Mark Dippé and Steve ‘Spaz’ Williams, who created groundbreaking vfx work on “Jurassic Park,” “T2,” and “The Abyss,” talk about what’s different about the vfx industry today.
Carton Brew speaks to ILM vfx supe Pablo Helman about the variety of vfx techniques needed to create the scene-stealing performances of Bebop and Rocksteady.
“Dragonheart,” released twenty years ago this week, was a live-action film that had one of the first digital characters you could believe in. We talk to the ILM artists who created it.
The Walt Disney Company has now won 16 consecutive animation awards at the VES Awards.
The new Turtles trailer contains plenty of cartoon fun, thanks to ILM.
Film producer Sam Mercer has been hired to run ILM’s four studios in San Francisco, Vancouver, London, and Singapore.
The full trailer for Disney and Brad Bird’s ‘Tomorrowland’ has arrived.
There are bad trailers, and then there’s this incomprehensible thing promoting “Strange Magic,” an animated feature that feels like Blue Sky’s “Epic” produced by the people who made “Delgo.”
Disney-owned Lucasfilm dropped a bombshell on the film world this morning: “Strange Magic,” a new previously-unannounced animated feature based on a story by George Lucas, will be released into theaters by Disney’s Touchstone Pictures label on January 23, 2015.
Last Friday the Scientific and Technical Awards Committee of the Academy of Motion Picture Arts and Sciences announced a list of 21 scientific and technical achievements in 16 different areas, which have been selected for further awards consideration.