)

Here’s something the great Art Babbitt uttered in 1941.

“I look forward to the day when real artists who are more than craftsmen, who have developed their art, will come into this business, will pay it the attention it deserves as a potentially serious art medium…Disney and other studio heads have actually held the industry back by years by their ‘out-of-the-world’ fantasies, by their refusal to deal with real life and by their enchantment with ‘calendar art.’ I want to see those days go by the board. I want to see real artists assume leadership in this game.”

One could say the exact same thing about today’s mainstream animation, and sadly, it would all still apply.

(quote from Michael Barrier’s website)

A three-minute preview of Prep & Landing was released online today. It’s a TV special from Disney Feature Animation directed by Kevin Deters and Stevie Wermers-Skelton. It premieres on ABC next month.

As a historian, I get a real kick whenever I discover that somebody I had no idea was still alive is, in fact, alive and well. Such is the case with this article in the Monterey County Herald which reveals that Maxine Patin is still around at 95, and is even having a show of her paintings this weekend. She was married to Ray Patin, who was an animator before launching Ray Patin Productions, one of the most successful TV commercial studios in LA during the 1950s. (A lot of the studio’s art can be found online including here and here.) It doesn’t appear that Maxine ever worked in animation, but it’s clear that she’s lived quite a full life herself. I particularly liked this quote from her daughter: “She has a beauty, intelligence and a nobility that she’s completely unaware of — and that, in itself, is part of her beauty. She doesn’t know how not to be kind. She doesn’t know how to put on airs because she came from a generation of people who never learned how to manipulate. What you see is what you get.”

I was blown away earlier today when I discovered the work of Rebecca Dart. She has a fantastic sense for funny appealing shapes, and powerful cartoon drawing. It wasn’t surprising to learn that she works in animation, and again, no surprise to see her credits on her IMDB filled with some of the crassest TV trash imaginable. It’s hard to adequately put into words how depressing it is to know that talent of this caliber exists within our industry, and the rampant cluelessness that results in these artists producing shit like this. It’s like hiring Velázquez or Vermeer to paint the lines in a parking lot — an utter, total waste of skill and talent. Though the animation world has no appreciation or use for such skill, she’s at least able to utilize her artistic voice in the comic books she makes.

(via Drawn)

The first teaser was encouraging. This new trailer has lowered my enthusiasm. But I’m not one to judge a film by its previews. I’d like to know what you think.

Yeah, this is another post ragging on Cartoon Network as is spirals down the drainpipe of doom. I was at Meltdown Comics in Hollywood last night where found this flyer (at left, click to enlarge thumbnail), recruiting “male teens” for a new reality show. It reads: “Are you between 13 and 16 years old? Would you like to have a team of Former military SPECIAL FORCES train you and your friends to plan and execute real life missions? Learn how to use night vision? Hydro Reconaissance? Rappelling? Who wouldn’t!”

“We are looking for kids who have real problems that need to be solved by our team. Do you need to get something that belongs to you back from a friend? The Special Forces team will train you to get it back using all the high tech equipment available. Need to be at a family event, but want to take a girl out on the same night? Worry no more, for with this team, you will learn spy-like maneuvers that allow you to be in two places at once! Tired of being picked on? Those days are gone! The team will take you through Commando boot camp where you will transform from scrawny to superhero.”

“This is the biggest wish fullfillment reality show… maybe ever!”

---

Dear Producers of Going Commando,

I would like your Special Forces Team to overtake the building at 300 North Third Street in Burbank, California. A group of highly paid television executives have taken over a cable cartoon network I used to love, took away all my favorite cartoons and replaced them with a whole bunch of brainless live action reality shows. I wanna kick their ass and take over the channel. Who wouldn’t? I want Looney Tunes and Popeye (and about a zillion other things) back on the air so I can share them with a new generation of kids. This is would be my biggest wish fullfillment… maybe ever!