Shorts Archives | Page 11 of 350

Know Your Indie Filmmaker: Emily Pelstring

Pelstring’s animation is akin to watching early 1980s television on a broken down portable tv set while ingesting a small dose of mescaline.

The film by the pioneering Latin American animation director was discovered in a group of old film cans.

Christopher at Sea is the only U.S. short selected for this year’s festival, and the only animated film in the Orizzonti competition section.

Hykade’s films combine a distinctive, minimalist design with often deeply personal stories about masculinity, religion, addiction, and love.

Watch Pixelatl 2022’s charming festival trailer Aquí te encuentras from director Julio Pacheco.

A rare look back at Disney’s Florida animation studio and the early days of computer animation.

Joseph Pierce’s darkly comic and surreal work unearths the often absurd and dark spots in human behavior.

Learn about British filmmaker Phil Mulloy whose bold, grotesque, and minimalist works explore the dark and savage side of human nature.

Cartoon Brew’s Cole Delaney documents his first in-person trip to the world’s biggest international animation festival.

Titles from Brazil, Peru, Mexico, and Chile were just a few from the increasingly prominent Latin American contingent at this year’s Annecy.

At a joyous closing ceremony, awards were handed out and Mexico was unveiled as the country of honor for Annecy 2023.

Cartoon Brew looks at three standout projects pitched at this year’s Nigeria Focus at Annecy’s MIFA.

Buckelew’s understated body of work often explores our complicated relationship with technology.

João Gonzalez’s Ice Merchants was the first-ever Portuguese animated film to win an award at the Cannes Film Festival.

Kantor mixes live-action footage with 2d computer animation, acrylic on paper, photography, and rotoscope to examine how we perceive memory.

Sander Joon’s films combine absurdist scenarios with bold minimalist design and stylish abstract animation.

Three shorts and one live-action feature with animated sequences will screen at this year’s Cannes Critics’ Week.

“Slow Light” employs paper cut-out stop-motion and b&w hand-drawn animation to differentiate between overlapping timelines.

Fresh off his Oscar nomination for Boxballet, Anton Dyakov has released a new short film.

Brazil, Chile, and Mexico lead the way with six nominations apiece.